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9150 lines
273 KiB
XML
9150 lines
273 KiB
XML
<?xml version="1.0"?>
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<PLAY>
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<TITLE>The Tragedy of Hamlet, Prince of Denmark</TITLE>
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<fm>
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<p>Text placed in the public domain by Moby Lexical Tools, 1992.</p>
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<p>SGML markup by Jon Bosak, 1992-1994.</p>
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<p>XML version by Jon Bosak, 1996-1997.</p>
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<p>This work may be freely copied and distributed worldwide.</p>
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</fm>
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<PERSONAE>
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<TITLE>Dramatis Personae</TITLE>
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<PERSONA>CLAUDIUS, king of Denmark. </PERSONA>
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<PERSONA>HAMLET, son to the late, and nephew to the present king.</PERSONA>
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<PERSONA>POLONIUS, lord chamberlain. </PERSONA>
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<PERSONA>HORATIO, friend to Hamlet.</PERSONA>
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<PERSONA>LAERTES, son to Polonius.</PERSONA>
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<PERSONA>LUCIANUS, nephew to the king.</PERSONA>
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<PGROUP>
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<PERSONA>VOLTIMAND</PERSONA>
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<PERSONA>CORNELIUS</PERSONA>
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<PERSONA>ROSENCRANTZ</PERSONA>
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<PERSONA>GUILDENSTERN</PERSONA>
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<PERSONA>OSRIC</PERSONA>
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<GRPDESCR>courtiers.</GRPDESCR>
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</PGROUP>
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<PERSONA>A Gentleman</PERSONA>
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<PERSONA>A Priest. </PERSONA>
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<PGROUP>
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<PERSONA>MARCELLUS</PERSONA>
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<PERSONA>BERNARDO</PERSONA>
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<GRPDESCR>officers.</GRPDESCR>
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</PGROUP>
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<PERSONA>FRANCISCO, a soldier.</PERSONA>
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<PERSONA>REYNALDO, servant to Polonius.</PERSONA>
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<PERSONA>Players.</PERSONA>
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<PERSONA>Two Clowns, grave-diggers.</PERSONA>
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<PERSONA>FORTINBRAS, prince of Norway. </PERSONA>
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<PERSONA>A Captain.</PERSONA>
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<PERSONA>English Ambassadors. </PERSONA>
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<PERSONA>GERTRUDE, queen of Denmark, and mother to Hamlet. </PERSONA>
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<PERSONA>OPHELIA, daughter to Polonius.</PERSONA>
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<PERSONA>Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and other Attendants.</PERSONA>
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<PERSONA>Ghost of Hamlet's Father. </PERSONA>
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</PERSONAE>
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<SCNDESCR>SCENE Denmark.</SCNDESCR>
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<PLAYSUBT>HAMLET</PLAYSUBT>
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<ACT><TITLE>ACT I</TITLE>
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<SCENE><TITLE>SCENE I. Elsinore. A platform before the castle.</TITLE>
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<STAGEDIR>FRANCISCO at his post. Enter to him BERNARDO</STAGEDIR>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Who's there?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>Nay, answer me: stand, and unfold yourself.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Long live the king!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>Bernardo?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>He.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>You come most carefully upon your hour.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>'Tis now struck twelve; get thee to bed, Francisco.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>For this relief much thanks: 'tis bitter cold,</LINE>
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<LINE>And I am sick at heart.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Have you had quiet guard?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>Not a mouse stirring.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Well, good night.</LINE>
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<LINE>If you do meet Horatio and Marcellus,</LINE>
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<LINE>The rivals of my watch, bid them make haste.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>I think I hear them. Stand, ho! Who's there?</LINE>
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</SPEECH>
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<STAGEDIR>Enter HORATIO and MARCELLUS</STAGEDIR>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Friends to this ground.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>And liegemen to the Dane.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>Give you good night.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>O, farewell, honest soldier:</LINE>
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<LINE>Who hath relieved you?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>FRANCISCO</SPEAKER>
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<LINE>Bernardo has my place.</LINE>
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<LINE>Give you good night.</LINE>
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</SPEECH>
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<STAGEDIR>Exit</STAGEDIR>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Holla! Bernardo!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Say,</LINE>
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<LINE>What, is Horatio there?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>A piece of him.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Welcome, Horatio: welcome, good Marcellus.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>What, has this thing appear'd again to-night?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>I have seen nothing.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Horatio says 'tis but our fantasy,</LINE>
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<LINE>And will not let belief take hold of him</LINE>
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<LINE>Touching this dreaded sight, twice seen of us:</LINE>
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<LINE>Therefore I have entreated him along</LINE>
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<LINE>With us to watch the minutes of this night;</LINE>
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<LINE>That if again this apparition come,</LINE>
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<LINE>He may approve our eyes and speak to it.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Tush, tush, 'twill not appear.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Sit down awhile;</LINE>
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<LINE>And let us once again assail your ears,</LINE>
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<LINE>That are so fortified against our story</LINE>
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<LINE>What we have two nights seen.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Well, sit we down,</LINE>
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<LINE>And let us hear Bernardo speak of this.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Last night of all,</LINE>
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<LINE>When yond same star that's westward from the pole</LINE>
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<LINE>Had made his course to illume that part of heaven</LINE>
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<LINE>Where now it burns, Marcellus and myself,</LINE>
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<LINE>The bell then beating one,--</LINE>
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</SPEECH>
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<STAGEDIR>Enter Ghost</STAGEDIR>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Peace, break thee off; look, where it comes again!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>In the same figure, like the king that's dead.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Thou art a scholar; speak to it, Horatio.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>Looks it not like the king? mark it, Horatio.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Most like: it harrows me with fear and wonder.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>It would be spoke to.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Question it, Horatio.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>What art thou that usurp'st this time of night,</LINE>
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<LINE>Together with that fair and warlike form</LINE>
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<LINE>In which the majesty of buried Denmark</LINE>
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<LINE>Did sometimes march? by heaven I charge thee, speak!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>It is offended.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>See, it stalks away!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Stay! speak, speak! I charge thee, speak!</LINE>
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</SPEECH>
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<STAGEDIR>Exit Ghost</STAGEDIR>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>'Tis gone, and will not answer.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>How now, Horatio! you tremble and look pale:</LINE>
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<LINE>Is not this something more than fantasy?</LINE>
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<LINE>What think you on't?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Before my God, I might not this believe</LINE>
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<LINE>Without the sensible and true avouch</LINE>
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<LINE>Of mine own eyes.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Is it not like the king?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>As thou art to thyself:</LINE>
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<LINE>Such was the very armour he had on</LINE>
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<LINE>When he the ambitious Norway combated;</LINE>
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<LINE>So frown'd he once, when, in an angry parle,</LINE>
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<LINE>He smote the sledded Polacks on the ice.</LINE>
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<LINE>'Tis strange.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Thus twice before, and jump at this dead hour,</LINE>
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<LINE>With martial stalk hath he gone by our watch.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>In what particular thought to work I know not;</LINE>
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<LINE>But in the gross and scope of my opinion,</LINE>
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<LINE>This bodes some strange eruption to our state.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Good now, sit down, and tell me, he that knows,</LINE>
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<LINE>Why this same strict and most observant watch</LINE>
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<LINE>So nightly toils the subject of the land,</LINE>
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<LINE>And why such daily cast of brazen cannon,</LINE>
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<LINE>And foreign mart for implements of war;</LINE>
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<LINE>Why such impress of shipwrights, whose sore task</LINE>
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<LINE>Does not divide the Sunday from the week;</LINE>
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<LINE>What might be toward, that this sweaty haste</LINE>
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<LINE>Doth make the night joint-labourer with the day:</LINE>
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<LINE>Who is't that can inform me?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>That can I;</LINE>
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<LINE>At least, the whisper goes so. Our last king,</LINE>
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<LINE>Whose image even but now appear'd to us,</LINE>
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<LINE>Was, as you know, by Fortinbras of Norway,</LINE>
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<LINE>Thereto prick'd on by a most emulate pride,</LINE>
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<LINE>Dared to the combat; in which our valiant Hamlet--</LINE>
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<LINE>For so this side of our known world esteem'd him--</LINE>
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<LINE>Did slay this Fortinbras; who by a seal'd compact,</LINE>
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<LINE>Well ratified by law and heraldry,</LINE>
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<LINE>Did forfeit, with his life, all those his lands</LINE>
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<LINE>Which he stood seized of, to the conqueror:</LINE>
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<LINE>Against the which, a moiety competent</LINE>
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<LINE>Was gaged by our king; which had return'd</LINE>
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<LINE>To the inheritance of Fortinbras,</LINE>
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<LINE>Had he been vanquisher; as, by the same covenant,</LINE>
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<LINE>And carriage of the article design'd,</LINE>
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<LINE>His fell to Hamlet. Now, sir, young Fortinbras,</LINE>
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<LINE>Of unimproved mettle hot and full,</LINE>
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<LINE>Hath in the skirts of Norway here and there</LINE>
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<LINE>Shark'd up a list of lawless resolutes,</LINE>
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<LINE>For food and diet, to some enterprise</LINE>
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<LINE>That hath a stomach in't; which is no other--</LINE>
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<LINE>As it doth well appear unto our state--</LINE>
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<LINE>But to recover of us, by strong hand</LINE>
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<LINE>And terms compulsatory, those foresaid lands</LINE>
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<LINE>So by his father lost: and this, I take it,</LINE>
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<LINE>Is the main motive of our preparations,</LINE>
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<LINE>The source of this our watch and the chief head</LINE>
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<LINE>Of this post-haste and romage in the land.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>I think it be no other but e'en so:</LINE>
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<LINE>Well may it sort that this portentous figure</LINE>
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<LINE>Comes armed through our watch; so like the king</LINE>
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<LINE>That was and is the question of these wars.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>A mote it is to trouble the mind's eye.</LINE>
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<LINE>In the most high and palmy state of Rome,</LINE>
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<LINE>A little ere the mightiest Julius fell,</LINE>
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<LINE>The graves stood tenantless and the sheeted dead</LINE>
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<LINE>Did squeak and gibber in the Roman streets:</LINE>
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<LINE>As stars with trains of fire and dews of blood,</LINE>
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<LINE>Disasters in the sun; and the moist star</LINE>
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<LINE>Upon whose influence Neptune's empire stands</LINE>
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<LINE>Was sick almost to doomsday with eclipse:</LINE>
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<LINE>And even the like precurse of fierce events,</LINE>
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<LINE>As harbingers preceding still the fates</LINE>
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<LINE>And prologue to the omen coming on,</LINE>
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<LINE>Have heaven and earth together demonstrated</LINE>
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<LINE>Unto our climatures and countrymen.--</LINE>
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<LINE>But soft, behold! lo, where it comes again!</LINE>
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<STAGEDIR>Re-enter Ghost</STAGEDIR>
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<LINE>I'll cross it, though it blast me. Stay, illusion!</LINE>
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<LINE>If thou hast any sound, or use of voice,</LINE>
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<LINE>Speak to me:</LINE>
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<LINE>If there be any good thing to be done,</LINE>
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<LINE>That may to thee do ease and grace to me,</LINE>
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<LINE>Speak to me:</LINE>
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<STAGEDIR>Cock crows</STAGEDIR>
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<LINE>If thou art privy to thy country's fate,</LINE>
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<LINE>Which, happily, foreknowing may avoid, O, speak!</LINE>
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<LINE>Or if thou hast uphoarded in thy life</LINE>
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<LINE>Extorted treasure in the womb of earth,</LINE>
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<LINE>For which, they say, you spirits oft walk in death,</LINE>
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<LINE>Speak of it: stay, and speak! Stop it, Marcellus.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>Shall I strike at it with my partisan?</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>Do, if it will not stand.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
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<LINE>'Tis here!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>HORATIO</SPEAKER>
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<LINE>'Tis here!</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>MARCELLUS</SPEAKER>
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<LINE>'Tis gone!</LINE>
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<STAGEDIR>Exit Ghost</STAGEDIR>
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<LINE>We do it wrong, being so majestical,</LINE>
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<LINE>To offer it the show of violence;</LINE>
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<LINE>For it is, as the air, invulnerable,</LINE>
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<LINE>And our vain blows malicious mockery.</LINE>
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</SPEECH>
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<SPEECH>
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<SPEAKER>BERNARDO</SPEAKER>
|
|
<LINE>It was about to speak, when the cock crew.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>And then it started like a guilty thing</LINE>
|
|
<LINE>Upon a fearful summons. I have heard,</LINE>
|
|
<LINE>The cock, that is the trumpet to the morn,</LINE>
|
|
<LINE>Doth with his lofty and shrill-sounding throat</LINE>
|
|
<LINE>Awake the god of day; and, at his warning,</LINE>
|
|
<LINE>Whether in sea or fire, in earth or air,</LINE>
|
|
<LINE>The extravagant and erring spirit hies</LINE>
|
|
<LINE>To his confine: and of the truth herein</LINE>
|
|
<LINE>This present object made probation.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>It faded on the crowing of the cock.</LINE>
|
|
<LINE>Some say that ever 'gainst that season comes</LINE>
|
|
<LINE>Wherein our Saviour's birth is celebrated,</LINE>
|
|
<LINE>The bird of dawning singeth all night long:</LINE>
|
|
<LINE>And then, they say, no spirit dares stir abroad;</LINE>
|
|
<LINE>The nights are wholesome; then no planets strike,</LINE>
|
|
<LINE>No fairy takes, nor witch hath power to charm,</LINE>
|
|
<LINE>So hallow'd and so gracious is the time.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>So have I heard and do in part believe it.</LINE>
|
|
<LINE>But, look, the morn, in russet mantle clad,</LINE>
|
|
<LINE>Walks o'er the dew of yon high eastward hill:</LINE>
|
|
<LINE>Break we our watch up; and by my advice,</LINE>
|
|
<LINE>Let us impart what we have seen to-night</LINE>
|
|
<LINE>Unto young Hamlet; for, upon my life,</LINE>
|
|
<LINE>This spirit, dumb to us, will speak to him.</LINE>
|
|
<LINE>Do you consent we shall acquaint him with it,</LINE>
|
|
<LINE>As needful in our loves, fitting our duty?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Let's do't, I pray; and I this morning know</LINE>
|
|
<LINE>Where we shall find him most conveniently.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE II. A room of state in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET,
|
|
POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords,
|
|
and Attendants</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Though yet of Hamlet our dear brother's death</LINE>
|
|
<LINE>The memory be green, and that it us befitted</LINE>
|
|
<LINE>To bear our hearts in grief and our whole kingdom</LINE>
|
|
<LINE>To be contracted in one brow of woe,</LINE>
|
|
<LINE>Yet so far hath discretion fought with nature</LINE>
|
|
<LINE>That we with wisest sorrow think on him,</LINE>
|
|
<LINE>Together with remembrance of ourselves.</LINE>
|
|
<LINE>Therefore our sometime sister, now our queen,</LINE>
|
|
<LINE>The imperial jointress to this warlike state,</LINE>
|
|
<LINE>Have we, as 'twere with a defeated joy,--</LINE>
|
|
<LINE>With an auspicious and a dropping eye,</LINE>
|
|
<LINE>With mirth in funeral and with dirge in marriage,</LINE>
|
|
<LINE>In equal scale weighing delight and dole,--</LINE>
|
|
<LINE>Taken to wife: nor have we herein barr'd</LINE>
|
|
<LINE>Your better wisdoms, which have freely gone</LINE>
|
|
<LINE>With this affair along. For all, our thanks.</LINE>
|
|
<LINE>Now follows, that you know, young Fortinbras,</LINE>
|
|
<LINE>Holding a weak supposal of our worth,</LINE>
|
|
<LINE>Or thinking by our late dear brother's death</LINE>
|
|
<LINE>Our state to be disjoint and out of frame,</LINE>
|
|
<LINE>Colleagued with the dream of his advantage,</LINE>
|
|
<LINE>He hath not fail'd to pester us with message,</LINE>
|
|
<LINE>Importing the surrender of those lands</LINE>
|
|
<LINE>Lost by his father, with all bonds of law,</LINE>
|
|
<LINE>To our most valiant brother. So much for him.</LINE>
|
|
<LINE>Now for ourself and for this time of meeting:</LINE>
|
|
<LINE>Thus much the business is: we have here writ</LINE>
|
|
<LINE>To Norway, uncle of young Fortinbras,--</LINE>
|
|
<LINE>Who, impotent and bed-rid, scarcely hears</LINE>
|
|
<LINE>Of this his nephew's purpose,--to suppress</LINE>
|
|
<LINE>His further gait herein; in that the levies,</LINE>
|
|
<LINE>The lists and full proportions, are all made</LINE>
|
|
<LINE>Out of his subject: and we here dispatch</LINE>
|
|
<LINE>You, good Cornelius, and you, Voltimand,</LINE>
|
|
<LINE>For bearers of this greeting to old Norway;</LINE>
|
|
<LINE>Giving to you no further personal power</LINE>
|
|
<LINE>To business with the king, more than the scope</LINE>
|
|
<LINE>Of these delated articles allow.</LINE>
|
|
<LINE>Farewell, and let your haste commend your duty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>CORNELIUS</SPEAKER>
|
|
<SPEAKER>VOLTIMAND</SPEAKER>
|
|
<LINE>In that and all things will we show our duty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>We doubt it nothing: heartily farewell.</LINE>
|
|
<STAGEDIR>Exeunt VOLTIMAND and CORNELIUS</STAGEDIR>
|
|
<LINE>And now, Laertes, what's the news with you?</LINE>
|
|
<LINE>You told us of some suit; what is't, Laertes?</LINE>
|
|
<LINE>You cannot speak of reason to the Dane,</LINE>
|
|
<LINE>And loose your voice: what wouldst thou beg, Laertes,</LINE>
|
|
<LINE>That shall not be my offer, not thy asking?</LINE>
|
|
<LINE>The head is not more native to the heart,</LINE>
|
|
<LINE>The hand more instrumental to the mouth,</LINE>
|
|
<LINE>Than is the throne of Denmark to thy father.</LINE>
|
|
<LINE>What wouldst thou have, Laertes?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>My dread lord,</LINE>
|
|
<LINE>Your leave and favour to return to France;</LINE>
|
|
<LINE>From whence though willingly I came to Denmark,</LINE>
|
|
<LINE>To show my duty in your coronation,</LINE>
|
|
<LINE>Yet now, I must confess, that duty done,</LINE>
|
|
<LINE>My thoughts and wishes bend again toward France</LINE>
|
|
<LINE>And bow them to your gracious leave and pardon.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Have you your father's leave? What says Polonius?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>He hath, my lord, wrung from me my slow leave</LINE>
|
|
<LINE>By laboursome petition, and at last</LINE>
|
|
<LINE>Upon his will I seal'd my hard consent:</LINE>
|
|
<LINE>I do beseech you, give him leave to go.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Take thy fair hour, Laertes; time be thine,</LINE>
|
|
<LINE>And thy best graces spend it at thy will!</LINE>
|
|
<LINE>But now, my cousin Hamlet, and my son,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> A little more than kin, and less than kind.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>How is it that the clouds still hang on you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Not so, my lord; I am too much i' the sun.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Good Hamlet, cast thy nighted colour off,</LINE>
|
|
<LINE>And let thine eye look like a friend on Denmark.</LINE>
|
|
<LINE>Do not for ever with thy vailed lids</LINE>
|
|
<LINE>Seek for thy noble father in the dust:</LINE>
|
|
<LINE>Thou know'st 'tis common; all that lives must die,</LINE>
|
|
<LINE>Passing through nature to eternity.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, madam, it is common.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>If it be,</LINE>
|
|
<LINE>Why seems it so particular with thee?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Seems, madam! nay it is; I know not 'seems.'</LINE>
|
|
<LINE>'Tis not alone my inky cloak, good mother,</LINE>
|
|
<LINE>Nor customary suits of solemn black,</LINE>
|
|
<LINE>Nor windy suspiration of forced breath,</LINE>
|
|
<LINE>No, nor the fruitful river in the eye,</LINE>
|
|
<LINE>Nor the dejected 'havior of the visage,</LINE>
|
|
<LINE>Together with all forms, moods, shapes of grief,</LINE>
|
|
<LINE>That can denote me truly: these indeed seem,</LINE>
|
|
<LINE>For they are actions that a man might play:</LINE>
|
|
<LINE>But I have that within which passeth show;</LINE>
|
|
<LINE>These but the trappings and the suits of woe.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>'Tis sweet and commendable in your nature, Hamlet,</LINE>
|
|
<LINE>To give these mourning duties to your father:</LINE>
|
|
<LINE>But, you must know, your father lost a father;</LINE>
|
|
<LINE>That father lost, lost his, and the survivor bound</LINE>
|
|
<LINE>In filial obligation for some term</LINE>
|
|
<LINE>To do obsequious sorrow: but to persever</LINE>
|
|
<LINE>In obstinate condolement is a course</LINE>
|
|
<LINE>Of impious stubbornness; 'tis unmanly grief;</LINE>
|
|
<LINE>It shows a will most incorrect to heaven,</LINE>
|
|
<LINE>A heart unfortified, a mind impatient,</LINE>
|
|
<LINE>An understanding simple and unschool'd:</LINE>
|
|
<LINE>For what we know must be and is as common</LINE>
|
|
<LINE>As any the most vulgar thing to sense,</LINE>
|
|
<LINE>Why should we in our peevish opposition</LINE>
|
|
<LINE>Take it to heart? Fie! 'tis a fault to heaven,</LINE>
|
|
<LINE>A fault against the dead, a fault to nature,</LINE>
|
|
<LINE>To reason most absurd: whose common theme</LINE>
|
|
<LINE>Is death of fathers, and who still hath cried,</LINE>
|
|
<LINE>From the first corse till he that died to-day,</LINE>
|
|
<LINE>'This must be so.' We pray you, throw to earth</LINE>
|
|
<LINE>This unprevailing woe, and think of us</LINE>
|
|
<LINE>As of a father: for let the world take note,</LINE>
|
|
<LINE>You are the most immediate to our throne;</LINE>
|
|
<LINE>And with no less nobility of love</LINE>
|
|
<LINE>Than that which dearest father bears his son,</LINE>
|
|
<LINE>Do I impart toward you. For your intent</LINE>
|
|
<LINE>In going back to school in Wittenberg,</LINE>
|
|
<LINE>It is most retrograde to our desire:</LINE>
|
|
<LINE>And we beseech you, bend you to remain</LINE>
|
|
<LINE>Here, in the cheer and comfort of our eye,</LINE>
|
|
<LINE>Our chiefest courtier, cousin, and our son.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Let not thy mother lose her prayers, Hamlet:</LINE>
|
|
<LINE>I pray thee, stay with us; go not to Wittenberg.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I shall in all my best obey you, madam.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Why, 'tis a loving and a fair reply:</LINE>
|
|
<LINE>Be as ourself in Denmark. Madam, come;</LINE>
|
|
<LINE>This gentle and unforced accord of Hamlet</LINE>
|
|
<LINE>Sits smiling to my heart: in grace whereof,</LINE>
|
|
<LINE>No jocund health that Denmark drinks to-day,</LINE>
|
|
<LINE>But the great cannon to the clouds shall tell,</LINE>
|
|
<LINE>And the king's rouse the heavens all bruit again,</LINE>
|
|
<LINE>Re-speaking earthly thunder. Come away.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt all but HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, that this too too solid flesh would melt</LINE>
|
|
<LINE>Thaw and resolve itself into a dew!</LINE>
|
|
<LINE>Or that the Everlasting had not fix'd</LINE>
|
|
<LINE>His canon 'gainst self-slaughter! O God! God!</LINE>
|
|
<LINE>How weary, stale, flat and unprofitable,</LINE>
|
|
<LINE>Seem to me all the uses of this world!</LINE>
|
|
<LINE>Fie on't! ah fie! 'tis an unweeded garden,</LINE>
|
|
<LINE>That grows to seed; things rank and gross in nature</LINE>
|
|
<LINE>Possess it merely. That it should come to this!</LINE>
|
|
<LINE>But two months dead: nay, not so much, not two:</LINE>
|
|
<LINE>So excellent a king; that was, to this,</LINE>
|
|
<LINE>Hyperion to a satyr; so loving to my mother</LINE>
|
|
<LINE>That he might not beteem the winds of heaven</LINE>
|
|
<LINE>Visit her face too roughly. Heaven and earth!</LINE>
|
|
<LINE>Must I remember? why, she would hang on him,</LINE>
|
|
<LINE>As if increase of appetite had grown</LINE>
|
|
<LINE>By what it fed on: and yet, within a month--</LINE>
|
|
<LINE>Let me not think on't--Frailty, thy name is woman!--</LINE>
|
|
<LINE>A little month, or ere those shoes were old</LINE>
|
|
<LINE>With which she follow'd my poor father's body,</LINE>
|
|
<LINE>Like Niobe, all tears:--why she, even she--</LINE>
|
|
<LINE>O, God! a beast, that wants discourse of reason,</LINE>
|
|
<LINE>Would have mourn'd longer--married with my uncle,</LINE>
|
|
<LINE>My father's brother, but no more like my father</LINE>
|
|
<LINE>Than I to Hercules: within a month:</LINE>
|
|
<LINE>Ere yet the salt of most unrighteous tears</LINE>
|
|
<LINE>Had left the flushing in her galled eyes,</LINE>
|
|
<LINE>She married. O, most wicked speed, to post</LINE>
|
|
<LINE>With such dexterity to incestuous sheets!</LINE>
|
|
<LINE>It is not nor it cannot come to good:</LINE>
|
|
<LINE>But break, my heart; for I must hold my tongue.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter HORATIO, MARCELLUS, and BERNARDO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Hail to your lordship!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am glad to see you well:</LINE>
|
|
<LINE>Horatio,--or I do forget myself.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>The same, my lord, and your poor servant ever.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, my good friend; I'll change that name with you:</LINE>
|
|
<LINE>And what make you from Wittenberg, Horatio? Marcellus?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>My good lord--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am very glad to see you. Good even, sir.</LINE>
|
|
<LINE>But what, in faith, make you from Wittenberg?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>A truant disposition, good my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I would not hear your enemy say so,</LINE>
|
|
<LINE>Nor shall you do mine ear that violence,</LINE>
|
|
<LINE>To make it truster of your own report</LINE>
|
|
<LINE>Against yourself: I know you are no truant.</LINE>
|
|
<LINE>But what is your affair in Elsinore?</LINE>
|
|
<LINE>We'll teach you to drink deep ere you depart.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>My lord, I came to see your father's funeral.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I pray thee, do not mock me, fellow-student;</LINE>
|
|
<LINE>I think it was to see my mother's wedding.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Indeed, my lord, it follow'd hard upon.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Thrift, thrift, Horatio! the funeral baked meats</LINE>
|
|
<LINE>Did coldly furnish forth the marriage tables.</LINE>
|
|
<LINE>Would I had met my dearest foe in heaven</LINE>
|
|
<LINE>Or ever I had seen that day, Horatio!</LINE>
|
|
<LINE>My father!--methinks I see my father.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Where, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>In my mind's eye, Horatio.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I saw him once; he was a goodly king.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>He was a man, take him for all in all,</LINE>
|
|
<LINE>I shall not look upon his like again.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>My lord, I think I saw him yesternight.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Saw? who?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>My lord, the king your father.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The king my father!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Season your admiration for awhile</LINE>
|
|
<LINE>With an attent ear, till I may deliver,</LINE>
|
|
<LINE>Upon the witness of these gentlemen,</LINE>
|
|
<LINE>This marvel to you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>For God's love, let me hear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Two nights together had these gentlemen,</LINE>
|
|
<LINE>Marcellus and Bernardo, on their watch,</LINE>
|
|
<LINE>In the dead vast and middle of the night,</LINE>
|
|
<LINE>Been thus encounter'd. A figure like your father,</LINE>
|
|
<LINE>Armed at point exactly, cap-a-pe,</LINE>
|
|
<LINE>Appears before them, and with solemn march</LINE>
|
|
<LINE>Goes slow and stately by them: thrice he walk'd</LINE>
|
|
<LINE>By their oppress'd and fear-surprised eyes,</LINE>
|
|
<LINE>Within his truncheon's length; whilst they, distilled</LINE>
|
|
<LINE>Almost to jelly with the act of fear,</LINE>
|
|
<LINE>Stand dumb and speak not to him. This to me</LINE>
|
|
<LINE>In dreadful secrecy impart they did;</LINE>
|
|
<LINE>And I with them the third night kept the watch;</LINE>
|
|
<LINE>Where, as they had deliver'd, both in time,</LINE>
|
|
<LINE>Form of the thing, each word made true and good,</LINE>
|
|
<LINE>The apparition comes: I knew your father;</LINE>
|
|
<LINE>These hands are not more like.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>But where was this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>My lord, upon the platform where we watch'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Did you not speak to it?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>My lord, I did;</LINE>
|
|
<LINE>But answer made it none: yet once methought</LINE>
|
|
<LINE>It lifted up its head and did address</LINE>
|
|
<LINE>Itself to motion, like as it would speak;</LINE>
|
|
<LINE>But even then the morning cock crew loud,</LINE>
|
|
<LINE>And at the sound it shrunk in haste away,</LINE>
|
|
<LINE>And vanish'd from our sight.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Tis very strange.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>As I do live, my honour'd lord, 'tis true;</LINE>
|
|
<LINE>And we did think it writ down in our duty</LINE>
|
|
<LINE>To let you know of it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Indeed, indeed, sirs, but this troubles me.</LINE>
|
|
<LINE>Hold you the watch to-night?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<SPEAKER>BERNARDO</SPEAKER>
|
|
<LINE>We do, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Arm'd, say you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<SPEAKER>BERNARDO</SPEAKER>
|
|
<LINE>Arm'd, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>From top to toe?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<SPEAKER>BERNARDO</SPEAKER>
|
|
<LINE>My lord, from head to foot.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then saw you not his face?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>O, yes, my lord; he wore his beaver up.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What, look'd he frowningly?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>A countenance more in sorrow than in anger.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Pale or red?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Nay, very pale.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>And fix'd his eyes upon you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Most constantly.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I would I had been there.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It would have much amazed you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Very like, very like. Stay'd it long?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>While one with moderate haste might tell a hundred.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<SPEAKER>BERNARDO</SPEAKER>
|
|
<LINE>Longer, longer.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Not when I saw't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>His beard was grizzled--no?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It was, as I have seen it in his life,</LINE>
|
|
<LINE>A sable silver'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I will watch to-night;</LINE>
|
|
<LINE>Perchance 'twill walk again.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I warrant it will.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>If it assume my noble father's person,</LINE>
|
|
<LINE>I'll speak to it, though hell itself should gape</LINE>
|
|
<LINE>And bid me hold my peace. I pray you all,</LINE>
|
|
<LINE>If you have hitherto conceal'd this sight,</LINE>
|
|
<LINE>Let it be tenable in your silence still;</LINE>
|
|
<LINE>And whatsoever else shall hap to-night,</LINE>
|
|
<LINE>Give it an understanding, but no tongue:</LINE>
|
|
<LINE>I will requite your loves. So, fare you well:</LINE>
|
|
<LINE>Upon the platform, 'twixt eleven and twelve,</LINE>
|
|
<LINE>I'll visit you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>All</SPEAKER>
|
|
<LINE>Our duty to your honour.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Your loves, as mine to you: farewell.</LINE>
|
|
<STAGEDIR>Exeunt all but HAMLET</STAGEDIR>
|
|
<LINE>My father's spirit in arms! all is not well;</LINE>
|
|
<LINE>I doubt some foul play: would the night were come!</LINE>
|
|
<LINE>Till then sit still, my soul: foul deeds will rise,</LINE>
|
|
<LINE>Though all the earth o'erwhelm them, to men's eyes.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE III. A room in Polonius' house.</TITLE>
|
|
<STAGEDIR>Enter LAERTES and OPHELIA</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>My necessaries are embark'd: farewell:</LINE>
|
|
<LINE>And, sister, as the winds give benefit</LINE>
|
|
<LINE>And convoy is assistant, do not sleep,</LINE>
|
|
<LINE>But let me hear from you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Do you doubt that?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>For Hamlet and the trifling of his favour,</LINE>
|
|
<LINE>Hold it a fashion and a toy in blood,</LINE>
|
|
<LINE>A violet in the youth of primy nature,</LINE>
|
|
<LINE>Forward, not permanent, sweet, not lasting,</LINE>
|
|
<LINE>The perfume and suppliance of a minute; No more.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>No more but so?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Think it no more;</LINE>
|
|
<LINE>For nature, crescent, does not grow alone</LINE>
|
|
<LINE>In thews and bulk, but, as this temple waxes,</LINE>
|
|
<LINE>The inward service of the mind and soul</LINE>
|
|
<LINE>Grows wide withal. Perhaps he loves you now,</LINE>
|
|
<LINE>And now no soil nor cautel doth besmirch</LINE>
|
|
<LINE>The virtue of his will: but you must fear,</LINE>
|
|
<LINE>His greatness weigh'd, his will is not his own;</LINE>
|
|
<LINE>For he himself is subject to his birth:</LINE>
|
|
<LINE>He may not, as unvalued persons do,</LINE>
|
|
<LINE>Carve for himself; for on his choice depends</LINE>
|
|
<LINE>The safety and health of this whole state;</LINE>
|
|
<LINE>And therefore must his choice be circumscribed</LINE>
|
|
<LINE>Unto the voice and yielding of that body</LINE>
|
|
<LINE>Whereof he is the head. Then if he says he loves you,</LINE>
|
|
<LINE>It fits your wisdom so far to believe it</LINE>
|
|
<LINE>As he in his particular act and place</LINE>
|
|
<LINE>May give his saying deed; which is no further</LINE>
|
|
<LINE>Than the main voice of Denmark goes withal.</LINE>
|
|
<LINE>Then weigh what loss your honour may sustain,</LINE>
|
|
<LINE>If with too credent ear you list his songs,</LINE>
|
|
<LINE>Or lose your heart, or your chaste treasure open</LINE>
|
|
<LINE>To his unmaster'd importunity.</LINE>
|
|
<LINE>Fear it, Ophelia, fear it, my dear sister,</LINE>
|
|
<LINE>And keep you in the rear of your affection,</LINE>
|
|
<LINE>Out of the shot and danger of desire.</LINE>
|
|
<LINE>The chariest maid is prodigal enough,</LINE>
|
|
<LINE>If she unmask her beauty to the moon:</LINE>
|
|
<LINE>Virtue itself 'scapes not calumnious strokes:</LINE>
|
|
<LINE>The canker galls the infants of the spring,</LINE>
|
|
<LINE>Too oft before their buttons be disclosed,</LINE>
|
|
<LINE>And in the morn and liquid dew of youth</LINE>
|
|
<LINE>Contagious blastments are most imminent.</LINE>
|
|
<LINE>Be wary then; best safety lies in fear:</LINE>
|
|
<LINE>Youth to itself rebels, though none else near.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I shall the effect of this good lesson keep,</LINE>
|
|
<LINE>As watchman to my heart. But, good my brother,</LINE>
|
|
<LINE>Do not, as some ungracious pastors do,</LINE>
|
|
<LINE>Show me the steep and thorny way to heaven;</LINE>
|
|
<LINE>Whiles, like a puff'd and reckless libertine,</LINE>
|
|
<LINE>Himself the primrose path of dalliance treads,</LINE>
|
|
<LINE>And recks not his own rede.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>O, fear me not.</LINE>
|
|
<LINE>I stay too long: but here my father comes.</LINE>
|
|
<STAGEDIR>Enter POLONIUS</STAGEDIR>
|
|
<LINE>A double blessing is a double grace,</LINE>
|
|
<LINE>Occasion smiles upon a second leave.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Yet here, Laertes! aboard, aboard, for shame!</LINE>
|
|
<LINE>The wind sits in the shoulder of your sail,</LINE>
|
|
<LINE>And you are stay'd for. There; my blessing with thee!</LINE>
|
|
<LINE>And these few precepts in thy memory</LINE>
|
|
<LINE>See thou character. Give thy thoughts no tongue,</LINE>
|
|
<LINE>Nor any unproportioned thought his act.</LINE>
|
|
<LINE>Be thou familiar, but by no means vulgar.</LINE>
|
|
<LINE>Those friends thou hast, and their adoption tried,</LINE>
|
|
<LINE>Grapple them to thy soul with hoops of steel;</LINE>
|
|
<LINE>But do not dull thy palm with entertainment</LINE>
|
|
<LINE>Of each new-hatch'd, unfledged comrade. Beware</LINE>
|
|
<LINE>Of entrance to a quarrel, but being in,</LINE>
|
|
<LINE>Bear't that the opposed may beware of thee.</LINE>
|
|
<LINE>Give every man thy ear, but few thy voice;</LINE>
|
|
<LINE>Take each man's censure, but reserve thy judgment.</LINE>
|
|
<LINE>Costly thy habit as thy purse can buy,</LINE>
|
|
<LINE>But not express'd in fancy; rich, not gaudy;</LINE>
|
|
<LINE>For the apparel oft proclaims the man,</LINE>
|
|
<LINE>And they in France of the best rank and station</LINE>
|
|
<LINE>Are of a most select and generous chief in that.</LINE>
|
|
<LINE>Neither a borrower nor a lender be;</LINE>
|
|
<LINE>For loan oft loses both itself and friend,</LINE>
|
|
<LINE>And borrowing dulls the edge of husbandry.</LINE>
|
|
<LINE>This above all: to thine ownself be true,</LINE>
|
|
<LINE>And it must follow, as the night the day,</LINE>
|
|
<LINE>Thou canst not then be false to any man.</LINE>
|
|
<LINE>Farewell: my blessing season this in thee!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Most humbly do I take my leave, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>The time invites you; go; your servants tend.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Farewell, Ophelia; and remember well</LINE>
|
|
<LINE>What I have said to you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>'Tis in my memory lock'd,</LINE>
|
|
<LINE>And you yourself shall keep the key of it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Farewell.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What is't, Ophelia, be hath said to you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>So please you, something touching the Lord Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Marry, well bethought:</LINE>
|
|
<LINE>'Tis told me, he hath very oft of late</LINE>
|
|
<LINE>Given private time to you; and you yourself</LINE>
|
|
<LINE>Have of your audience been most free and bounteous:</LINE>
|
|
<LINE>If it be so, as so 'tis put on me,</LINE>
|
|
<LINE>And that in way of caution, I must tell you,</LINE>
|
|
<LINE>You do not understand yourself so clearly</LINE>
|
|
<LINE>As it behoves my daughter and your honour.</LINE>
|
|
<LINE>What is between you? give me up the truth.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>He hath, my lord, of late made many tenders</LINE>
|
|
<LINE>Of his affection to me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Affection! pooh! you speak like a green girl,</LINE>
|
|
<LINE>Unsifted in such perilous circumstance.</LINE>
|
|
<LINE>Do you believe his tenders, as you call them?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I do not know, my lord, what I should think.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Marry, I'll teach you: think yourself a baby;</LINE>
|
|
<LINE>That you have ta'en these tenders for true pay,</LINE>
|
|
<LINE>Which are not sterling. Tender yourself more dearly;</LINE>
|
|
<LINE>Or--not to crack the wind of the poor phrase,</LINE>
|
|
<LINE>Running it thus--you'll tender me a fool.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My lord, he hath importuned me with love</LINE>
|
|
<LINE>In honourable fashion.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Ay, fashion you may call it; go to, go to.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>And hath given countenance to his speech, my lord,</LINE>
|
|
<LINE>With almost all the holy vows of heaven.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Ay, springes to catch woodcocks. I do know,</LINE>
|
|
<LINE>When the blood burns, how prodigal the soul</LINE>
|
|
<LINE>Lends the tongue vows: these blazes, daughter,</LINE>
|
|
<LINE>Giving more light than heat, extinct in both,</LINE>
|
|
<LINE>Even in their promise, as it is a-making,</LINE>
|
|
<LINE>You must not take for fire. From this time</LINE>
|
|
<LINE>Be somewhat scanter of your maiden presence;</LINE>
|
|
<LINE>Set your entreatments at a higher rate</LINE>
|
|
<LINE>Than a command to parley. For Lord Hamlet,</LINE>
|
|
<LINE>Believe so much in him, that he is young</LINE>
|
|
<LINE>And with a larger tether may he walk</LINE>
|
|
<LINE>Than may be given you: in few, Ophelia,</LINE>
|
|
<LINE>Do not believe his vows; for they are brokers,</LINE>
|
|
<LINE>Not of that dye which their investments show,</LINE>
|
|
<LINE>But mere implorators of unholy suits,</LINE>
|
|
<LINE>Breathing like sanctified and pious bawds,</LINE>
|
|
<LINE>The better to beguile. This is for all:</LINE>
|
|
<LINE>I would not, in plain terms, from this time forth,</LINE>
|
|
<LINE>Have you so slander any moment leisure,</LINE>
|
|
<LINE>As to give words or talk with the Lord Hamlet.</LINE>
|
|
<LINE>Look to't, I charge you: come your ways.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I shall obey, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE IV. The platform.</TITLE>
|
|
<STAGEDIR>Enter HAMLET, HORATIO, and MARCELLUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The air bites shrewdly; it is very cold.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It is a nipping and an eager air.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What hour now?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I think it lacks of twelve.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, it is struck.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Indeed? I heard it not: then it draws near the season</LINE>
|
|
<LINE>Wherein the spirit held his wont to walk.</LINE>
|
|
<STAGEDIR>A flourish of trumpets, and ordnance shot off, within</STAGEDIR>
|
|
<LINE>What does this mean, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The king doth wake to-night and takes his rouse,</LINE>
|
|
<LINE>Keeps wassail, and the swaggering up-spring reels;</LINE>
|
|
<LINE>And, as he drains his draughts of Rhenish down,</LINE>
|
|
<LINE>The kettle-drum and trumpet thus bray out</LINE>
|
|
<LINE>The triumph of his pledge.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Is it a custom?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, marry, is't:</LINE>
|
|
<LINE>But to my mind, though I am native here</LINE>
|
|
<LINE>And to the manner born, it is a custom</LINE>
|
|
<LINE>More honour'd in the breach than the observance.</LINE>
|
|
<LINE>This heavy-headed revel east and west</LINE>
|
|
<LINE>Makes us traduced and tax'd of other nations:</LINE>
|
|
<LINE>They clepe us drunkards, and with swinish phrase</LINE>
|
|
<LINE>Soil our addition; and indeed it takes</LINE>
|
|
<LINE>From our achievements, though perform'd at height,</LINE>
|
|
<LINE>The pith and marrow of our attribute.</LINE>
|
|
<LINE>So, oft it chances in particular men,</LINE>
|
|
<LINE>That for some vicious mole of nature in them,</LINE>
|
|
<LINE>As, in their birth--wherein they are not guilty,</LINE>
|
|
<LINE>Since nature cannot choose his origin--</LINE>
|
|
<LINE>By the o'ergrowth of some complexion,</LINE>
|
|
<LINE>Oft breaking down the pales and forts of reason,</LINE>
|
|
<LINE>Or by some habit that too much o'er-leavens</LINE>
|
|
<LINE>The form of plausive manners, that these men,</LINE>
|
|
<LINE>Carrying, I say, the stamp of one defect,</LINE>
|
|
<LINE>Being nature's livery, or fortune's star,--</LINE>
|
|
<LINE>Their virtues else--be they as pure as grace,</LINE>
|
|
<LINE>As infinite as man may undergo--</LINE>
|
|
<LINE>Shall in the general censure take corruption</LINE>
|
|
<LINE>From that particular fault: the dram of eale</LINE>
|
|
<LINE>Doth all the noble substance of a doubt</LINE>
|
|
<LINE>To his own scandal.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Look, my lord, it comes!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter Ghost</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Angels and ministers of grace defend us!</LINE>
|
|
<LINE>Be thou a spirit of health or goblin damn'd,</LINE>
|
|
<LINE>Bring with thee airs from heaven or blasts from hell,</LINE>
|
|
<LINE>Be thy intents wicked or charitable,</LINE>
|
|
<LINE>Thou comest in such a questionable shape</LINE>
|
|
<LINE>That I will speak to thee: I'll call thee Hamlet,</LINE>
|
|
<LINE>King, father, royal Dane: O, answer me!</LINE>
|
|
<LINE>Let me not burst in ignorance; but tell</LINE>
|
|
<LINE>Why thy canonized bones, hearsed in death,</LINE>
|
|
<LINE>Have burst their cerements; why the sepulchre,</LINE>
|
|
<LINE>Wherein we saw thee quietly inurn'd,</LINE>
|
|
<LINE>Hath oped his ponderous and marble jaws,</LINE>
|
|
<LINE>To cast thee up again. What may this mean,</LINE>
|
|
<LINE>That thou, dead corse, again in complete steel</LINE>
|
|
<LINE>Revisit'st thus the glimpses of the moon,</LINE>
|
|
<LINE>Making night hideous; and we fools of nature</LINE>
|
|
<LINE>So horridly to shake our disposition</LINE>
|
|
<LINE>With thoughts beyond the reaches of our souls?</LINE>
|
|
<LINE>Say, why is this? wherefore? what should we do?</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Ghost beckons HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It beckons you to go away with it,</LINE>
|
|
<LINE>As if it some impartment did desire</LINE>
|
|
<LINE>To you alone.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Look, with what courteous action</LINE>
|
|
<LINE>It waves you to a more removed ground:</LINE>
|
|
<LINE>But do not go with it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>No, by no means.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It will not speak; then I will follow it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Do not, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, what should be the fear?</LINE>
|
|
<LINE>I do not set my life in a pin's fee;</LINE>
|
|
<LINE>And for my soul, what can it do to that,</LINE>
|
|
<LINE>Being a thing immortal as itself?</LINE>
|
|
<LINE>It waves me forth again: I'll follow it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What if it tempt you toward the flood, my lord,</LINE>
|
|
<LINE>Or to the dreadful summit of the cliff</LINE>
|
|
<LINE>That beetles o'er his base into the sea,</LINE>
|
|
<LINE>And there assume some other horrible form,</LINE>
|
|
<LINE>Which might deprive your sovereignty of reason</LINE>
|
|
<LINE>And draw you into madness? think of it:</LINE>
|
|
<LINE>The very place puts toys of desperation,</LINE>
|
|
<LINE>Without more motive, into every brain</LINE>
|
|
<LINE>That looks so many fathoms to the sea</LINE>
|
|
<LINE>And hears it roar beneath.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It waves me still.</LINE>
|
|
<LINE>Go on; I'll follow thee.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>You shall not go, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Hold off your hands.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Be ruled; you shall not go.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>My fate cries out,</LINE>
|
|
<LINE>And makes each petty artery in this body</LINE>
|
|
<LINE>As hardy as the Nemean lion's nerve.</LINE>
|
|
<LINE>Still am I call'd. Unhand me, gentlemen.</LINE>
|
|
<LINE>By heaven, I'll make a ghost of him that lets me!</LINE>
|
|
<LINE>I say, away! Go on; I'll follow thee.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt Ghost and HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>He waxes desperate with imagination.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Let's follow; 'tis not fit thus to obey him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Have after. To what issue will this come?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Something is rotten in the state of Denmark.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Heaven will direct it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Nay, let's follow him.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE V. Another part of the platform.</TITLE>
|
|
<STAGEDIR>Enter GHOST and HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Where wilt thou lead me? speak; I'll go no further.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Mark me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I will.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>My hour is almost come,</LINE>
|
|
<LINE>When I to sulphurous and tormenting flames</LINE>
|
|
<LINE>Must render up myself.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Alas, poor ghost!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Pity me not, but lend thy serious hearing</LINE>
|
|
<LINE>To what I shall unfold.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Speak; I am bound to hear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>So art thou to revenge, when thou shalt hear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>I am thy father's spirit,</LINE>
|
|
<LINE>Doom'd for a certain term to walk the night,</LINE>
|
|
<LINE>And for the day confined to fast in fires,</LINE>
|
|
<LINE>Till the foul crimes done in my days of nature</LINE>
|
|
<LINE>Are burnt and purged away. But that I am forbid</LINE>
|
|
<LINE>To tell the secrets of my prison-house,</LINE>
|
|
<LINE>I could a tale unfold whose lightest word</LINE>
|
|
<LINE>Would harrow up thy soul, freeze thy young blood,</LINE>
|
|
<LINE>Make thy two eyes, like stars, start from their spheres,</LINE>
|
|
<LINE>Thy knotted and combined locks to part</LINE>
|
|
<LINE>And each particular hair to stand on end,</LINE>
|
|
<LINE>Like quills upon the fretful porpentine:</LINE>
|
|
<LINE>But this eternal blazon must not be</LINE>
|
|
<LINE>To ears of flesh and blood. List, list, O, list!</LINE>
|
|
<LINE>If thou didst ever thy dear father love--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O God!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Revenge his foul and most unnatural murder.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Murder!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Murder most foul, as in the best it is;</LINE>
|
|
<LINE>But this most foul, strange and unnatural.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Haste me to know't, that I, with wings as swift</LINE>
|
|
<LINE>As meditation or the thoughts of love,</LINE>
|
|
<LINE>May sweep to my revenge.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>I find thee apt;</LINE>
|
|
<LINE>And duller shouldst thou be than the fat weed</LINE>
|
|
<LINE>That roots itself in ease on Lethe wharf,</LINE>
|
|
<LINE>Wouldst thou not stir in this. Now, Hamlet, hear:</LINE>
|
|
<LINE>'Tis given out that, sleeping in my orchard,</LINE>
|
|
<LINE>A serpent stung me; so the whole ear of Denmark</LINE>
|
|
<LINE>Is by a forged process of my death</LINE>
|
|
<LINE>Rankly abused: but know, thou noble youth,</LINE>
|
|
<LINE>The serpent that did sting thy father's life</LINE>
|
|
<LINE>Now wears his crown.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O my prophetic soul! My uncle!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Ay, that incestuous, that adulterate beast,</LINE>
|
|
<LINE>With witchcraft of his wit, with traitorous gifts,--</LINE>
|
|
<LINE>O wicked wit and gifts, that have the power</LINE>
|
|
<LINE>So to seduce!--won to his shameful lust</LINE>
|
|
<LINE>The will of my most seeming-virtuous queen:</LINE>
|
|
<LINE>O Hamlet, what a falling-off was there!</LINE>
|
|
<LINE>From me, whose love was of that dignity</LINE>
|
|
<LINE>That it went hand in hand even with the vow</LINE>
|
|
<LINE>I made to her in marriage, and to decline</LINE>
|
|
<LINE>Upon a wretch whose natural gifts were poor</LINE>
|
|
<LINE>To those of mine!</LINE>
|
|
<LINE>But virtue, as it never will be moved,</LINE>
|
|
<LINE>Though lewdness court it in a shape of heaven,</LINE>
|
|
<LINE>So lust, though to a radiant angel link'd,</LINE>
|
|
<LINE>Will sate itself in a celestial bed,</LINE>
|
|
<LINE>And prey on garbage.</LINE>
|
|
<LINE>But, soft! methinks I scent the morning air;</LINE>
|
|
<LINE>Brief let me be. Sleeping within my orchard,</LINE>
|
|
<LINE>My custom always of the afternoon,</LINE>
|
|
<LINE>Upon my secure hour thy uncle stole,</LINE>
|
|
<LINE>With juice of cursed hebenon in a vial,</LINE>
|
|
<LINE>And in the porches of my ears did pour</LINE>
|
|
<LINE>The leperous distilment; whose effect</LINE>
|
|
<LINE>Holds such an enmity with blood of man</LINE>
|
|
<LINE>That swift as quicksilver it courses through</LINE>
|
|
<LINE>The natural gates and alleys of the body,</LINE>
|
|
<LINE>And with a sudden vigour doth posset</LINE>
|
|
<LINE>And curd, like eager droppings into milk,</LINE>
|
|
<LINE>The thin and wholesome blood: so did it mine;</LINE>
|
|
<LINE>And a most instant tetter bark'd about,</LINE>
|
|
<LINE>Most lazar-like, with vile and loathsome crust,</LINE>
|
|
<LINE>All my smooth body.</LINE>
|
|
<LINE>Thus was I, sleeping, by a brother's hand</LINE>
|
|
<LINE>Of life, of crown, of queen, at once dispatch'd:</LINE>
|
|
<LINE>Cut off even in the blossoms of my sin,</LINE>
|
|
<LINE>Unhousel'd, disappointed, unanel'd,</LINE>
|
|
<LINE>No reckoning made, but sent to my account</LINE>
|
|
<LINE>With all my imperfections on my head:</LINE>
|
|
<LINE>O, horrible! O, horrible! most horrible!</LINE>
|
|
<LINE>If thou hast nature in thee, bear it not;</LINE>
|
|
<LINE>Let not the royal bed of Denmark be</LINE>
|
|
<LINE>A couch for luxury and damned incest.</LINE>
|
|
<LINE>But, howsoever thou pursuest this act,</LINE>
|
|
<LINE>Taint not thy mind, nor let thy soul contrive</LINE>
|
|
<LINE>Against thy mother aught: leave her to heaven</LINE>
|
|
<LINE>And to those thorns that in her bosom lodge,</LINE>
|
|
<LINE>To prick and sting her. Fare thee well at once!</LINE>
|
|
<LINE>The glow-worm shows the matin to be near,</LINE>
|
|
<LINE>And 'gins to pale his uneffectual fire:</LINE>
|
|
<LINE>Adieu, adieu! Hamlet, remember me.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O all you host of heaven! O earth! what else?</LINE>
|
|
<LINE>And shall I couple hell? O, fie! Hold, hold, my heart;</LINE>
|
|
<LINE>And you, my sinews, grow not instant old,</LINE>
|
|
<LINE>But bear me stiffly up. Remember thee!</LINE>
|
|
<LINE>Ay, thou poor ghost, while memory holds a seat</LINE>
|
|
<LINE>In this distracted globe. Remember thee!</LINE>
|
|
<LINE>Yea, from the table of my memory</LINE>
|
|
<LINE>I'll wipe away all trivial fond records,</LINE>
|
|
<LINE>All saws of books, all forms, all pressures past,</LINE>
|
|
<LINE>That youth and observation copied there;</LINE>
|
|
<LINE>And thy commandment all alone shall live</LINE>
|
|
<LINE>Within the book and volume of my brain,</LINE>
|
|
<LINE>Unmix'd with baser matter: yes, by heaven!</LINE>
|
|
<LINE>O most pernicious woman!</LINE>
|
|
<LINE>O villain, villain, smiling, damned villain!</LINE>
|
|
<LINE>My tables,--meet it is I set it down,</LINE>
|
|
<LINE>That one may smile, and smile, and be a villain;</LINE>
|
|
<LINE>At least I'm sure it may be so in Denmark:</LINE>
|
|
<STAGEDIR>Writing</STAGEDIR>
|
|
<LINE>So, uncle, there you are. Now to my word;</LINE>
|
|
<LINE>It is 'Adieu, adieu! remember me.'</LINE>
|
|
<LINE>I have sworn 't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> My lord, my lord,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Lord Hamlet,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Heaven secure him!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>So be it!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Hillo, ho, ho, my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Hillo, ho, ho, boy! come, bird, come.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter HORATIO and MARCELLUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>How is't, my noble lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What news, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, wonderful!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Good my lord, tell it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No; you'll reveal it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Not I, my lord, by heaven.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Nor I, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How say you, then; would heart of man once think it?</LINE>
|
|
<LINE>But you'll be secret?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Ay, by heaven, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>There's ne'er a villain dwelling in all Denmark</LINE>
|
|
<LINE>But he's an arrant knave.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>There needs no ghost, my lord, come from the grave</LINE>
|
|
<LINE>To tell us this.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, right; you are i' the right;</LINE>
|
|
<LINE>And so, without more circumstance at all,</LINE>
|
|
<LINE>I hold it fit that we shake hands and part:</LINE>
|
|
<LINE>You, as your business and desire shall point you;</LINE>
|
|
<LINE>For every man has business and desire,</LINE>
|
|
<LINE>Such as it is; and for mine own poor part,</LINE>
|
|
<LINE>Look you, I'll go pray.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>These are but wild and whirling words, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I'm sorry they offend you, heartily;</LINE>
|
|
<LINE>Yes, 'faith heartily.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>There's no offence, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Yes, by Saint Patrick, but there is, Horatio,</LINE>
|
|
<LINE>And much offence too. Touching this vision here,</LINE>
|
|
<LINE>It is an honest ghost, that let me tell you:</LINE>
|
|
<LINE>For your desire to know what is between us,</LINE>
|
|
<LINE>O'ermaster 't as you may. And now, good friends,</LINE>
|
|
<LINE>As you are friends, scholars and soldiers,</LINE>
|
|
<LINE>Give me one poor request.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What is't, my lord? we will.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Never make known what you have seen to-night.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>My lord, we will not.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, but swear't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>In faith,</LINE>
|
|
<LINE>My lord, not I.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>Nor I, my lord, in faith.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Upon my sword.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>MARCELLUS</SPEAKER>
|
|
<LINE>We have sworn, my lord, already.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Indeed, upon my sword, indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE><STAGEDIR>Beneath</STAGEDIR> Swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ah, ha, boy! say'st thou so? art thou there,</LINE>
|
|
<LINE>truepenny?</LINE>
|
|
<LINE>Come on--you hear this fellow in the cellarage--</LINE>
|
|
<LINE>Consent to swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Propose the oath, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Never to speak of this that you have seen,</LINE>
|
|
<LINE>Swear by my sword.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE><STAGEDIR>Beneath</STAGEDIR> Swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Hic et ubique? then we'll shift our ground.</LINE>
|
|
<LINE>Come hither, gentlemen,</LINE>
|
|
<LINE>And lay your hands again upon my sword:</LINE>
|
|
<LINE>Never to speak of this that you have heard,</LINE>
|
|
<LINE>Swear by my sword.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE><STAGEDIR>Beneath</STAGEDIR> Swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Well said, old mole! canst work i' the earth so fast?</LINE>
|
|
<LINE>A worthy pioner! Once more remove, good friends.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>O day and night, but this is wondrous strange!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>And therefore as a stranger give it welcome.</LINE>
|
|
<LINE>There are more things in heaven and earth, Horatio,</LINE>
|
|
<LINE>Than are dreamt of in your philosophy. But come;</LINE>
|
|
<LINE>Here, as before, never, so help you mercy,</LINE>
|
|
<LINE>How strange or odd soe'er I bear myself,</LINE>
|
|
<LINE>As I perchance hereafter shall think meet</LINE>
|
|
<LINE>To put an antic disposition on,</LINE>
|
|
<LINE>That you, at such times seeing me, never shall,</LINE>
|
|
<LINE>With arms encumber'd thus, or this headshake,</LINE>
|
|
<LINE>Or by pronouncing of some doubtful phrase,</LINE>
|
|
<LINE>As 'Well, well, we know,' or 'We could, an if we would,'</LINE>
|
|
<LINE>Or 'If we list to speak,' or 'There be, an if they might,'</LINE>
|
|
<LINE>Or such ambiguous giving out, to note</LINE>
|
|
<LINE>That you know aught of me: this not to do,</LINE>
|
|
<LINE>So grace and mercy at your most need help you, Swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE><STAGEDIR>Beneath</STAGEDIR> Swear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Rest, rest, perturbed spirit!</LINE>
|
|
<STAGEDIR>They swear</STAGEDIR>
|
|
<LINE>So, gentlemen,</LINE>
|
|
<LINE>With all my love I do commend me to you:</LINE>
|
|
<LINE>And what so poor a man as Hamlet is</LINE>
|
|
<LINE>May do, to express his love and friending to you,</LINE>
|
|
<LINE>God willing, shall not lack. Let us go in together;</LINE>
|
|
<LINE>And still your fingers on your lips, I pray.</LINE>
|
|
<LINE>The time is out of joint: O cursed spite,</LINE>
|
|
<LINE>That ever I was born to set it right!</LINE>
|
|
<LINE>Nay, come, let's go together.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
</ACT>
|
|
|
|
<ACT><TITLE>ACT II</TITLE>
|
|
|
|
<SCENE><TITLE>SCENE I. A room in POLONIUS' house.</TITLE>
|
|
<STAGEDIR>Enter POLONIUS and REYNALDO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Give him this money and these notes, Reynaldo.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>I will, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>You shall do marvellous wisely, good Reynaldo,</LINE>
|
|
<LINE>Before you visit him, to make inquire</LINE>
|
|
<LINE>Of his behavior.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>My lord, I did intend it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Marry, well said; very well said. Look you, sir,</LINE>
|
|
<LINE>Inquire me first what Danskers are in Paris;</LINE>
|
|
<LINE>And how, and who, what means, and where they keep,</LINE>
|
|
<LINE>What company, at what expense; and finding</LINE>
|
|
<LINE>By this encompassment and drift of question</LINE>
|
|
<LINE>That they do know my son, come you more nearer</LINE>
|
|
<LINE>Than your particular demands will touch it:</LINE>
|
|
<LINE>Take you, as 'twere, some distant knowledge of him;</LINE>
|
|
<LINE>As thus, 'I know his father and his friends,</LINE>
|
|
<LINE>And in part him: ' do you mark this, Reynaldo?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>Ay, very well, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>'And in part him; but' you may say 'not well:</LINE>
|
|
<LINE>But, if't be he I mean, he's very wild;</LINE>
|
|
<LINE>Addicted so and so:' and there put on him</LINE>
|
|
<LINE>What forgeries you please; marry, none so rank</LINE>
|
|
<LINE>As may dishonour him; take heed of that;</LINE>
|
|
<LINE>But, sir, such wanton, wild and usual slips</LINE>
|
|
<LINE>As are companions noted and most known</LINE>
|
|
<LINE>To youth and liberty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>As gaming, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Ay, or drinking, fencing, swearing, quarrelling,</LINE>
|
|
<LINE>Drabbing: you may go so far.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>My lord, that would dishonour him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>'Faith, no; as you may season it in the charge</LINE>
|
|
<LINE>You must not put another scandal on him,</LINE>
|
|
<LINE>That he is open to incontinency;</LINE>
|
|
<LINE>That's not my meaning: but breathe his faults so quaintly</LINE>
|
|
<LINE>That they may seem the taints of liberty,</LINE>
|
|
<LINE>The flash and outbreak of a fiery mind,</LINE>
|
|
<LINE>A savageness in unreclaimed blood,</LINE>
|
|
<LINE>Of general assault.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>But, my good lord,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Wherefore should you do this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>Ay, my lord,</LINE>
|
|
<LINE>I would know that.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Marry, sir, here's my drift;</LINE>
|
|
<LINE>And I believe, it is a fetch of wit:</LINE>
|
|
<LINE>You laying these slight sullies on my son,</LINE>
|
|
<LINE>As 'twere a thing a little soil'd i' the working, Mark you,</LINE>
|
|
<LINE>Your party in converse, him you would sound,</LINE>
|
|
<LINE>Having ever seen in the prenominate crimes</LINE>
|
|
<LINE>The youth you breathe of guilty, be assured</LINE>
|
|
<LINE>He closes with you in this consequence;</LINE>
|
|
<LINE>'Good sir,' or so, or 'friend,' or 'gentleman,'</LINE>
|
|
<LINE>According to the phrase or the addition</LINE>
|
|
<LINE>Of man and country.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>Very good, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>And then, sir, does he this--he does--what was I</LINE>
|
|
<LINE>about to say? By the mass, I was about to say</LINE>
|
|
<LINE>something: where did I leave?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>At 'closes in the consequence,' at 'friend or so,'</LINE>
|
|
<LINE>and 'gentleman.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>At 'closes in the consequence,' ay, marry;</LINE>
|
|
<LINE>He closes thus: 'I know the gentleman;</LINE>
|
|
<LINE>I saw him yesterday, or t' other day,</LINE>
|
|
<LINE>Or then, or then; with such, or such; and, as you say,</LINE>
|
|
<LINE>There was a' gaming; there o'ertook in's rouse;</LINE>
|
|
<LINE>There falling out at tennis:' or perchance,</LINE>
|
|
<LINE>'I saw him enter such a house of sale,'</LINE>
|
|
<LINE>Videlicet, a brothel, or so forth.</LINE>
|
|
<LINE>See you now;</LINE>
|
|
<LINE>Your bait of falsehood takes this carp of truth:</LINE>
|
|
<LINE>And thus do we of wisdom and of reach,</LINE>
|
|
<LINE>With windlasses and with assays of bias,</LINE>
|
|
<LINE>By indirections find directions out:</LINE>
|
|
<LINE>So by my former lecture and advice,</LINE>
|
|
<LINE>Shall you my son. You have me, have you not?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>My lord, I have.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>God be wi' you; fare you well.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>Good my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Observe his inclination in yourself.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>I shall, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>And let him ply his music.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>REYNALDO</SPEAKER>
|
|
<LINE>Well, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Farewell!</LINE>
|
|
<STAGEDIR>Exit REYNALDO</STAGEDIR>
|
|
<STAGEDIR>Enter OPHELIA</STAGEDIR>
|
|
<LINE>How now, Ophelia! what's the matter?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>O, my lord, my lord, I have been so affrighted!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>With what, i' the name of God?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My lord, as I was sewing in my closet,</LINE>
|
|
<LINE>Lord Hamlet, with his doublet all unbraced;</LINE>
|
|
<LINE>No hat upon his head; his stockings foul'd,</LINE>
|
|
<LINE>Ungarter'd, and down-gyved to his ancle;</LINE>
|
|
<LINE>Pale as his shirt; his knees knocking each other;</LINE>
|
|
<LINE>And with a look so piteous in purport</LINE>
|
|
<LINE>As if he had been loosed out of hell</LINE>
|
|
<LINE>To speak of horrors,--he comes before me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Mad for thy love?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My lord, I do not know;</LINE>
|
|
<LINE>But truly, I do fear it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What said he?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>He took me by the wrist and held me hard;</LINE>
|
|
<LINE>Then goes he to the length of all his arm;</LINE>
|
|
<LINE>And, with his other hand thus o'er his brow,</LINE>
|
|
<LINE>He falls to such perusal of my face</LINE>
|
|
<LINE>As he would draw it. Long stay'd he so;</LINE>
|
|
<LINE>At last, a little shaking of mine arm</LINE>
|
|
<LINE>And thrice his head thus waving up and down,</LINE>
|
|
<LINE>He raised a sigh so piteous and profound</LINE>
|
|
<LINE>As it did seem to shatter all his bulk</LINE>
|
|
<LINE>And end his being: that done, he lets me go:</LINE>
|
|
<LINE>And, with his head over his shoulder turn'd,</LINE>
|
|
<LINE>He seem'd to find his way without his eyes;</LINE>
|
|
<LINE>For out o' doors he went without their helps,</LINE>
|
|
<LINE>And, to the last, bended their light on me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Come, go with me: I will go seek the king.</LINE>
|
|
<LINE>This is the very ecstasy of love,</LINE>
|
|
<LINE>Whose violent property fordoes itself</LINE>
|
|
<LINE>And leads the will to desperate undertakings</LINE>
|
|
<LINE>As oft as any passion under heaven</LINE>
|
|
<LINE>That does afflict our natures. I am sorry.</LINE>
|
|
<LINE>What, have you given him any hard words of late?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>No, my good lord, but, as you did command,</LINE>
|
|
<LINE>I did repel his fetters and denied</LINE>
|
|
<LINE>His access to me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>That hath made him mad.</LINE>
|
|
<LINE>I am sorry that with better heed and judgment</LINE>
|
|
<LINE>I had not quoted him: I fear'd he did but trifle,</LINE>
|
|
<LINE>And meant to wreck thee; but, beshrew my jealousy!</LINE>
|
|
<LINE>By heaven, it is as proper to our age</LINE>
|
|
<LINE>To cast beyond ourselves in our opinions</LINE>
|
|
<LINE>As it is common for the younger sort</LINE>
|
|
<LINE>To lack discretion. Come, go we to the king:</LINE>
|
|
<LINE>This must be known; which, being kept close, might</LINE>
|
|
<LINE>move</LINE>
|
|
<LINE>More grief to hide than hate to utter love.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE II. A room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ,
|
|
GUILDENSTERN, and Attendants</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Welcome, dear Rosencrantz and Guildenstern!</LINE>
|
|
<LINE>Moreover that we much did long to see you,</LINE>
|
|
<LINE>The need we have to use you did provoke</LINE>
|
|
<LINE>Our hasty sending. Something have you heard</LINE>
|
|
<LINE>Of Hamlet's transformation; so call it,</LINE>
|
|
<LINE>Sith nor the exterior nor the inward man</LINE>
|
|
<LINE>Resembles that it was. What it should be,</LINE>
|
|
<LINE>More than his father's death, that thus hath put him</LINE>
|
|
<LINE>So much from the understanding of himself,</LINE>
|
|
<LINE>I cannot dream of: I entreat you both,</LINE>
|
|
<LINE>That, being of so young days brought up with him,</LINE>
|
|
<LINE>And sith so neighbour'd to his youth and havior,</LINE>
|
|
<LINE>That you vouchsafe your rest here in our court</LINE>
|
|
<LINE>Some little time: so by your companies</LINE>
|
|
<LINE>To draw him on to pleasures, and to gather,</LINE>
|
|
<LINE>So much as from occasion you may glean,</LINE>
|
|
<LINE>Whether aught, to us unknown, afflicts him thus,</LINE>
|
|
<LINE>That, open'd, lies within our remedy.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Good gentlemen, he hath much talk'd of you;</LINE>
|
|
<LINE>And sure I am two men there are not living</LINE>
|
|
<LINE>To whom he more adheres. If it will please you</LINE>
|
|
<LINE>To show us so much gentry and good will</LINE>
|
|
<LINE>As to expend your time with us awhile,</LINE>
|
|
<LINE>For the supply and profit of our hope,</LINE>
|
|
<LINE>Your visitation shall receive such thanks</LINE>
|
|
<LINE>As fits a king's remembrance.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Both your majesties</LINE>
|
|
<LINE>Might, by the sovereign power you have of us,</LINE>
|
|
<LINE>Put your dread pleasures more into command</LINE>
|
|
<LINE>Than to entreaty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>But we both obey,</LINE>
|
|
<LINE>And here give up ourselves, in the full bent</LINE>
|
|
<LINE>To lay our service freely at your feet,</LINE>
|
|
<LINE>To be commanded.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Thanks, Rosencrantz and gentle Guildenstern.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Thanks, Guildenstern and gentle Rosencrantz:</LINE>
|
|
<LINE>And I beseech you instantly to visit</LINE>
|
|
<LINE>My too much changed son. Go, some of you,</LINE>
|
|
<LINE>And bring these gentlemen where Hamlet is.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Heavens make our presence and our practises</LINE>
|
|
<LINE>Pleasant and helpful to him!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Ay, amen!</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Exeunt ROSENCRANTZ, GUILDENSTERN, and some
|
|
Attendants</STAGEDIR>
|
|
<STAGEDIR>Enter POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>The ambassadors from Norway, my good lord,</LINE>
|
|
<LINE>Are joyfully return'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Thou still hast been the father of good news.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Have I, my lord? I assure my good liege,</LINE>
|
|
<LINE>I hold my duty, as I hold my soul,</LINE>
|
|
<LINE>Both to my God and to my gracious king:</LINE>
|
|
<LINE>And I do think, or else this brain of mine</LINE>
|
|
<LINE>Hunts not the trail of policy so sure</LINE>
|
|
<LINE>As it hath used to do, that I have found</LINE>
|
|
<LINE>The very cause of Hamlet's lunacy.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O, speak of that; that do I long to hear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Give first admittance to the ambassadors;</LINE>
|
|
<LINE>My news shall be the fruit to that great feast.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Thyself do grace to them, and bring them in.</LINE>
|
|
<STAGEDIR>Exit POLONIUS</STAGEDIR>
|
|
<LINE>He tells me, my dear Gertrude, he hath found</LINE>
|
|
<LINE>The head and source of all your son's distemper.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>I doubt it is no other but the main;</LINE>
|
|
<LINE>His father's death, and our o'erhasty marriage.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Well, we shall sift him.</LINE>
|
|
<STAGEDIR>Re-enter POLONIUS, with VOLTIMAND and CORNELIUS</STAGEDIR>
|
|
<LINE>Welcome, my good friends!</LINE>
|
|
<LINE>Say, Voltimand, what from our brother Norway?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>VOLTIMAND</SPEAKER>
|
|
<LINE>Most fair return of greetings and desires.</LINE>
|
|
<LINE>Upon our first, he sent out to suppress</LINE>
|
|
<LINE>His nephew's levies; which to him appear'd</LINE>
|
|
<LINE>To be a preparation 'gainst the Polack;</LINE>
|
|
<LINE>But, better look'd into, he truly found</LINE>
|
|
<LINE>It was against your highness: whereat grieved,</LINE>
|
|
<LINE>That so his sickness, age and impotence</LINE>
|
|
<LINE>Was falsely borne in hand, sends out arrests</LINE>
|
|
<LINE>On Fortinbras; which he, in brief, obeys;</LINE>
|
|
<LINE>Receives rebuke from Norway, and in fine</LINE>
|
|
<LINE>Makes vow before his uncle never more</LINE>
|
|
<LINE>To give the assay of arms against your majesty.</LINE>
|
|
<LINE>Whereon old Norway, overcome with joy,</LINE>
|
|
<LINE>Gives him three thousand crowns in annual fee,</LINE>
|
|
<LINE>And his commission to employ those soldiers,</LINE>
|
|
<LINE>So levied as before, against the Polack:</LINE>
|
|
<LINE>With an entreaty, herein further shown,</LINE>
|
|
<STAGEDIR>Giving a paper</STAGEDIR>
|
|
<LINE>That it might please you to give quiet pass</LINE>
|
|
<LINE>Through your dominions for this enterprise,</LINE>
|
|
<LINE>On such regards of safety and allowance</LINE>
|
|
<LINE>As therein are set down.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>It likes us well;</LINE>
|
|
<LINE>And at our more consider'd time well read,</LINE>
|
|
<LINE>Answer, and think upon this business.</LINE>
|
|
<LINE>Meantime we thank you for your well-took labour:</LINE>
|
|
<LINE>Go to your rest; at night we'll feast together:</LINE>
|
|
<LINE>Most welcome home!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt VOLTIMAND and CORNELIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>This business is well ended.</LINE>
|
|
<LINE>My liege, and madam, to expostulate</LINE>
|
|
<LINE>What majesty should be, what duty is,</LINE>
|
|
<LINE>Why day is day, night night, and time is time,</LINE>
|
|
<LINE>Were nothing but to waste night, day and time.</LINE>
|
|
<LINE>Therefore, since brevity is the soul of wit,</LINE>
|
|
<LINE>And tediousness the limbs and outward flourishes,</LINE>
|
|
<LINE>I will be brief: your noble son is mad:</LINE>
|
|
<LINE>Mad call I it; for, to define true madness,</LINE>
|
|
<LINE>What is't but to be nothing else but mad?</LINE>
|
|
<LINE>But let that go.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>More matter, with less art.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Madam, I swear I use no art at all.</LINE>
|
|
<LINE>That he is mad, 'tis true: 'tis true 'tis pity;</LINE>
|
|
<LINE>And pity 'tis 'tis true: a foolish figure;</LINE>
|
|
<LINE>But farewell it, for I will use no art.</LINE>
|
|
<LINE>Mad let us grant him, then: and now remains</LINE>
|
|
<LINE>That we find out the cause of this effect,</LINE>
|
|
<LINE>Or rather say, the cause of this defect,</LINE>
|
|
<LINE>For this effect defective comes by cause:</LINE>
|
|
<LINE>Thus it remains, and the remainder thus. Perpend.</LINE>
|
|
<LINE>I have a daughter--have while she is mine--</LINE>
|
|
<LINE>Who, in her duty and obedience, mark,</LINE>
|
|
<LINE>Hath given me this: now gather, and surmise.</LINE>
|
|
<STAGEDIR>Reads</STAGEDIR>
|
|
<LINE>'To the celestial and my soul's idol, the most</LINE>
|
|
<LINE>beautified Ophelia,'--</LINE>
|
|
<LINE>That's an ill phrase, a vile phrase; 'beautified' is</LINE>
|
|
<LINE>a vile phrase: but you shall hear. Thus:</LINE>
|
|
<STAGEDIR>Reads</STAGEDIR>
|
|
<LINE>'In her excellent white bosom, these, &c.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Came this from Hamlet to her?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Good madam, stay awhile; I will be faithful.</LINE>
|
|
<STAGEDIR>Reads</STAGEDIR>
|
|
<LINE>'Doubt thou the stars are fire;</LINE>
|
|
<LINE>Doubt that the sun doth move;</LINE>
|
|
<LINE>Doubt truth to be a liar;</LINE>
|
|
<LINE>But never doubt I love.</LINE>
|
|
<LINE>'O dear Ophelia, I am ill at these numbers;</LINE>
|
|
<LINE>I have not art to reckon my groans: but that</LINE>
|
|
<LINE>I love thee best, O most best, believe it. Adieu.</LINE>
|
|
<LINE>'Thine evermore most dear lady, whilst</LINE>
|
|
<LINE>this machine is to him, HAMLET.'</LINE>
|
|
<LINE>This, in obedience, hath my daughter shown me,</LINE>
|
|
<LINE>And more above, hath his solicitings,</LINE>
|
|
<LINE>As they fell out by time, by means and place,</LINE>
|
|
<LINE>All given to mine ear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>But how hath she</LINE>
|
|
<LINE>Received his love?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What do you think of me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>As of a man faithful and honourable.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I would fain prove so. But what might you think,</LINE>
|
|
<LINE>When I had seen this hot love on the wing--</LINE>
|
|
<LINE>As I perceived it, I must tell you that,</LINE>
|
|
<LINE>Before my daughter told me--what might you,</LINE>
|
|
<LINE>Or my dear majesty your queen here, think,</LINE>
|
|
<LINE>If I had play'd the desk or table-book,</LINE>
|
|
<LINE>Or given my heart a winking, mute and dumb,</LINE>
|
|
<LINE>Or look'd upon this love with idle sight;</LINE>
|
|
<LINE>What might you think? No, I went round to work,</LINE>
|
|
<LINE>And my young mistress thus I did bespeak:</LINE>
|
|
<LINE>'Lord Hamlet is a prince, out of thy star;</LINE>
|
|
<LINE>This must not be:' and then I precepts gave her,</LINE>
|
|
<LINE>That she should lock herself from his resort,</LINE>
|
|
<LINE>Admit no messengers, receive no tokens.</LINE>
|
|
<LINE>Which done, she took the fruits of my advice;</LINE>
|
|
<LINE>And he, repulsed--a short tale to make--</LINE>
|
|
<LINE>Fell into a sadness, then into a fast,</LINE>
|
|
<LINE>Thence to a watch, thence into a weakness,</LINE>
|
|
<LINE>Thence to a lightness, and, by this declension,</LINE>
|
|
<LINE>Into the madness wherein now he raves,</LINE>
|
|
<LINE>And all we mourn for.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Do you think 'tis this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>It may be, very likely.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Hath there been such a time--I'd fain know that--</LINE>
|
|
<LINE>That I have positively said 'Tis so,'</LINE>
|
|
<LINE>When it proved otherwise?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Not that I know.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Pointing to his head and shoulder</STAGEDIR></LINE>
|
|
<LINE>Take this from this, if this be otherwise:</LINE>
|
|
<LINE>If circumstances lead me, I will find</LINE>
|
|
<LINE>Where truth is hid, though it were hid indeed</LINE>
|
|
<LINE>Within the centre.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>How may we try it further?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>You know, sometimes he walks four hours together</LINE>
|
|
<LINE>Here in the lobby.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>So he does indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>At such a time I'll loose my daughter to him:</LINE>
|
|
<LINE>Be you and I behind an arras then;</LINE>
|
|
<LINE>Mark the encounter: if he love her not</LINE>
|
|
<LINE>And be not from his reason fall'n thereon,</LINE>
|
|
<LINE>Let me be no assistant for a state,</LINE>
|
|
<LINE>But keep a farm and carters.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>We will try it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>But, look, where sadly the poor wretch comes reading.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Away, I do beseech you, both away:</LINE>
|
|
<LINE>I'll board him presently.</LINE>
|
|
<STAGEDIR>Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and
|
|
Attendants</STAGEDIR>
|
|
<STAGEDIR>Enter HAMLET, reading</STAGEDIR>
|
|
<LINE>O, give me leave:</LINE>
|
|
<LINE>How does my good Lord Hamlet?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Well, God-a-mercy.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Do you know me, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Excellent well; you are a fishmonger.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Not I, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then I would you were so honest a man.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Honest, my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, sir; to be honest, as this world goes, is to be</LINE>
|
|
<LINE>one man picked out of ten thousand.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>That's very true, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>For if the sun breed maggots in a dead dog, being a</LINE>
|
|
<LINE>god kissing carrion,--Have you a daughter?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I have, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Let her not walk i' the sun: conception is a</LINE>
|
|
<LINE>blessing: but not as your daughter may conceive.</LINE>
|
|
<LINE>Friend, look to 't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> How say you by that? Still harping on my</LINE>
|
|
<LINE>daughter: yet he knew me not at first; he said I</LINE>
|
|
<LINE>was a fishmonger: he is far gone, far gone: and</LINE>
|
|
<LINE>truly in my youth I suffered much extremity for</LINE>
|
|
<LINE>love; very near this. I'll speak to him again.</LINE>
|
|
<LINE>What do you read, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Words, words, words.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What is the matter, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Between who?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I mean, the matter that you read, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Slanders, sir: for the satirical rogue says here</LINE>
|
|
<LINE>that old men have grey beards, that their faces are</LINE>
|
|
<LINE>wrinkled, their eyes purging thick amber and</LINE>
|
|
<LINE>plum-tree gum and that they have a plentiful lack of</LINE>
|
|
<LINE>wit, together with most weak hams: all which, sir,</LINE>
|
|
<LINE>though I most powerfully and potently believe, yet</LINE>
|
|
<LINE>I hold it not honesty to have it thus set down, for</LINE>
|
|
<LINE>yourself, sir, should be old as I am, if like a crab</LINE>
|
|
<LINE>you could go backward.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> Though this be madness, yet there is method</LINE>
|
|
<LINE>in 't. Will you walk out of the air, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Into my grave.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Indeed, that is out o' the air.</LINE>
|
|
<STAGEDIR>Aside</STAGEDIR>
|
|
<LINE>How pregnant sometimes his replies are! a happiness</LINE>
|
|
<LINE>that often madness hits on, which reason and sanity</LINE>
|
|
<LINE>could not so prosperously be delivered of. I will</LINE>
|
|
<LINE>leave him, and suddenly contrive the means of</LINE>
|
|
<LINE>meeting between him and my daughter.--My honourable</LINE>
|
|
<LINE>lord, I will most humbly take my leave of you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>You cannot, sir, take from me any thing that I will</LINE>
|
|
<LINE>more willingly part withal: except my life, except</LINE>
|
|
<LINE>my life, except my life.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Fare you well, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>These tedious old fools!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>You go to seek the Lord Hamlet; there he is.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE><STAGEDIR>To POLONIUS</STAGEDIR> God save you, sir!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>My honoured lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>My most dear lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>My excellent good friends! How dost thou,</LINE>
|
|
<LINE>Guildenstern? Ah, Rosencrantz! Good lads, how do ye both?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>As the indifferent children of the earth.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Happy, in that we are not over-happy;</LINE>
|
|
<LINE>On fortune's cap we are not the very button.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nor the soles of her shoe?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Neither, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then you live about her waist, or in the middle of</LINE>
|
|
<LINE>her favours?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>'Faith, her privates we.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>In the secret parts of fortune? O, most true; she</LINE>
|
|
<LINE>is a strumpet. What's the news?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>None, my lord, but that the world's grown honest.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then is doomsday near: but your news is not true.</LINE>
|
|
<LINE>Let me question more in particular: what have you,</LINE>
|
|
<LINE>my good friends, deserved at the hands of fortune,</LINE>
|
|
<LINE>that she sends you to prison hither?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Prison, my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Denmark's a prison.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Then is the world one.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A goodly one; in which there are many confines,</LINE>
|
|
<LINE>wards and dungeons, Denmark being one o' the worst.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>We think not so, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, then, 'tis none to you; for there is nothing</LINE>
|
|
<LINE>either good or bad, but thinking makes it so: to me</LINE>
|
|
<LINE>it is a prison.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Why then, your ambition makes it one; 'tis too</LINE>
|
|
<LINE>narrow for your mind.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O God, I could be bounded in a nut shell and count</LINE>
|
|
<LINE>myself a king of infinite space, were it not that I</LINE>
|
|
<LINE>have bad dreams.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Which dreams indeed are ambition, for the very</LINE>
|
|
<LINE>substance of the ambitious is merely the shadow of a dream.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A dream itself is but a shadow.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Truly, and I hold ambition of so airy and light a</LINE>
|
|
<LINE>quality that it is but a shadow's shadow.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then are our beggars bodies, and our monarchs and</LINE>
|
|
<LINE>outstretched heroes the beggars' shadows. Shall we</LINE>
|
|
<LINE>to the court? for, by my fay, I cannot reason.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>We'll wait upon you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No such matter: I will not sort you with the rest</LINE>
|
|
<LINE>of my servants, for, to speak to you like an honest</LINE>
|
|
<LINE>man, I am most dreadfully attended. But, in the</LINE>
|
|
<LINE>beaten way of friendship, what make you at Elsinore?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>To visit you, my lord; no other occasion.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Beggar that I am, I am even poor in thanks; but I</LINE>
|
|
<LINE>thank you: and sure, dear friends, my thanks are</LINE>
|
|
<LINE>too dear a halfpenny. Were you not sent for? Is it</LINE>
|
|
<LINE>your own inclining? Is it a free visitation? Come,</LINE>
|
|
<LINE>deal justly with me: come, come; nay, speak.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>What should we say, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, any thing, but to the purpose. You were sent</LINE>
|
|
<LINE>for; and there is a kind of confession in your looks</LINE>
|
|
<LINE>which your modesties have not craft enough to colour:</LINE>
|
|
<LINE>I know the good king and queen have sent for you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>To what end, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That you must teach me. But let me conjure you, by</LINE>
|
|
<LINE>the rights of our fellowship, by the consonancy of</LINE>
|
|
<LINE>our youth, by the obligation of our ever-preserved</LINE>
|
|
<LINE>love, and by what more dear a better proposer could</LINE>
|
|
<LINE>charge you withal, be even and direct with me,</LINE>
|
|
<LINE>whether you were sent for, or no?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE><STAGEDIR>Aside to GUILDENSTERN</STAGEDIR> What say you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> Nay, then, I have an eye of you.--If you</LINE>
|
|
<LINE>love me, hold not off.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>My lord, we were sent for.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I will tell you why; so shall my anticipation</LINE>
|
|
<LINE>prevent your discovery, and your secrecy to the king</LINE>
|
|
<LINE>and queen moult no feather. I have of late--but</LINE>
|
|
<LINE>wherefore I know not--lost all my mirth, forgone all</LINE>
|
|
<LINE>custom of exercises; and indeed it goes so heavily</LINE>
|
|
<LINE>with my disposition that this goodly frame, the</LINE>
|
|
<LINE>earth, seems to me a sterile promontory, this most</LINE>
|
|
<LINE>excellent canopy, the air, look you, this brave</LINE>
|
|
<LINE>o'erhanging firmament, this majestical roof fretted</LINE>
|
|
<LINE>with golden fire, why, it appears no other thing to</LINE>
|
|
<LINE>me than a foul and pestilent congregation of vapours.</LINE>
|
|
<LINE>What a piece of work is a man! how noble in reason!</LINE>
|
|
<LINE>how infinite in faculty! in form and moving how</LINE>
|
|
<LINE>express and admirable! in action how like an angel!</LINE>
|
|
<LINE>in apprehension how like a god! the beauty of the</LINE>
|
|
<LINE>world! the paragon of animals! And yet, to me,</LINE>
|
|
<LINE>what is this quintessence of dust? man delights not</LINE>
|
|
<LINE>me: no, nor woman neither, though by your smiling</LINE>
|
|
<LINE>you seem to say so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>My lord, there was no such stuff in my thoughts.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why did you laugh then, when I said 'man delights not me'?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>To think, my lord, if you delight not in man, what</LINE>
|
|
<LINE>lenten entertainment the players shall receive from</LINE>
|
|
<LINE>you: we coted them on the way; and hither are they</LINE>
|
|
<LINE>coming, to offer you service.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>He that plays the king shall be welcome; his majesty</LINE>
|
|
<LINE>shall have tribute of me; the adventurous knight</LINE>
|
|
<LINE>shall use his foil and target; the lover shall not</LINE>
|
|
<LINE>sigh gratis; the humourous man shall end his part</LINE>
|
|
<LINE>in peace; the clown shall make those laugh whose</LINE>
|
|
<LINE>lungs are tickled o' the sere; and the lady shall</LINE>
|
|
<LINE>say her mind freely, or the blank verse shall halt</LINE>
|
|
<LINE>for't. What players are they?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Even those you were wont to take delight in, the</LINE>
|
|
<LINE>tragedians of the city.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How chances it they travel? their residence, both</LINE>
|
|
<LINE>in reputation and profit, was better both ways.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>I think their inhibition comes by the means of the</LINE>
|
|
<LINE>late innovation.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do they hold the same estimation they did when I was</LINE>
|
|
<LINE>in the city? are they so followed?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>No, indeed, are they not.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How comes it? do they grow rusty?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Nay, their endeavour keeps in the wonted pace: but</LINE>
|
|
<LINE>there is, sir, an aery of children, little eyases,</LINE>
|
|
<LINE>that cry out on the top of question, and are most</LINE>
|
|
<LINE>tyrannically clapped for't: these are now the</LINE>
|
|
<LINE>fashion, and so berattle the common stages--so they</LINE>
|
|
<LINE>call them--that many wearing rapiers are afraid of</LINE>
|
|
<LINE>goose-quills and dare scarce come thither.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What, are they children? who maintains 'em? how are</LINE>
|
|
<LINE>they escoted? Will they pursue the quality no</LINE>
|
|
<LINE>longer than they can sing? will they not say</LINE>
|
|
<LINE>afterwards, if they should grow themselves to common</LINE>
|
|
<LINE>players--as it is most like, if their means are no</LINE>
|
|
<LINE>better--their writers do them wrong, to make them</LINE>
|
|
<LINE>exclaim against their own succession?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>'Faith, there has been much to do on both sides; and</LINE>
|
|
<LINE>the nation holds it no sin to tarre them to</LINE>
|
|
<LINE>controversy: there was, for a while, no money bid</LINE>
|
|
<LINE>for argument, unless the poet and the player went to</LINE>
|
|
<LINE>cuffs in the question.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Is't possible?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>O, there has been much throwing about of brains.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do the boys carry it away?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Ay, that they do, my lord; Hercules and his load too.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It is not very strange; for mine uncle is king of</LINE>
|
|
<LINE>Denmark, and those that would make mows at him while</LINE>
|
|
<LINE>my father lived, give twenty, forty, fifty, an</LINE>
|
|
<LINE>hundred ducats a-piece for his picture in little.</LINE>
|
|
<LINE>'Sblood, there is something in this more than</LINE>
|
|
<LINE>natural, if philosophy could find it out.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Flourish of trumpets within</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>There are the players.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Gentlemen, you are welcome to Elsinore. Your hands,</LINE>
|
|
<LINE>come then: the appurtenance of welcome is fashion</LINE>
|
|
<LINE>and ceremony: let me comply with you in this garb,</LINE>
|
|
<LINE>lest my extent to the players, which, I tell you,</LINE>
|
|
<LINE>must show fairly outward, should more appear like</LINE>
|
|
<LINE>entertainment than yours. You are welcome: but my</LINE>
|
|
<LINE>uncle-father and aunt-mother are deceived.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>In what, my dear lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am but mad north-north-west: when the wind is</LINE>
|
|
<LINE>southerly I know a hawk from a handsaw.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Well be with you, gentlemen!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Hark you, Guildenstern; and you too: at each ear a</LINE>
|
|
<LINE>hearer: that great baby you see there is not yet</LINE>
|
|
<LINE>out of his swaddling-clouts.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Happily he's the second time come to them; for they</LINE>
|
|
<LINE>say an old man is twice a child.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I will prophesy he comes to tell me of the players;</LINE>
|
|
<LINE>mark it. You say right, sir: o' Monday morning;</LINE>
|
|
<LINE>'twas so indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>My lord, I have news to tell you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>My lord, I have news to tell you.</LINE>
|
|
<LINE>When Roscius was an actor in Rome,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>The actors are come hither, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Buz, buz!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Upon mine honour,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then came each actor on his ass,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>The best actors in the world, either for tragedy,</LINE>
|
|
<LINE>comedy, history, pastoral, pastoral-comical,</LINE>
|
|
<LINE>historical-pastoral, tragical-historical, tragical-</LINE>
|
|
<LINE>comical-historical-pastoral, scene individable, or</LINE>
|
|
<LINE>poem unlimited: Seneca cannot be too heavy, nor</LINE>
|
|
<LINE>Plautus too light. For the law of writ and the</LINE>
|
|
<LINE>liberty, these are the only men.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O Jephthah, judge of Israel, what a treasure hadst thou!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What a treasure had he, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why,</LINE>
|
|
<LINE>'One fair daughter and no more,</LINE>
|
|
<LINE>The which he loved passing well.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> Still on my daughter.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Am I not i' the right, old Jephthah?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>If you call me Jephthah, my lord, I have a daughter</LINE>
|
|
<LINE>that I love passing well.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, that follows not.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>What follows, then, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why,</LINE>
|
|
<LINE>'As by lot, God wot,'</LINE>
|
|
<LINE>and then, you know,</LINE>
|
|
<LINE>'It came to pass, as most like it was,'--</LINE>
|
|
<LINE>the first row of the pious chanson will show you</LINE>
|
|
<LINE>more; for look, where my abridgement comes.</LINE>
|
|
<STAGEDIR>Enter four or five Players</STAGEDIR>
|
|
<LINE>You are welcome, masters; welcome, all. I am glad</LINE>
|
|
<LINE>to see thee well. Welcome, good friends. O, my old</LINE>
|
|
<LINE>friend! thy face is valenced since I saw thee last:</LINE>
|
|
<LINE>comest thou to beard me in Denmark? What, my young</LINE>
|
|
<LINE>lady and mistress! By'r lady, your ladyship is</LINE>
|
|
<LINE>nearer to heaven than when I saw you last, by the</LINE>
|
|
<LINE>altitude of a chopine. Pray God, your voice, like</LINE>
|
|
<LINE>apiece of uncurrent gold, be not cracked within the</LINE>
|
|
<LINE>ring. Masters, you are all welcome. We'll e'en</LINE>
|
|
<LINE>to't like French falconers, fly at any thing we see:</LINE>
|
|
<LINE>we'll have a speech straight: come, give us a taste</LINE>
|
|
<LINE>of your quality; come, a passionate speech.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>What speech, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I heard thee speak me a speech once, but it was</LINE>
|
|
<LINE>never acted; or, if it was, not above once; for the</LINE>
|
|
<LINE>play, I remember, pleased not the million; 'twas</LINE>
|
|
<LINE>caviare to the general: but it was--as I received</LINE>
|
|
<LINE>it, and others, whose judgments in such matters</LINE>
|
|
<LINE>cried in the top of mine--an excellent play, well</LINE>
|
|
<LINE>digested in the scenes, set down with as much</LINE>
|
|
<LINE>modesty as cunning. I remember, one said there</LINE>
|
|
<LINE>were no sallets in the lines to make the matter</LINE>
|
|
<LINE>savoury, nor no matter in the phrase that might</LINE>
|
|
<LINE>indict the author of affectation; but called it an</LINE>
|
|
<LINE>honest method, as wholesome as sweet, and by very</LINE>
|
|
<LINE>much more handsome than fine. One speech in it I</LINE>
|
|
<LINE>chiefly loved: 'twas Aeneas' tale to Dido; and</LINE>
|
|
<LINE>thereabout of it especially, where he speaks of</LINE>
|
|
<LINE>Priam's slaughter: if it live in your memory, begin</LINE>
|
|
<LINE>at this line: let me see, let me see--</LINE>
|
|
<LINE>'The rugged Pyrrhus, like the Hyrcanian beast,'--</LINE>
|
|
<LINE>it is not so:--it begins with Pyrrhus:--</LINE>
|
|
<LINE>'The rugged Pyrrhus, he whose sable arms,</LINE>
|
|
<LINE>Black as his purpose, did the night resemble</LINE>
|
|
<LINE>When he lay couched in the ominous horse,</LINE>
|
|
<LINE>Hath now this dread and black complexion smear'd</LINE>
|
|
<LINE>With heraldry more dismal; head to foot</LINE>
|
|
<LINE>Now is he total gules; horridly trick'd</LINE>
|
|
<LINE>With blood of fathers, mothers, daughters, sons,</LINE>
|
|
<LINE>Baked and impasted with the parching streets,</LINE>
|
|
<LINE>That lend a tyrannous and damned light</LINE>
|
|
<LINE>To their lord's murder: roasted in wrath and fire,</LINE>
|
|
<LINE>And thus o'er-sized with coagulate gore,</LINE>
|
|
<LINE>With eyes like carbuncles, the hellish Pyrrhus</LINE>
|
|
<LINE>Old grandsire Priam seeks.'</LINE>
|
|
<LINE>So, proceed you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>'Fore God, my lord, well spoken, with good accent and</LINE>
|
|
<LINE>good discretion.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>'Anon he finds him</LINE>
|
|
<LINE>Striking too short at Greeks; his antique sword,</LINE>
|
|
<LINE>Rebellious to his arm, lies where it falls,</LINE>
|
|
<LINE>Repugnant to command: unequal match'd,</LINE>
|
|
<LINE>Pyrrhus at Priam drives; in rage strikes wide;</LINE>
|
|
<LINE>But with the whiff and wind of his fell sword</LINE>
|
|
<LINE>The unnerved father falls. Then senseless Ilium,</LINE>
|
|
<LINE>Seeming to feel this blow, with flaming top</LINE>
|
|
<LINE>Stoops to his base, and with a hideous crash</LINE>
|
|
<LINE>Takes prisoner Pyrrhus' ear: for, lo! his sword,</LINE>
|
|
<LINE>Which was declining on the milky head</LINE>
|
|
<LINE>Of reverend Priam, seem'd i' the air to stick:</LINE>
|
|
<LINE>So, as a painted tyrant, Pyrrhus stood,</LINE>
|
|
<LINE>And like a neutral to his will and matter,</LINE>
|
|
<LINE>Did nothing.</LINE>
|
|
<LINE>But, as we often see, against some storm,</LINE>
|
|
<LINE>A silence in the heavens, the rack stand still,</LINE>
|
|
<LINE>The bold winds speechless and the orb below</LINE>
|
|
<LINE>As hush as death, anon the dreadful thunder</LINE>
|
|
<LINE>Doth rend the region, so, after Pyrrhus' pause,</LINE>
|
|
<LINE>Aroused vengeance sets him new a-work;</LINE>
|
|
<LINE>And never did the Cyclops' hammers fall</LINE>
|
|
<LINE>On Mars's armour forged for proof eterne</LINE>
|
|
<LINE>With less remorse than Pyrrhus' bleeding sword</LINE>
|
|
<LINE>Now falls on Priam.</LINE>
|
|
<LINE>Out, out, thou strumpet, Fortune! All you gods,</LINE>
|
|
<LINE>In general synod 'take away her power;</LINE>
|
|
<LINE>Break all the spokes and fellies from her wheel,</LINE>
|
|
<LINE>And bowl the round nave down the hill of heaven,</LINE>
|
|
<LINE>As low as to the fiends!'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>This is too long.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It shall to the barber's, with your beard. Prithee,</LINE>
|
|
<LINE>say on: he's for a jig or a tale of bawdry, or he</LINE>
|
|
<LINE>sleeps: say on: come to Hecuba.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>'But who, O, who had seen the mobled queen--'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'The mobled queen?'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>That's good; 'mobled queen' is good.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>'Run barefoot up and down, threatening the flames</LINE>
|
|
<LINE>With bisson rheum; a clout upon that head</LINE>
|
|
<LINE>Where late the diadem stood, and for a robe,</LINE>
|
|
<LINE>About her lank and all o'er-teemed loins,</LINE>
|
|
<LINE>A blanket, in the alarm of fear caught up;</LINE>
|
|
<LINE>Who this had seen, with tongue in venom steep'd,</LINE>
|
|
<LINE>'Gainst Fortune's state would treason have</LINE>
|
|
<LINE>pronounced:</LINE>
|
|
<LINE>But if the gods themselves did see her then</LINE>
|
|
<LINE>When she saw Pyrrhus make malicious sport</LINE>
|
|
<LINE>In mincing with his sword her husband's limbs,</LINE>
|
|
<LINE>The instant burst of clamour that she made,</LINE>
|
|
<LINE>Unless things mortal move them not at all,</LINE>
|
|
<LINE>Would have made milch the burning eyes of heaven,</LINE>
|
|
<LINE>And passion in the gods.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Look, whether he has not turned his colour and has</LINE>
|
|
<LINE>tears in's eyes. Pray you, no more.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Tis well: I'll have thee speak out the rest soon.</LINE>
|
|
<LINE>Good my lord, will you see the players well</LINE>
|
|
<LINE>bestowed? Do you hear, let them be well used; for</LINE>
|
|
<LINE>they are the abstract and brief chronicles of the</LINE>
|
|
<LINE>time: after your death you were better have a bad</LINE>
|
|
<LINE>epitaph than their ill report while you live.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>My lord, I will use them according to their desert.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>God's bodykins, man, much better: use every man</LINE>
|
|
<LINE>after his desert, and who should 'scape whipping?</LINE>
|
|
<LINE>Use them after your own honour and dignity: the less</LINE>
|
|
<LINE>they deserve, the more merit is in your bounty.</LINE>
|
|
<LINE>Take them in.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Come, sirs.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Follow him, friends: we'll hear a play to-morrow.</LINE>
|
|
<STAGEDIR>Exit POLONIUS with all the Players but the First</STAGEDIR>
|
|
<LINE>Dost thou hear me, old friend; can you play the</LINE>
|
|
<LINE>Murder of Gonzago?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>Ay, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>We'll ha't to-morrow night. You could, for a need,</LINE>
|
|
<LINE>study a speech of some dozen or sixteen lines, which</LINE>
|
|
<LINE>I would set down and insert in't, could you not?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>Ay, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Very well. Follow that lord; and look you mock him</LINE>
|
|
<LINE>not.</LINE>
|
|
<STAGEDIR>Exit First Player</STAGEDIR>
|
|
<LINE>My good friends, I'll leave you till night: you are</LINE>
|
|
<LINE>welcome to Elsinore.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Good my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, so, God be wi' ye;</LINE>
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<LINE>Now I am alone.</LINE>
|
|
<LINE>O, what a rogue and peasant slave am I!</LINE>
|
|
<LINE>Is it not monstrous that this player here,</LINE>
|
|
<LINE>But in a fiction, in a dream of passion,</LINE>
|
|
<LINE>Could force his soul so to his own conceit</LINE>
|
|
<LINE>That from her working all his visage wann'd,</LINE>
|
|
<LINE>Tears in his eyes, distraction in's aspect,</LINE>
|
|
<LINE>A broken voice, and his whole function suiting</LINE>
|
|
<LINE>With forms to his conceit? and all for nothing!</LINE>
|
|
<LINE>For Hecuba!</LINE>
|
|
<LINE>What's Hecuba to him, or he to Hecuba,</LINE>
|
|
<LINE>That he should weep for her? What would he do,</LINE>
|
|
<LINE>Had he the motive and the cue for passion</LINE>
|
|
<LINE>That I have? He would drown the stage with tears</LINE>
|
|
<LINE>And cleave the general ear with horrid speech,</LINE>
|
|
<LINE>Make mad the guilty and appal the free,</LINE>
|
|
<LINE>Confound the ignorant, and amaze indeed</LINE>
|
|
<LINE>The very faculties of eyes and ears. Yet I,</LINE>
|
|
<LINE>A dull and muddy-mettled rascal, peak,</LINE>
|
|
<LINE>Like John-a-dreams, unpregnant of my cause,</LINE>
|
|
<LINE>And can say nothing; no, not for a king,</LINE>
|
|
<LINE>Upon whose property and most dear life</LINE>
|
|
<LINE>A damn'd defeat was made. Am I a coward?</LINE>
|
|
<LINE>Who calls me villain? breaks my pate across?</LINE>
|
|
<LINE>Plucks off my beard, and blows it in my face?</LINE>
|
|
<LINE>Tweaks me by the nose? gives me the lie i' the throat,</LINE>
|
|
<LINE>As deep as to the lungs? who does me this?</LINE>
|
|
<LINE>Ha!</LINE>
|
|
<LINE>'Swounds, I should take it: for it cannot be</LINE>
|
|
<LINE>But I am pigeon-liver'd and lack gall</LINE>
|
|
<LINE>To make oppression bitter, or ere this</LINE>
|
|
<LINE>I should have fatted all the region kites</LINE>
|
|
<LINE>With this slave's offal: bloody, bawdy villain!</LINE>
|
|
<LINE>Remorseless, treacherous, lecherous, kindless villain!</LINE>
|
|
<LINE>O, vengeance!</LINE>
|
|
<LINE>Why, what an ass am I! This is most brave,</LINE>
|
|
<LINE>That I, the son of a dear father murder'd,</LINE>
|
|
<LINE>Prompted to my revenge by heaven and hell,</LINE>
|
|
<LINE>Must, like a whore, unpack my heart with words,</LINE>
|
|
<LINE>And fall a-cursing, like a very drab,</LINE>
|
|
<LINE>A scullion!</LINE>
|
|
<LINE>Fie upon't! foh! About, my brain! I have heard</LINE>
|
|
<LINE>That guilty creatures sitting at a play</LINE>
|
|
<LINE>Have by the very cunning of the scene</LINE>
|
|
<LINE>Been struck so to the soul that presently</LINE>
|
|
<LINE>They have proclaim'd their malefactions;</LINE>
|
|
<LINE>For murder, though it have no tongue, will speak</LINE>
|
|
<LINE>With most miraculous organ. I'll have these players</LINE>
|
|
<LINE>Play something like the murder of my father</LINE>
|
|
<LINE>Before mine uncle: I'll observe his looks;</LINE>
|
|
<LINE>I'll tent him to the quick: if he but blench,</LINE>
|
|
<LINE>I know my course. The spirit that I have seen</LINE>
|
|
<LINE>May be the devil: and the devil hath power</LINE>
|
|
<LINE>To assume a pleasing shape; yea, and perhaps</LINE>
|
|
<LINE>Out of my weakness and my melancholy,</LINE>
|
|
<LINE>As he is very potent with such spirits,</LINE>
|
|
<LINE>Abuses me to damn me: I'll have grounds</LINE>
|
|
<LINE>More relative than this: the play 's the thing</LINE>
|
|
<LINE>Wherein I'll catch the conscience of the king.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
</ACT>
|
|
|
|
<ACT><TITLE>ACT III</TITLE>
|
|
|
|
<SCENE><TITLE>SCENE I. A room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS,
|
|
OPHELIA, ROSENCRANTZ, and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>And can you, by no drift of circumstance,</LINE>
|
|
<LINE>Get from him why he puts on this confusion,</LINE>
|
|
<LINE>Grating so harshly all his days of quiet</LINE>
|
|
<LINE>With turbulent and dangerous lunacy?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>He does confess he feels himself distracted;</LINE>
|
|
<LINE>But from what cause he will by no means speak.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Nor do we find him forward to be sounded,</LINE>
|
|
<LINE>But, with a crafty madness, keeps aloof,</LINE>
|
|
<LINE>When we would bring him on to some confession</LINE>
|
|
<LINE>Of his true state.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Did he receive you well?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Most like a gentleman.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>But with much forcing of his disposition.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Niggard of question; but, of our demands,</LINE>
|
|
<LINE>Most free in his reply.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Did you assay him?</LINE>
|
|
<LINE>To any pastime?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Madam, it so fell out, that certain players</LINE>
|
|
<LINE>We o'er-raught on the way: of these we told him;</LINE>
|
|
<LINE>And there did seem in him a kind of joy</LINE>
|
|
<LINE>To hear of it: they are about the court,</LINE>
|
|
<LINE>And, as I think, they have already order</LINE>
|
|
<LINE>This night to play before him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>'Tis most true:</LINE>
|
|
<LINE>And he beseech'd me to entreat your majesties</LINE>
|
|
<LINE>To hear and see the matter.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>With all my heart; and it doth much content me</LINE>
|
|
<LINE>To hear him so inclined.</LINE>
|
|
<LINE>Good gentlemen, give him a further edge,</LINE>
|
|
<LINE>And drive his purpose on to these delights.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>We shall, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Sweet Gertrude, leave us too;</LINE>
|
|
<LINE>For we have closely sent for Hamlet hither,</LINE>
|
|
<LINE>That he, as 'twere by accident, may here</LINE>
|
|
<LINE>Affront Ophelia:</LINE>
|
|
<LINE>Her father and myself, lawful espials,</LINE>
|
|
<LINE>Will so bestow ourselves that, seeing, unseen,</LINE>
|
|
<LINE>We may of their encounter frankly judge,</LINE>
|
|
<LINE>And gather by him, as he is behaved,</LINE>
|
|
<LINE>If 't be the affliction of his love or no</LINE>
|
|
<LINE>That thus he suffers for.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>I shall obey you.</LINE>
|
|
<LINE>And for your part, Ophelia, I do wish</LINE>
|
|
<LINE>That your good beauties be the happy cause</LINE>
|
|
<LINE>Of Hamlet's wildness: so shall I hope your virtues</LINE>
|
|
<LINE>Will bring him to his wonted way again,</LINE>
|
|
<LINE>To both your honours.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Madam, I wish it may.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit QUEEN GERTRUDE</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Ophelia, walk you here. Gracious, so please you,</LINE>
|
|
<LINE>We will bestow ourselves.</LINE>
|
|
<STAGEDIR>To OPHELIA</STAGEDIR>
|
|
<LINE>Read on this book;</LINE>
|
|
<LINE>That show of such an exercise may colour</LINE>
|
|
<LINE>Your loneliness. We are oft to blame in this,--</LINE>
|
|
<LINE>'Tis too much proved--that with devotion's visage</LINE>
|
|
<LINE>And pious action we do sugar o'er</LINE>
|
|
<LINE>The devil himself.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> O, 'tis too true!</LINE>
|
|
<LINE>How smart a lash that speech doth give my conscience!</LINE>
|
|
<LINE>The harlot's cheek, beautied with plastering art,</LINE>
|
|
<LINE>Is not more ugly to the thing that helps it</LINE>
|
|
<LINE>Than is my deed to my most painted word:</LINE>
|
|
<LINE>O heavy burthen!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I hear him coming: let's withdraw, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Exeunt KING CLAUDIUS and POLONIUS</STAGEDIR>
|
|
<STAGEDIR>Enter HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>To be, or not to be: that is the question:</LINE>
|
|
<LINE>Whether 'tis nobler in the mind to suffer</LINE>
|
|
<LINE>The slings and arrows of outrageous fortune,</LINE>
|
|
<LINE>Or to take arms against a sea of troubles,</LINE>
|
|
<LINE>And by opposing end them? To die: to sleep;</LINE>
|
|
<LINE>No more; and by a sleep to say we end</LINE>
|
|
<LINE>The heart-ache and the thousand natural shocks</LINE>
|
|
<LINE>That flesh is heir to, 'tis a consummation</LINE>
|
|
<LINE>Devoutly to be wish'd. To die, to sleep;</LINE>
|
|
<LINE>To sleep: perchance to dream: ay, there's the rub;</LINE>
|
|
<LINE>For in that sleep of death what dreams may come</LINE>
|
|
<LINE>When we have shuffled off this mortal coil,</LINE>
|
|
<LINE>Must give us pause: there's the respect</LINE>
|
|
<LINE>That makes calamity of so long life;</LINE>
|
|
<LINE>For who would bear the whips and scorns of time,</LINE>
|
|
<LINE>The oppressor's wrong, the proud man's contumely,</LINE>
|
|
<LINE>The pangs of despised love, the law's delay,</LINE>
|
|
<LINE>The insolence of office and the spurns</LINE>
|
|
<LINE>That patient merit of the unworthy takes,</LINE>
|
|
<LINE>When he himself might his quietus make</LINE>
|
|
<LINE>With a bare bodkin? who would fardels bear,</LINE>
|
|
<LINE>To grunt and sweat under a weary life,</LINE>
|
|
<LINE>But that the dread of something after death,</LINE>
|
|
<LINE>The undiscover'd country from whose bourn</LINE>
|
|
<LINE>No traveller returns, puzzles the will</LINE>
|
|
<LINE>And makes us rather bear those ills we have</LINE>
|
|
<LINE>Than fly to others that we know not of?</LINE>
|
|
<LINE>Thus conscience does make cowards of us all;</LINE>
|
|
<LINE>And thus the native hue of resolution</LINE>
|
|
<LINE>Is sicklied o'er with the pale cast of thought,</LINE>
|
|
<LINE>And enterprises of great pith and moment</LINE>
|
|
<LINE>With this regard their currents turn awry,</LINE>
|
|
<LINE>And lose the name of action.--Soft you now!</LINE>
|
|
<LINE>The fair Ophelia! Nymph, in thy orisons</LINE>
|
|
<LINE>Be all my sins remember'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Good my lord,</LINE>
|
|
<LINE>How does your honour for this many a day?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I humbly thank you; well, well, well.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My lord, I have remembrances of yours,</LINE>
|
|
<LINE>That I have longed long to re-deliver;</LINE>
|
|
<LINE>I pray you, now receive them.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, not I;</LINE>
|
|
<LINE>I never gave you aught.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My honour'd lord, you know right well you did;</LINE>
|
|
<LINE>And, with them, words of so sweet breath composed</LINE>
|
|
<LINE>As made the things more rich: their perfume lost,</LINE>
|
|
<LINE>Take these again; for to the noble mind</LINE>
|
|
<LINE>Rich gifts wax poor when givers prove unkind.</LINE>
|
|
<LINE>There, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ha, ha! are you honest?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>My lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Are you fair?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>What means your lordship?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That if you be honest and fair, your honesty should</LINE>
|
|
<LINE>admit no discourse to your beauty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Could beauty, my lord, have better commerce than</LINE>
|
|
<LINE>with honesty?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, truly; for the power of beauty will sooner</LINE>
|
|
<LINE>transform honesty from what it is to a bawd than the</LINE>
|
|
<LINE>force of honesty can translate beauty into his</LINE>
|
|
<LINE>likeness: this was sometime a paradox, but now the</LINE>
|
|
<LINE>time gives it proof. I did love you once.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Indeed, my lord, you made me believe so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>You should not have believed me; for virtue cannot</LINE>
|
|
<LINE>so inoculate our old stock but we shall relish of</LINE>
|
|
<LINE>it: I loved you not.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I was the more deceived.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Get thee to a nunnery: why wouldst thou be a</LINE>
|
|
<LINE>breeder of sinners? I am myself indifferent honest;</LINE>
|
|
<LINE>but yet I could accuse me of such things that it</LINE>
|
|
<LINE>were better my mother had not borne me: I am very</LINE>
|
|
<LINE>proud, revengeful, ambitious, with more offences at</LINE>
|
|
<LINE>my beck than I have thoughts to put them in,</LINE>
|
|
<LINE>imagination to give them shape, or time to act them</LINE>
|
|
<LINE>in. What should such fellows as I do crawling</LINE>
|
|
<LINE>between earth and heaven? We are arrant knaves,</LINE>
|
|
<LINE>all; believe none of us. Go thy ways to a nunnery.</LINE>
|
|
<LINE>Where's your father?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>At home, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Let the doors be shut upon him, that he may play the</LINE>
|
|
<LINE>fool no where but in's own house. Farewell.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>O, help him, you sweet heavens!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>If thou dost marry, I'll give thee this plague for</LINE>
|
|
<LINE>thy dowry: be thou as chaste as ice, as pure as</LINE>
|
|
<LINE>snow, thou shalt not escape calumny. Get thee to a</LINE>
|
|
<LINE>nunnery, go: farewell. Or, if thou wilt needs</LINE>
|
|
<LINE>marry, marry a fool; for wise men know well enough</LINE>
|
|
<LINE>what monsters you make of them. To a nunnery, go,</LINE>
|
|
<LINE>and quickly too. Farewell.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>O heavenly powers, restore him!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I have heard of your paintings too, well enough; God</LINE>
|
|
<LINE>has given you one face, and you make yourselves</LINE>
|
|
<LINE>another: you jig, you amble, and you lisp, and</LINE>
|
|
<LINE>nick-name God's creatures, and make your wantonness</LINE>
|
|
<LINE>your ignorance. Go to, I'll no more on't; it hath</LINE>
|
|
<LINE>made me mad. I say, we will have no more marriages:</LINE>
|
|
<LINE>those that are married already, all but one, shall</LINE>
|
|
<LINE>live; the rest shall keep as they are. To a</LINE>
|
|
<LINE>nunnery, go.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>O, what a noble mind is here o'erthrown!</LINE>
|
|
<LINE>The courtier's, soldier's, scholar's, eye, tongue, sword;</LINE>
|
|
<LINE>The expectancy and rose of the fair state,</LINE>
|
|
<LINE>The glass of fashion and the mould of form,</LINE>
|
|
<LINE>The observed of all observers, quite, quite down!</LINE>
|
|
<LINE>And I, of ladies most deject and wretched,</LINE>
|
|
<LINE>That suck'd the honey of his music vows,</LINE>
|
|
<LINE>Now see that noble and most sovereign reason,</LINE>
|
|
<LINE>Like sweet bells jangled, out of tune and harsh;</LINE>
|
|
<LINE>That unmatch'd form and feature of blown youth</LINE>
|
|
<LINE>Blasted with ecstasy: O, woe is me,</LINE>
|
|
<LINE>To have seen what I have seen, see what I see!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Re-enter KING CLAUDIUS and POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Love! his affections do not that way tend;</LINE>
|
|
<LINE>Nor what he spake, though it lack'd form a little,</LINE>
|
|
<LINE>Was not like madness. There's something in his soul,</LINE>
|
|
<LINE>O'er which his melancholy sits on brood;</LINE>
|
|
<LINE>And I do doubt the hatch and the disclose</LINE>
|
|
<LINE>Will be some danger: which for to prevent,</LINE>
|
|
<LINE>I have in quick determination</LINE>
|
|
<LINE>Thus set it down: he shall with speed to England,</LINE>
|
|
<LINE>For the demand of our neglected tribute</LINE>
|
|
<LINE>Haply the seas and countries different</LINE>
|
|
<LINE>With variable objects shall expel</LINE>
|
|
<LINE>This something-settled matter in his heart,</LINE>
|
|
<LINE>Whereon his brains still beating puts him thus</LINE>
|
|
<LINE>From fashion of himself. What think you on't?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>It shall do well: but yet do I believe</LINE>
|
|
<LINE>The origin and commencement of his grief</LINE>
|
|
<LINE>Sprung from neglected love. How now, Ophelia!</LINE>
|
|
<LINE>You need not tell us what Lord Hamlet said;</LINE>
|
|
<LINE>We heard it all. My lord, do as you please;</LINE>
|
|
<LINE>But, if you hold it fit, after the play</LINE>
|
|
<LINE>Let his queen mother all alone entreat him</LINE>
|
|
<LINE>To show his grief: let her be round with him;</LINE>
|
|
<LINE>And I'll be placed, so please you, in the ear</LINE>
|
|
<LINE>Of all their conference. If she find him not,</LINE>
|
|
<LINE>To England send him, or confine him where</LINE>
|
|
<LINE>Your wisdom best shall think.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>It shall be so:</LINE>
|
|
<LINE>Madness in great ones must not unwatch'd go.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE II. A hall in the castle.</TITLE>
|
|
<STAGEDIR>Enter HAMLET and Players</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Speak the speech, I pray you, as I pronounced it to</LINE>
|
|
<LINE>you, trippingly on the tongue: but if you mouth it,</LINE>
|
|
<LINE>as many of your players do, I had as lief the</LINE>
|
|
<LINE>town-crier spoke my lines. Nor do not saw the air</LINE>
|
|
<LINE>too much with your hand, thus, but use all gently;</LINE>
|
|
<LINE>for in the very torrent, tempest, and, as I may say,</LINE>
|
|
<LINE>the whirlwind of passion, you must acquire and beget</LINE>
|
|
<LINE>a temperance that may give it smoothness. O, it</LINE>
|
|
<LINE>offends me to the soul to hear a robustious</LINE>
|
|
<LINE>periwig-pated fellow tear a passion to tatters, to</LINE>
|
|
<LINE>very rags, to split the ears of the groundlings, who</LINE>
|
|
<LINE>for the most part are capable of nothing but</LINE>
|
|
<LINE>inexplicable dumbshows and noise: I would have such</LINE>
|
|
<LINE>a fellow whipped for o'erdoing Termagant; it</LINE>
|
|
<LINE>out-herods Herod: pray you, avoid it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>I warrant your honour.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Be not too tame neither, but let your own discretion</LINE>
|
|
<LINE>be your tutor: suit the action to the word, the</LINE>
|
|
<LINE>word to the action; with this special o'erstep not</LINE>
|
|
<LINE>the modesty of nature: for any thing so overdone is</LINE>
|
|
<LINE>from the purpose of playing, whose end, both at the</LINE>
|
|
<LINE>first and now, was and is, to hold, as 'twere, the</LINE>
|
|
<LINE>mirror up to nature; to show virtue her own feature,</LINE>
|
|
<LINE>scorn her own image, and the very age and body of</LINE>
|
|
<LINE>the time his form and pressure. Now this overdone,</LINE>
|
|
<LINE>or come tardy off, though it make the unskilful</LINE>
|
|
<LINE>laugh, cannot but make the judicious grieve; the</LINE>
|
|
<LINE>censure of the which one must in your allowance</LINE>
|
|
<LINE>o'erweigh a whole theatre of others. O, there be</LINE>
|
|
<LINE>players that I have seen play, and heard others</LINE>
|
|
<LINE>praise, and that highly, not to speak it profanely,</LINE>
|
|
<LINE>that, neither having the accent of Christians nor</LINE>
|
|
<LINE>the gait of Christian, pagan, nor man, have so</LINE>
|
|
<LINE>strutted and bellowed that I have thought some of</LINE>
|
|
<LINE>nature's journeymen had made men and not made them</LINE>
|
|
<LINE>well, they imitated humanity so abominably.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Player</SPEAKER>
|
|
<LINE>I hope we have reformed that indifferently with us,</LINE>
|
|
<LINE>sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, reform it altogether. And let those that play</LINE>
|
|
<LINE>your clowns speak no more than is set down for them;</LINE>
|
|
<LINE>for there be of them that will themselves laugh, to</LINE>
|
|
<LINE>set on some quantity of barren spectators to laugh</LINE>
|
|
<LINE>too; though, in the mean time, some necessary</LINE>
|
|
<LINE>question of the play be then to be considered:</LINE>
|
|
<LINE>that's villanous, and shows a most pitiful ambition</LINE>
|
|
<LINE>in the fool that uses it. Go, make you ready.</LINE>
|
|
<STAGEDIR>Exeunt Players</STAGEDIR>
|
|
<STAGEDIR>Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN</STAGEDIR>
|
|
<LINE>How now, my lord! I will the king hear this piece of work?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>And the queen too, and that presently.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Bid the players make haste.</LINE>
|
|
<STAGEDIR>Exit POLONIUS</STAGEDIR>
|
|
<LINE>Will you two help to hasten them?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>We will, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What ho! Horatio!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter HORATIO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Here, sweet lord, at your service.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Horatio, thou art e'en as just a man</LINE>
|
|
<LINE>As e'er my conversation coped withal.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>O, my dear lord,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, do not think I flatter;</LINE>
|
|
<LINE>For what advancement may I hope from thee</LINE>
|
|
<LINE>That no revenue hast but thy good spirits,</LINE>
|
|
<LINE>To feed and clothe thee? Why should the poor be flatter'd?</LINE>
|
|
<LINE>No, let the candied tongue lick absurd pomp,</LINE>
|
|
<LINE>And crook the pregnant hinges of the knee</LINE>
|
|
<LINE>Where thrift may follow fawning. Dost thou hear?</LINE>
|
|
<LINE>Since my dear soul was mistress of her choice</LINE>
|
|
<LINE>And could of men distinguish, her election</LINE>
|
|
<LINE>Hath seal'd thee for herself; for thou hast been</LINE>
|
|
<LINE>As one, in suffering all, that suffers nothing,</LINE>
|
|
<LINE>A man that fortune's buffets and rewards</LINE>
|
|
<LINE>Hast ta'en with equal thanks: and blest are those</LINE>
|
|
<LINE>Whose blood and judgment are so well commingled,</LINE>
|
|
<LINE>That they are not a pipe for fortune's finger</LINE>
|
|
<LINE>To sound what stop she please. Give me that man</LINE>
|
|
<LINE>That is not passion's slave, and I will wear him</LINE>
|
|
<LINE>In my heart's core, ay, in my heart of heart,</LINE>
|
|
<LINE>As I do thee.--Something too much of this.--</LINE>
|
|
<LINE>There is a play to-night before the king;</LINE>
|
|
<LINE>One scene of it comes near the circumstance</LINE>
|
|
<LINE>Which I have told thee of my father's death:</LINE>
|
|
<LINE>I prithee, when thou seest that act afoot,</LINE>
|
|
<LINE>Even with the very comment of thy soul</LINE>
|
|
<LINE>Observe mine uncle: if his occulted guilt</LINE>
|
|
<LINE>Do not itself unkennel in one speech,</LINE>
|
|
<LINE>It is a damned ghost that we have seen,</LINE>
|
|
<LINE>And my imaginations are as foul</LINE>
|
|
<LINE>As Vulcan's stithy. Give him heedful note;</LINE>
|
|
<LINE>For I mine eyes will rivet to his face,</LINE>
|
|
<LINE>And after we will both our judgments join</LINE>
|
|
<LINE>In censure of his seeming.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Well, my lord:</LINE>
|
|
<LINE>If he steal aught the whilst this play is playing,</LINE>
|
|
<LINE>And 'scape detecting, I will pay the theft.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>They are coming to the play; I must be idle:</LINE>
|
|
<LINE>Get you a place.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Danish march. A flourish. Enter KING CLAUDIUS,
|
|
QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ,
|
|
GUILDENSTERN, and others</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>How fares our cousin Hamlet?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Excellent, i' faith; of the chameleon's dish: I eat</LINE>
|
|
<LINE>the air, promise-crammed: you cannot feed capons so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I have nothing with this answer, Hamlet; these words</LINE>
|
|
<LINE>are not mine.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, nor mine now.</LINE>
|
|
<STAGEDIR>To POLONIUS</STAGEDIR>
|
|
<LINE>My lord, you played once i' the university, you say?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>That did I, my lord; and was accounted a good actor.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What did you enact?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I did enact Julius Caesar: I was killed i' the</LINE>
|
|
<LINE>Capitol; Brutus killed me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It was a brute part of him to kill so capital a calf</LINE>
|
|
<LINE>there. Be the players ready?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Ay, my lord; they stay upon your patience.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Come hither, my dear Hamlet, sit by me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, good mother, here's metal more attractive.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>To KING CLAUDIUS</STAGEDIR> O, ho! do you mark that?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Lady, shall I lie in your lap?</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Lying down at OPHELIA's feet</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>No, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I mean, my head upon your lap?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Ay, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do you think I meant country matters?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I think nothing, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That's a fair thought to lie between maids' legs.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>What is, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nothing.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>You are merry, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Who, I?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Ay, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O God, your only jig-maker. What should a man do</LINE>
|
|
<LINE>but be merry? for, look you, how cheerfully my</LINE>
|
|
<LINE>mother looks, and my father died within these two hours.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Nay, 'tis twice two months, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>So long? Nay then, let the devil wear black, for</LINE>
|
|
<LINE>I'll have a suit of sables. O heavens! die two</LINE>
|
|
<LINE>months ago, and not forgotten yet? Then there's</LINE>
|
|
<LINE>hope a great man's memory may outlive his life half</LINE>
|
|
<LINE>a year: but, by'r lady, he must build churches,</LINE>
|
|
<LINE>then; or else shall he suffer not thinking on, with</LINE>
|
|
<LINE>the hobby-horse, whose epitaph is 'For, O, for, O,</LINE>
|
|
<LINE>the hobby-horse is forgot.'</LINE>
|
|
<STAGEDIR>Hautboys play. The dumb-show enters</STAGEDIR>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Enter a King and a Queen very lovingly; the Queen
|
|
embracing him, and he her. She kneels, and makes
|
|
show of protestation unto him. He takes her up,
|
|
and declines his head upon her neck: lays him down
|
|
upon a bank of flowers: she, seeing him asleep,
|
|
leaves him. Anon comes in a fellow, takes off his
|
|
crown, kisses it, and pours poison in the King's
|
|
ears, and exit. The Queen returns; finds the King
|
|
dead, and makes passionate action. The Poisoner,
|
|
with some two or three Mutes, comes in again,
|
|
seeming to lament with her. The dead body is
|
|
carried away. The Poisoner wooes the Queen with
|
|
gifts: she seems loath and unwilling awhile, but
|
|
in the end accepts his love</STAGEDIR>
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>What means this, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Marry, this is miching mallecho; it means mischief.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Belike this show imports the argument of the play.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter Prologue</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>We shall know by this fellow: the players cannot</LINE>
|
|
<LINE>keep counsel; they'll tell all.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Will he tell us what this show meant?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, or any show that you'll show him: be not you</LINE>
|
|
<LINE>ashamed to show, he'll not shame to tell you what it means.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>You are naught, you are naught: I'll mark the play.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Prologue</SPEAKER>
|
|
<LINE>For us, and for our tragedy,</LINE>
|
|
<LINE>Here stooping to your clemency,</LINE>
|
|
<LINE>We beg your hearing patiently.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Is this a prologue, or the posy of a ring?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>'Tis brief, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>As woman's love.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter two Players, King and Queen</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player King</SPEAKER>
|
|
<LINE>Full thirty times hath Phoebus' cart gone round</LINE>
|
|
<LINE>Neptune's salt wash and Tellus' orbed ground,</LINE>
|
|
<LINE>And thirty dozen moons with borrow'd sheen</LINE>
|
|
<LINE>About the world have times twelve thirties been,</LINE>
|
|
<LINE>Since love our hearts and Hymen did our hands</LINE>
|
|
<LINE>Unite commutual in most sacred bands.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player Queen</SPEAKER>
|
|
<LINE>So many journeys may the sun and moon</LINE>
|
|
<LINE>Make us again count o'er ere love be done!</LINE>
|
|
<LINE>But, woe is me, you are so sick of late,</LINE>
|
|
<LINE>So far from cheer and from your former state,</LINE>
|
|
<LINE>That I distrust you. Yet, though I distrust,</LINE>
|
|
<LINE>Discomfort you, my lord, it nothing must:</LINE>
|
|
<LINE>For women's fear and love holds quantity;</LINE>
|
|
<LINE>In neither aught, or in extremity.</LINE>
|
|
<LINE>Now, what my love is, proof hath made you know;</LINE>
|
|
<LINE>And as my love is sized, my fear is so:</LINE>
|
|
<LINE>Where love is great, the littlest doubts are fear;</LINE>
|
|
<LINE>Where little fears grow great, great love grows there.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player King</SPEAKER>
|
|
<LINE>'Faith, I must leave thee, love, and shortly too;</LINE>
|
|
<LINE>My operant powers their functions leave to do:</LINE>
|
|
<LINE>And thou shalt live in this fair world behind,</LINE>
|
|
<LINE>Honour'd, beloved; and haply one as kind</LINE>
|
|
<LINE>For husband shalt thou--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player Queen</SPEAKER>
|
|
<LINE>O, confound the rest!</LINE>
|
|
<LINE>Such love must needs be treason in my breast:</LINE>
|
|
<LINE>In second husband let me be accurst!</LINE>
|
|
<LINE>None wed the second but who kill'd the first.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> Wormwood, wormwood.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player Queen</SPEAKER>
|
|
<LINE>The instances that second marriage move</LINE>
|
|
<LINE>Are base respects of thrift, but none of love:</LINE>
|
|
<LINE>A second time I kill my husband dead,</LINE>
|
|
<LINE>When second husband kisses me in bed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player King</SPEAKER>
|
|
<LINE>I do believe you think what now you speak;</LINE>
|
|
<LINE>But what we do determine oft we break.</LINE>
|
|
<LINE>Purpose is but the slave to memory,</LINE>
|
|
<LINE>Of violent birth, but poor validity;</LINE>
|
|
<LINE>Which now, like fruit unripe, sticks on the tree;</LINE>
|
|
<LINE>But fall, unshaken, when they mellow be.</LINE>
|
|
<LINE>Most necessary 'tis that we forget</LINE>
|
|
<LINE>To pay ourselves what to ourselves is debt:</LINE>
|
|
<LINE>What to ourselves in passion we propose,</LINE>
|
|
<LINE>The passion ending, doth the purpose lose.</LINE>
|
|
<LINE>The violence of either grief or joy</LINE>
|
|
<LINE>Their own enactures with themselves destroy:</LINE>
|
|
<LINE>Where joy most revels, grief doth most lament;</LINE>
|
|
<LINE>Grief joys, joy grieves, on slender accident.</LINE>
|
|
<LINE>This world is not for aye, nor 'tis not strange</LINE>
|
|
<LINE>That even our loves should with our fortunes change;</LINE>
|
|
<LINE>For 'tis a question left us yet to prove,</LINE>
|
|
<LINE>Whether love lead fortune, or else fortune love.</LINE>
|
|
<LINE>The great man down, you mark his favourite flies;</LINE>
|
|
<LINE>The poor advanced makes friends of enemies.</LINE>
|
|
<LINE>And hitherto doth love on fortune tend;</LINE>
|
|
<LINE>For who not needs shall never lack a friend,</LINE>
|
|
<LINE>And who in want a hollow friend doth try,</LINE>
|
|
<LINE>Directly seasons him his enemy.</LINE>
|
|
<LINE>But, orderly to end where I begun,</LINE>
|
|
<LINE>Our wills and fates do so contrary run</LINE>
|
|
<LINE>That our devices still are overthrown;</LINE>
|
|
<LINE>Our thoughts are ours, their ends none of our own:</LINE>
|
|
<LINE>So think thou wilt no second husband wed;</LINE>
|
|
<LINE>But die thy thoughts when thy first lord is dead.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player Queen</SPEAKER>
|
|
<LINE>Nor earth to me give food, nor heaven light!</LINE>
|
|
<LINE>Sport and repose lock from me day and night!</LINE>
|
|
<LINE>To desperation turn my trust and hope!</LINE>
|
|
<LINE>An anchor's cheer in prison be my scope!</LINE>
|
|
<LINE>Each opposite that blanks the face of joy</LINE>
|
|
<LINE>Meet what I would have well and it destroy!</LINE>
|
|
<LINE>Both here and hence pursue me lasting strife,</LINE>
|
|
<LINE>If, once a widow, ever I be wife!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>If she should break it now!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player King</SPEAKER>
|
|
<LINE>'Tis deeply sworn. Sweet, leave me here awhile;</LINE>
|
|
<LINE>My spirits grow dull, and fain I would beguile</LINE>
|
|
<LINE>The tedious day with sleep.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Sleeps</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Player Queen</SPEAKER>
|
|
<LINE>Sleep rock thy brain,</LINE>
|
|
<LINE>And never come mischance between us twain!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Madam, how like you this play?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>The lady protests too much, methinks.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, but she'll keep her word.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Have you heard the argument? Is there no offence in 't?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, no, they do but jest, poison in jest; no offence</LINE>
|
|
<LINE>i' the world.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>What do you call the play?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The Mouse-trap. Marry, how? Tropically. This play</LINE>
|
|
<LINE>is the image of a murder done in Vienna: Gonzago is</LINE>
|
|
<LINE>the duke's name; his wife, Baptista: you shall see</LINE>
|
|
<LINE>anon; 'tis a knavish piece of work: but what o'</LINE>
|
|
<LINE>that? your majesty and we that have free souls, it</LINE>
|
|
<LINE>touches us not: let the galled jade wince, our</LINE>
|
|
<LINE>withers are unwrung.</LINE>
|
|
<STAGEDIR>Enter LUCIANUS</STAGEDIR>
|
|
<LINE>This is one Lucianus, nephew to the king.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>You are as good as a chorus, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I could interpret between you and your love, if I</LINE>
|
|
<LINE>could see the puppets dallying.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>You are keen, my lord, you are keen.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It would cost you a groaning to take off my edge.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Still better, and worse.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>So you must take your husbands. Begin, murderer;</LINE>
|
|
<LINE>pox, leave thy damnable faces, and begin. Come:</LINE>
|
|
<LINE>'the croaking raven doth bellow for revenge.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LUCIANUS</SPEAKER>
|
|
<LINE>Thoughts black, hands apt, drugs fit, and time agreeing;</LINE>
|
|
<LINE>Confederate season, else no creature seeing;</LINE>
|
|
<LINE>Thou mixture rank, of midnight weeds collected,</LINE>
|
|
<LINE>With Hecate's ban thrice blasted, thrice infected,</LINE>
|
|
<LINE>Thy natural magic and dire property,</LINE>
|
|
<LINE>On wholesome life usurp immediately.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Pours the poison into the sleeper's ears</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>He poisons him i' the garden for's estate. His</LINE>
|
|
<LINE>name's Gonzago: the story is extant, and writ in</LINE>
|
|
<LINE>choice Italian: you shall see anon how the murderer</LINE>
|
|
<LINE>gets the love of Gonzago's wife.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>The king rises.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What, frighted with false fire!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>How fares my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Give o'er the play.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Give me some light: away!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>All</SPEAKER>
|
|
<LINE>Lights, lights, lights!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt all but HAMLET and HORATIO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, let the stricken deer go weep,</LINE>
|
|
<LINE>The hart ungalled play;</LINE>
|
|
<LINE>For some must watch, while some must sleep:</LINE>
|
|
<LINE>So runs the world away.</LINE>
|
|
<LINE>Would not this, sir, and a forest of feathers-- if</LINE>
|
|
<LINE>the rest of my fortunes turn Turk with me--with two</LINE>
|
|
<LINE>Provincial roses on my razed shoes, get me a</LINE>
|
|
<LINE>fellowship in a cry of players, sir?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Half a share.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A whole one, I.</LINE>
|
|
<LINE>For thou dost know, O Damon dear,</LINE>
|
|
<LINE>This realm dismantled was</LINE>
|
|
<LINE>Of Jove himself; and now reigns here</LINE>
|
|
<LINE>A very, very--pajock.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>You might have rhymed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O good Horatio, I'll take the ghost's word for a</LINE>
|
|
<LINE>thousand pound. Didst perceive?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Very well, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Upon the talk of the poisoning?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I did very well note him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ah, ha! Come, some music! come, the recorders!</LINE>
|
|
<LINE>For if the king like not the comedy,</LINE>
|
|
<LINE>Why then, belike, he likes it not, perdy.</LINE>
|
|
<LINE>Come, some music!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Re-enter ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Good my lord, vouchsafe me a word with you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, a whole history.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>The king, sir,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, sir, what of him?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Is in his retirement marvellous distempered.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>With drink, sir?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>No, my lord, rather with choler.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Your wisdom should show itself more richer to</LINE>
|
|
<LINE>signify this to his doctor; for, for me to put him</LINE>
|
|
<LINE>to his purgation would perhaps plunge him into far</LINE>
|
|
<LINE>more choler.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Good my lord, put your discourse into some frame and</LINE>
|
|
<LINE>start not so wildly from my affair.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am tame, sir: pronounce.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>The queen, your mother, in most great affliction of</LINE>
|
|
<LINE>spirit, hath sent me to you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>You are welcome.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Nay, good my lord, this courtesy is not of the right</LINE>
|
|
<LINE>breed. If it shall please you to make me a</LINE>
|
|
<LINE>wholesome answer, I will do your mother's</LINE>
|
|
<LINE>commandment: if not, your pardon and my return</LINE>
|
|
<LINE>shall be the end of my business.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, I cannot.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>What, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Make you a wholesome answer; my wit's diseased: but,</LINE>
|
|
<LINE>sir, such answer as I can make, you shall command;</LINE>
|
|
<LINE>or, rather, as you say, my mother: therefore no</LINE>
|
|
<LINE>more, but to the matter: my mother, you say,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Then thus she says; your behavior hath struck her</LINE>
|
|
<LINE>into amazement and admiration.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O wonderful son, that can so astonish a mother! But</LINE>
|
|
<LINE>is there no sequel at the heels of this mother's</LINE>
|
|
<LINE>admiration? Impart.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>She desires to speak with you in her closet, ere you</LINE>
|
|
<LINE>go to bed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>We shall obey, were she ten times our mother. Have</LINE>
|
|
<LINE>you any further trade with us?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>My lord, you once did love me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>So I do still, by these pickers and stealers.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Good my lord, what is your cause of distemper? you</LINE>
|
|
<LINE>do, surely, bar the door upon your own liberty, if</LINE>
|
|
<LINE>you deny your griefs to your friend.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, I lack advancement.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>How can that be, when you have the voice of the king</LINE>
|
|
<LINE>himself for your succession in Denmark?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, but sir, 'While the grass grows,'--the proverb</LINE>
|
|
<LINE>is something musty.</LINE>
|
|
<STAGEDIR>Re-enter Players with recorders</STAGEDIR>
|
|
<LINE>O, the recorders! let me see one. To withdraw with</LINE>
|
|
<LINE>you:--why do you go about to recover the wind of me,</LINE>
|
|
<LINE>as if you would drive me into a toil?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>O, my lord, if my duty be too bold, my love is too</LINE>
|
|
<LINE>unmannerly.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I do not well understand that. Will you play upon</LINE>
|
|
<LINE>this pipe?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>My lord, I cannot.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I pray you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>Believe me, I cannot.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I do beseech you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>I know no touch of it, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Tis as easy as lying: govern these ventages with</LINE>
|
|
<LINE>your lingers and thumb, give it breath with your</LINE>
|
|
<LINE>mouth, and it will discourse most eloquent music.</LINE>
|
|
<LINE>Look you, these are the stops.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>But these cannot I command to any utterance of</LINE>
|
|
<LINE>harmony; I have not the skill.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, look you now, how unworthy a thing you make of</LINE>
|
|
<LINE>me! You would play upon me; you would seem to know</LINE>
|
|
<LINE>my stops; you would pluck out the heart of my</LINE>
|
|
<LINE>mystery; you would sound me from my lowest note to</LINE>
|
|
<LINE>the top of my compass: and there is much music,</LINE>
|
|
<LINE>excellent voice, in this little organ; yet cannot</LINE>
|
|
<LINE>you make it speak. 'Sblood, do you think I am</LINE>
|
|
<LINE>easier to be played on than a pipe? Call me what</LINE>
|
|
<LINE>instrument you will, though you can fret me, yet you</LINE>
|
|
<LINE>cannot play upon me.</LINE>
|
|
<STAGEDIR>Enter POLONIUS</STAGEDIR>
|
|
<LINE>God bless you, sir!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>My lord, the queen would speak with you, and</LINE>
|
|
<LINE>presently.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do you see yonder cloud that's almost in shape of a camel?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>By the mass, and 'tis like a camel, indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Methinks it is like a weasel.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>It is backed like a weasel.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Or like a whale?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>Very like a whale.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Then I will come to my mother by and by. They fool</LINE>
|
|
<LINE>me to the top of my bent. I will come by and by.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>I will say so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>By and by is easily said.</LINE>
|
|
<STAGEDIR>Exit POLONIUS</STAGEDIR>
|
|
<LINE>Leave me, friends.</LINE>
|
|
<STAGEDIR>Exeunt all but HAMLET</STAGEDIR>
|
|
<LINE>Tis now the very witching time of night,</LINE>
|
|
<LINE>When churchyards yawn and hell itself breathes out</LINE>
|
|
<LINE>Contagion to this world: now could I drink hot blood,</LINE>
|
|
<LINE>And do such bitter business as the day</LINE>
|
|
<LINE>Would quake to look on. Soft! now to my mother.</LINE>
|
|
<LINE>O heart, lose not thy nature; let not ever</LINE>
|
|
<LINE>The soul of Nero enter this firm bosom:</LINE>
|
|
<LINE>Let me be cruel, not unnatural:</LINE>
|
|
<LINE>I will speak daggers to her, but use none;</LINE>
|
|
<LINE>My tongue and soul in this be hypocrites;</LINE>
|
|
<LINE>How in my words soever she be shent,</LINE>
|
|
<LINE>To give them seals never, my soul, consent!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE III. A room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I like him not, nor stands it safe with us</LINE>
|
|
<LINE>To let his madness range. Therefore prepare you;</LINE>
|
|
<LINE>I your commission will forthwith dispatch,</LINE>
|
|
<LINE>And he to England shall along with you:</LINE>
|
|
<LINE>The terms of our estate may not endure</LINE>
|
|
<LINE>Hazard so dangerous as doth hourly grow</LINE>
|
|
<LINE>Out of his lunacies.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>We will ourselves provide:</LINE>
|
|
<LINE>Most holy and religious fear it is</LINE>
|
|
<LINE>To keep those many many bodies safe</LINE>
|
|
<LINE>That live and feed upon your majesty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>The single and peculiar life is bound,</LINE>
|
|
<LINE>With all the strength and armour of the mind,</LINE>
|
|
<LINE>To keep itself from noyance; but much more</LINE>
|
|
<LINE>That spirit upon whose weal depend and rest</LINE>
|
|
<LINE>The lives of many. The cease of majesty</LINE>
|
|
<LINE>Dies not alone; but, like a gulf, doth draw</LINE>
|
|
<LINE>What's near it with it: it is a massy wheel,</LINE>
|
|
<LINE>Fix'd on the summit of the highest mount,</LINE>
|
|
<LINE>To whose huge spokes ten thousand lesser things</LINE>
|
|
<LINE>Are mortised and adjoin'd; which, when it falls,</LINE>
|
|
<LINE>Each small annexment, petty consequence,</LINE>
|
|
<LINE>Attends the boisterous ruin. Never alone</LINE>
|
|
<LINE>Did the king sigh, but with a general groan.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Arm you, I pray you, to this speedy voyage;</LINE>
|
|
<LINE>For we will fetters put upon this fear,</LINE>
|
|
<LINE>Which now goes too free-footed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>We will haste us.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<STAGEDIR>Enter POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>My lord, he's going to his mother's closet:</LINE>
|
|
<LINE>Behind the arras I'll convey myself,</LINE>
|
|
<LINE>To hear the process; and warrant she'll tax him home:</LINE>
|
|
<LINE>And, as you said, and wisely was it said,</LINE>
|
|
<LINE>'Tis meet that some more audience than a mother,</LINE>
|
|
<LINE>Since nature makes them partial, should o'erhear</LINE>
|
|
<LINE>The speech, of vantage. Fare you well, my liege:</LINE>
|
|
<LINE>I'll call upon you ere you go to bed,</LINE>
|
|
<LINE>And tell you what I know.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Thanks, dear my lord.</LINE>
|
|
<STAGEDIR>Exit POLONIUS</STAGEDIR>
|
|
<LINE>O, my offence is rank it smells to heaven;</LINE>
|
|
<LINE>It hath the primal eldest curse upon't,</LINE>
|
|
<LINE>A brother's murder. Pray can I not,</LINE>
|
|
<LINE>Though inclination be as sharp as will:</LINE>
|
|
<LINE>My stronger guilt defeats my strong intent;</LINE>
|
|
<LINE>And, like a man to double business bound,</LINE>
|
|
<LINE>I stand in pause where I shall first begin,</LINE>
|
|
<LINE>And both neglect. What if this cursed hand</LINE>
|
|
<LINE>Were thicker than itself with brother's blood,</LINE>
|
|
<LINE>Is there not rain enough in the sweet heavens</LINE>
|
|
<LINE>To wash it white as snow? Whereto serves mercy</LINE>
|
|
<LINE>But to confront the visage of offence?</LINE>
|
|
<LINE>And what's in prayer but this two-fold force,</LINE>
|
|
<LINE>To be forestalled ere we come to fall,</LINE>
|
|
<LINE>Or pardon'd being down? Then I'll look up;</LINE>
|
|
<LINE>My fault is past. But, O, what form of prayer</LINE>
|
|
<LINE>Can serve my turn? 'Forgive me my foul murder'?</LINE>
|
|
<LINE>That cannot be; since I am still possess'd</LINE>
|
|
<LINE>Of those effects for which I did the murder,</LINE>
|
|
<LINE>My crown, mine own ambition and my queen.</LINE>
|
|
<LINE>May one be pardon'd and retain the offence?</LINE>
|
|
<LINE>In the corrupted currents of this world</LINE>
|
|
<LINE>Offence's gilded hand may shove by justice,</LINE>
|
|
<LINE>And oft 'tis seen the wicked prize itself</LINE>
|
|
<LINE>Buys out the law: but 'tis not so above;</LINE>
|
|
<LINE>There is no shuffling, there the action lies</LINE>
|
|
<LINE>In his true nature; and we ourselves compell'd,</LINE>
|
|
<LINE>Even to the teeth and forehead of our faults,</LINE>
|
|
<LINE>To give in evidence. What then? what rests?</LINE>
|
|
<LINE>Try what repentance can: what can it not?</LINE>
|
|
<LINE>Yet what can it when one can not repent?</LINE>
|
|
<LINE>O wretched state! O bosom black as death!</LINE>
|
|
<LINE>O limed soul, that, struggling to be free,</LINE>
|
|
<LINE>Art more engaged! Help, angels! Make assay!</LINE>
|
|
<LINE>Bow, stubborn knees; and, heart with strings of steel,</LINE>
|
|
<LINE>Be soft as sinews of the newborn babe!</LINE>
|
|
<LINE>All may be well.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Retires and kneels</STAGEDIR>
|
|
<STAGEDIR>Enter HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Now might I do it pat, now he is praying;</LINE>
|
|
<LINE>And now I'll do't. And so he goes to heaven;</LINE>
|
|
<LINE>And so am I revenged. That would be scann'd:</LINE>
|
|
<LINE>A villain kills my father; and for that,</LINE>
|
|
<LINE>I, his sole son, do this same villain send</LINE>
|
|
<LINE>To heaven.</LINE>
|
|
<LINE>O, this is hire and salary, not revenge.</LINE>
|
|
<LINE>He took my father grossly, full of bread;</LINE>
|
|
<LINE>With all his crimes broad blown, as flush as May;</LINE>
|
|
<LINE>And how his audit stands who knows save heaven?</LINE>
|
|
<LINE>But in our circumstance and course of thought,</LINE>
|
|
<LINE>'Tis heavy with him: and am I then revenged,</LINE>
|
|
<LINE>To take him in the purging of his soul,</LINE>
|
|
<LINE>When he is fit and season'd for his passage?</LINE>
|
|
<LINE>No!</LINE>
|
|
<LINE>Up, sword; and know thou a more horrid hent:</LINE>
|
|
<LINE>When he is drunk asleep, or in his rage,</LINE>
|
|
<LINE>Or in the incestuous pleasure of his bed;</LINE>
|
|
<LINE>At gaming, swearing, or about some act</LINE>
|
|
<LINE>That has no relish of salvation in't;</LINE>
|
|
<LINE>Then trip him, that his heels may kick at heaven,</LINE>
|
|
<LINE>And that his soul may be as damn'd and black</LINE>
|
|
<LINE>As hell, whereto it goes. My mother stays:</LINE>
|
|
<LINE>This physic but prolongs thy sickly days.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Rising</STAGEDIR> My words fly up, my thoughts remain below:</LINE>
|
|
<LINE>Words without thoughts never to heaven go.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE IV. The Queen's closet.</TITLE>
|
|
<STAGEDIR>Enter QUEEN MARGARET and POLONIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE>He will come straight. Look you lay home to him:</LINE>
|
|
<LINE>Tell him his pranks have been too broad to bear with,</LINE>
|
|
<LINE>And that your grace hath screen'd and stood between</LINE>
|
|
<LINE>Much heat and him. I'll sconce me even here.</LINE>
|
|
<LINE>Pray you, be round with him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Mother, mother, mother!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>I'll warrant you,</LINE>
|
|
<LINE>Fear me not: withdraw, I hear him coming.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>POLONIUS hides behind the arras</STAGEDIR>
|
|
<STAGEDIR>Enter HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Now, mother, what's the matter?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Hamlet, thou hast thy father much offended.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Mother, you have my father much offended.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Come, come, you answer with an idle tongue.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Go, go, you question with a wicked tongue.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Why, how now, Hamlet!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What's the matter now?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Have you forgot me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, by the rood, not so:</LINE>
|
|
<LINE>You are the queen, your husband's brother's wife;</LINE>
|
|
<LINE>And--would it were not so!--you are my mother.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Nay, then, I'll set those to you that can speak.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Come, come, and sit you down; you shall not budge;</LINE>
|
|
<LINE>You go not till I set you up a glass</LINE>
|
|
<LINE>Where you may see the inmost part of you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>What wilt thou do? thou wilt not murder me?</LINE>
|
|
<LINE>Help, help, ho!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Behind</STAGEDIR> What, ho! help, help, help!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Drawing</STAGEDIR> How now! a rat? Dead, for a ducat, dead!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Makes a pass through the arras</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LORD POLONIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Behind</STAGEDIR> O, I am slain!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Falls and dies</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O me, what hast thou done?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, I know not:</LINE>
|
|
<LINE>Is it the king?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O, what a rash and bloody deed is this!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A bloody deed! almost as bad, good mother,</LINE>
|
|
<LINE>As kill a king, and marry with his brother.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>As kill a king!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, lady, 'twas my word.</LINE>
|
|
<STAGEDIR>Lifts up the array and discovers POLONIUS</STAGEDIR>
|
|
<LINE>Thou wretched, rash, intruding fool, farewell!</LINE>
|
|
<LINE>I took thee for thy better: take thy fortune;</LINE>
|
|
<LINE>Thou find'st to be too busy is some danger.</LINE>
|
|
<LINE>Leave wringing of your hands: peace! sit you down,</LINE>
|
|
<LINE>And let me wring your heart; for so I shall,</LINE>
|
|
<LINE>If it be made of penetrable stuff,</LINE>
|
|
<LINE>If damned custom have not brass'd it so</LINE>
|
|
<LINE>That it is proof and bulwark against sense.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>What have I done, that thou darest wag thy tongue</LINE>
|
|
<LINE>In noise so rude against me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Such an act</LINE>
|
|
<LINE>That blurs the grace and blush of modesty,</LINE>
|
|
<LINE>Calls virtue hypocrite, takes off the rose</LINE>
|
|
<LINE>From the fair forehead of an innocent love</LINE>
|
|
<LINE>And sets a blister there, makes marriage-vows</LINE>
|
|
<LINE>As false as dicers' oaths: O, such a deed</LINE>
|
|
<LINE>As from the body of contraction plucks</LINE>
|
|
<LINE>The very soul, and sweet religion makes</LINE>
|
|
<LINE>A rhapsody of words: heaven's face doth glow:</LINE>
|
|
<LINE>Yea, this solidity and compound mass,</LINE>
|
|
<LINE>With tristful visage, as against the doom,</LINE>
|
|
<LINE>Is thought-sick at the act.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Ay me, what act,</LINE>
|
|
<LINE>That roars so loud, and thunders in the index?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Look here, upon this picture, and on this,</LINE>
|
|
<LINE>The counterfeit presentment of two brothers.</LINE>
|
|
<LINE>See, what a grace was seated on this brow;</LINE>
|
|
<LINE>Hyperion's curls; the front of Jove himself;</LINE>
|
|
<LINE>An eye like Mars, to threaten and command;</LINE>
|
|
<LINE>A station like the herald Mercury</LINE>
|
|
<LINE>New-lighted on a heaven-kissing hill;</LINE>
|
|
<LINE>A combination and a form indeed,</LINE>
|
|
<LINE>Where every god did seem to set his seal,</LINE>
|
|
<LINE>To give the world assurance of a man:</LINE>
|
|
<LINE>This was your husband. Look you now, what follows:</LINE>
|
|
<LINE>Here is your husband; like a mildew'd ear,</LINE>
|
|
<LINE>Blasting his wholesome brother. Have you eyes?</LINE>
|
|
<LINE>Could you on this fair mountain leave to feed,</LINE>
|
|
<LINE>And batten on this moor? Ha! have you eyes?</LINE>
|
|
<LINE>You cannot call it love; for at your age</LINE>
|
|
<LINE>The hey-day in the blood is tame, it's humble,</LINE>
|
|
<LINE>And waits upon the judgment: and what judgment</LINE>
|
|
<LINE>Would step from this to this? Sense, sure, you have,</LINE>
|
|
<LINE>Else could you not have motion; but sure, that sense</LINE>
|
|
<LINE>Is apoplex'd; for madness would not err,</LINE>
|
|
<LINE>Nor sense to ecstasy was ne'er so thrall'd</LINE>
|
|
<LINE>But it reserved some quantity of choice,</LINE>
|
|
<LINE>To serve in such a difference. What devil was't</LINE>
|
|
<LINE>That thus hath cozen'd you at hoodman-blind?</LINE>
|
|
<LINE>Eyes without feeling, feeling without sight,</LINE>
|
|
<LINE>Ears without hands or eyes, smelling sans all,</LINE>
|
|
<LINE>Or but a sickly part of one true sense</LINE>
|
|
<LINE>Could not so mope.</LINE>
|
|
<LINE>O shame! where is thy blush? Rebellious hell,</LINE>
|
|
<LINE>If thou canst mutine in a matron's bones,</LINE>
|
|
<LINE>To flaming youth let virtue be as wax,</LINE>
|
|
<LINE>And melt in her own fire: proclaim no shame</LINE>
|
|
<LINE>When the compulsive ardour gives the charge,</LINE>
|
|
<LINE>Since frost itself as actively doth burn</LINE>
|
|
<LINE>And reason panders will.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O Hamlet, speak no more:</LINE>
|
|
<LINE>Thou turn'st mine eyes into my very soul;</LINE>
|
|
<LINE>And there I see such black and grained spots</LINE>
|
|
<LINE>As will not leave their tinct.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, but to live</LINE>
|
|
<LINE>In the rank sweat of an enseamed bed,</LINE>
|
|
<LINE>Stew'd in corruption, honeying and making love</LINE>
|
|
<LINE>Over the nasty sty,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O, speak to me no more;</LINE>
|
|
<LINE>These words, like daggers, enter in mine ears;</LINE>
|
|
<LINE>No more, sweet Hamlet!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A murderer and a villain;</LINE>
|
|
<LINE>A slave that is not twentieth part the tithe</LINE>
|
|
<LINE>Of your precedent lord; a vice of kings;</LINE>
|
|
<LINE>A cutpurse of the empire and the rule,</LINE>
|
|
<LINE>That from a shelf the precious diadem stole,</LINE>
|
|
<LINE>And put it in his pocket!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>No more!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A king of shreds and patches,--</LINE>
|
|
<STAGEDIR>Enter Ghost</STAGEDIR>
|
|
<LINE>Save me, and hover o'er me with your wings,</LINE>
|
|
<LINE>You heavenly guards! What would your gracious figure?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alas, he's mad!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do you not come your tardy son to chide,</LINE>
|
|
<LINE>That, lapsed in time and passion, lets go by</LINE>
|
|
<LINE>The important acting of your dread command? O, say!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Ghost</SPEAKER>
|
|
<LINE>Do not forget: this visitation</LINE>
|
|
<LINE>Is but to whet thy almost blunted purpose.</LINE>
|
|
<LINE>But, look, amazement on thy mother sits:</LINE>
|
|
<LINE>O, step between her and her fighting soul:</LINE>
|
|
<LINE>Conceit in weakest bodies strongest works:</LINE>
|
|
<LINE>Speak to her, Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How is it with you, lady?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alas, how is't with you,</LINE>
|
|
<LINE>That you do bend your eye on vacancy</LINE>
|
|
<LINE>And with the incorporal air do hold discourse?</LINE>
|
|
<LINE>Forth at your eyes your spirits wildly peep;</LINE>
|
|
<LINE>And, as the sleeping soldiers in the alarm,</LINE>
|
|
<LINE>Your bedded hair, like life in excrements,</LINE>
|
|
<LINE>Starts up, and stands on end. O gentle son,</LINE>
|
|
<LINE>Upon the heat and flame of thy distemper</LINE>
|
|
<LINE>Sprinkle cool patience. Whereon do you look?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>On him, on him! Look you, how pale he glares!</LINE>
|
|
<LINE>His form and cause conjoin'd, preaching to stones,</LINE>
|
|
<LINE>Would make them capable. Do not look upon me;</LINE>
|
|
<LINE>Lest with this piteous action you convert</LINE>
|
|
<LINE>My stern effects: then what I have to do</LINE>
|
|
<LINE>Will want true colour; tears perchance for blood.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>To whom do you speak this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do you see nothing there?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Nothing at all; yet all that is I see.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nor did you nothing hear?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>No, nothing but ourselves.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, look you there! look, how it steals away!</LINE>
|
|
<LINE>My father, in his habit as he lived!</LINE>
|
|
<LINE>Look, where he goes, even now, out at the portal!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit Ghost</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>This the very coinage of your brain:</LINE>
|
|
<LINE>This bodiless creation ecstasy</LINE>
|
|
<LINE>Is very cunning in.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ecstasy!</LINE>
|
|
<LINE>My pulse, as yours, doth temperately keep time,</LINE>
|
|
<LINE>And makes as healthful music: it is not madness</LINE>
|
|
<LINE>That I have utter'd: bring me to the test,</LINE>
|
|
<LINE>And I the matter will re-word; which madness</LINE>
|
|
<LINE>Would gambol from. Mother, for love of grace,</LINE>
|
|
<LINE>Lay not that mattering unction to your soul,</LINE>
|
|
<LINE>That not your trespass, but my madness speaks:</LINE>
|
|
<LINE>It will but skin and film the ulcerous place,</LINE>
|
|
<LINE>Whilst rank corruption, mining all within,</LINE>
|
|
<LINE>Infects unseen. Confess yourself to heaven;</LINE>
|
|
<LINE>Repent what's past; avoid what is to come;</LINE>
|
|
<LINE>And do not spread the compost on the weeds,</LINE>
|
|
<LINE>To make them ranker. Forgive me this my virtue;</LINE>
|
|
<LINE>For in the fatness of these pursy times</LINE>
|
|
<LINE>Virtue itself of vice must pardon beg,</LINE>
|
|
<LINE>Yea, curb and woo for leave to do him good.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O Hamlet, thou hast cleft my heart in twain.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, throw away the worser part of it,</LINE>
|
|
<LINE>And live the purer with the other half.</LINE>
|
|
<LINE>Good night: but go not to mine uncle's bed;</LINE>
|
|
<LINE>Assume a virtue, if you have it not.</LINE>
|
|
<LINE>That monster, custom, who all sense doth eat,</LINE>
|
|
<LINE>Of habits devil, is angel yet in this,</LINE>
|
|
<LINE>That to the use of actions fair and good</LINE>
|
|
<LINE>He likewise gives a frock or livery,</LINE>
|
|
<LINE>That aptly is put on. Refrain to-night,</LINE>
|
|
<LINE>And that shall lend a kind of easiness</LINE>
|
|
<LINE>To the next abstinence: the next more easy;</LINE>
|
|
<LINE>For use almost can change the stamp of nature,</LINE>
|
|
<LINE>And either ... the devil, or throw him out</LINE>
|
|
<LINE>With wondrous potency. Once more, good night:</LINE>
|
|
<LINE>And when you are desirous to be bless'd,</LINE>
|
|
<LINE>I'll blessing beg of you. For this same lord,</LINE>
|
|
<STAGEDIR>Pointing to POLONIUS</STAGEDIR>
|
|
<LINE>I do repent: but heaven hath pleased it so,</LINE>
|
|
<LINE>To punish me with this and this with me,</LINE>
|
|
<LINE>That I must be their scourge and minister.</LINE>
|
|
<LINE>I will bestow him, and will answer well</LINE>
|
|
<LINE>The death I gave him. So, again, good night.</LINE>
|
|
<LINE>I must be cruel, only to be kind:</LINE>
|
|
<LINE>Thus bad begins and worse remains behind.</LINE>
|
|
<LINE>One word more, good lady.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>What shall I do?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Not this, by no means, that I bid you do:</LINE>
|
|
<LINE>Let the bloat king tempt you again to bed;</LINE>
|
|
<LINE>Pinch wanton on your cheek; call you his mouse;</LINE>
|
|
<LINE>And let him, for a pair of reechy kisses,</LINE>
|
|
<LINE>Or paddling in your neck with his damn'd fingers,</LINE>
|
|
<LINE>Make you to ravel all this matter out,</LINE>
|
|
<LINE>That I essentially am not in madness,</LINE>
|
|
<LINE>But mad in craft. 'Twere good you let him know;</LINE>
|
|
<LINE>For who, that's but a queen, fair, sober, wise,</LINE>
|
|
<LINE>Would from a paddock, from a bat, a gib,</LINE>
|
|
<LINE>Such dear concernings hide? who would do so?</LINE>
|
|
<LINE>No, in despite of sense and secrecy,</LINE>
|
|
<LINE>Unpeg the basket on the house's top.</LINE>
|
|
<LINE>Let the birds fly, and, like the famous ape,</LINE>
|
|
<LINE>To try conclusions, in the basket creep,</LINE>
|
|
<LINE>And break your own neck down.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Be thou assured, if words be made of breath,</LINE>
|
|
<LINE>And breath of life, I have no life to breathe</LINE>
|
|
<LINE>What thou hast said to me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I must to England; you know that?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alack,</LINE>
|
|
<LINE>I had forgot: 'tis so concluded on.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>There's letters seal'd: and my two schoolfellows,</LINE>
|
|
<LINE>Whom I will trust as I will adders fang'd,</LINE>
|
|
<LINE>They bear the mandate; they must sweep my way,</LINE>
|
|
<LINE>And marshal me to knavery. Let it work;</LINE>
|
|
<LINE>For 'tis the sport to have the engineer</LINE>
|
|
<LINE>Hoist with his own petard: and 't shall go hard</LINE>
|
|
<LINE>But I will delve one yard below their mines,</LINE>
|
|
<LINE>And blow them at the moon: O, 'tis most sweet,</LINE>
|
|
<LINE>When in one line two crafts directly meet.</LINE>
|
|
<LINE>This man shall set me packing:</LINE>
|
|
<LINE>I'll lug the guts into the neighbour room.</LINE>
|
|
<LINE>Mother, good night. Indeed this counsellor</LINE>
|
|
<LINE>Is now most still, most secret and most grave,</LINE>
|
|
<LINE>Who was in life a foolish prating knave.</LINE>
|
|
<LINE>Come, sir, to draw toward an end with you.</LINE>
|
|
<LINE>Good night, mother.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt severally; HAMLET dragging in POLONIUS</STAGEDIR>
|
|
</SCENE>
|
|
|
|
</ACT>
|
|
|
|
<ACT><TITLE>ACT IV</TITLE>
|
|
|
|
<SCENE><TITLE>SCENE I. A room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ,
|
|
and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>There's matter in these sighs, these profound heaves:</LINE>
|
|
<LINE>You must translate: 'tis fit we understand them.</LINE>
|
|
<LINE>Where is your son?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Bestow this place on us a little while.</LINE>
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<LINE>Ah, my good lord, what have I seen to-night!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>What, Gertrude? How does Hamlet?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Mad as the sea and wind, when both contend</LINE>
|
|
<LINE>Which is the mightier: in his lawless fit,</LINE>
|
|
<LINE>Behind the arras hearing something stir,</LINE>
|
|
<LINE>Whips out his rapier, cries, 'A rat, a rat!'</LINE>
|
|
<LINE>And, in this brainish apprehension, kills</LINE>
|
|
<LINE>The unseen good old man.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O heavy deed!</LINE>
|
|
<LINE>It had been so with us, had we been there:</LINE>
|
|
<LINE>His liberty is full of threats to all;</LINE>
|
|
<LINE>To you yourself, to us, to every one.</LINE>
|
|
<LINE>Alas, how shall this bloody deed be answer'd?</LINE>
|
|
<LINE>It will be laid to us, whose providence</LINE>
|
|
<LINE>Should have kept short, restrain'd and out of haunt,</LINE>
|
|
<LINE>This mad young man: but so much was our love,</LINE>
|
|
<LINE>We would not understand what was most fit;</LINE>
|
|
<LINE>But, like the owner of a foul disease,</LINE>
|
|
<LINE>To keep it from divulging, let it feed</LINE>
|
|
<LINE>Even on the pith of Life. Where is he gone?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>To draw apart the body he hath kill'd:</LINE>
|
|
<LINE>O'er whom his very madness, like some ore</LINE>
|
|
<LINE>Among a mineral of metals base,</LINE>
|
|
<LINE>Shows itself pure; he weeps for what is done.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O Gertrude, come away!</LINE>
|
|
<LINE>The sun no sooner shall the mountains touch,</LINE>
|
|
<LINE>But we will ship him hence: and this vile deed</LINE>
|
|
<LINE>We must, with all our majesty and skill,</LINE>
|
|
<LINE>Both countenance and excuse. Ho, Guildenstern!</LINE>
|
|
<STAGEDIR>Re-enter ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<LINE>Friends both, go join you with some further aid:</LINE>
|
|
<LINE>Hamlet in madness hath Polonius slain,</LINE>
|
|
<LINE>And from his mother's closet hath he dragg'd him:</LINE>
|
|
<LINE>Go seek him out; speak fair, and bring the body</LINE>
|
|
<LINE>Into the chapel. I pray you, haste in this.</LINE>
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<LINE>Come, Gertrude, we'll call up our wisest friends;</LINE>
|
|
<LINE>And let them know, both what we mean to do,</LINE>
|
|
<LINE>And what's untimely done...</LINE>
|
|
<LINE>Whose whisper o'er the world's diameter,</LINE>
|
|
<LINE>As level as the cannon to his blank,</LINE>
|
|
<LINE>Transports his poison'd shot, may miss our name,</LINE>
|
|
<LINE>And hit the woundless air. O, come away!</LINE>
|
|
<LINE>My soul is full of discord and dismay.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE II. Another room in the castle.</TITLE>
|
|
<STAGEDIR>Enter HAMLET</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Safely stowed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Hamlet! Lord Hamlet!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What noise? who calls on Hamlet?</LINE>
|
|
<LINE>O, here they come.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>What have you done, my lord, with the dead body?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Compounded it with dust, whereto 'tis kin.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Tell us where 'tis, that we may take it thence</LINE>
|
|
<LINE>And bear it to the chapel.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Do not believe it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Believe what?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That I can keep your counsel and not mine own.</LINE>
|
|
<LINE>Besides, to be demanded of a sponge! what</LINE>
|
|
<LINE>replication should be made by the son of a king?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Take you me for a sponge, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, sir, that soaks up the king's countenance, his</LINE>
|
|
<LINE>rewards, his authorities. But such officers do the</LINE>
|
|
<LINE>king best service in the end: he keeps them, like</LINE>
|
|
<LINE>an ape, in the corner of his jaw; first mouthed, to</LINE>
|
|
<LINE>be last swallowed: when he needs what you have</LINE>
|
|
<LINE>gleaned, it is but squeezing you, and, sponge, you</LINE>
|
|
<LINE>shall be dry again.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>I understand you not, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am glad of it: a knavish speech sleeps in a</LINE>
|
|
<LINE>foolish ear.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>My lord, you must tell us where the body is, and go</LINE>
|
|
<LINE>with us to the king.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The body is with the king, but the king is not with</LINE>
|
|
<LINE>the body. The king is a thing--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>GUILDENSTERN</SPEAKER>
|
|
<LINE>A thing, my lord!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Of nothing: bring me to him. Hide fox, and all after.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE III. Another room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS, attended</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I have sent to seek him, and to find the body.</LINE>
|
|
<LINE>How dangerous is it that this man goes loose!</LINE>
|
|
<LINE>Yet must not we put the strong law on him:</LINE>
|
|
<LINE>He's loved of the distracted multitude,</LINE>
|
|
<LINE>Who like not in their judgment, but their eyes;</LINE>
|
|
<LINE>And where tis so, the offender's scourge is weigh'd,</LINE>
|
|
<LINE>But never the offence. To bear all smooth and even,</LINE>
|
|
<LINE>This sudden sending him away must seem</LINE>
|
|
<LINE>Deliberate pause: diseases desperate grown</LINE>
|
|
<LINE>By desperate appliance are relieved,</LINE>
|
|
<LINE>Or not at all.</LINE>
|
|
<STAGEDIR>Enter ROSENCRANTZ</STAGEDIR>
|
|
<LINE>How now! what hath befall'n?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Where the dead body is bestow'd, my lord,</LINE>
|
|
<LINE>We cannot get from him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>But where is he?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Without, my lord; guarded, to know your pleasure.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Bring him before us.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Ho, Guildenstern! bring in my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter HAMLET and GUILDENSTERN</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Now, Hamlet, where's Polonius?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>At supper.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>At supper! where?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Not where he eats, but where he is eaten: a certain</LINE>
|
|
<LINE>convocation of politic worms are e'en at him. Your</LINE>
|
|
<LINE>worm is your only emperor for diet: we fat all</LINE>
|
|
<LINE>creatures else to fat us, and we fat ourselves for</LINE>
|
|
<LINE>maggots: your fat king and your lean beggar is but</LINE>
|
|
<LINE>variable service, two dishes, but to one table:</LINE>
|
|
<LINE>that's the end.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Alas, alas!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>A man may fish with the worm that hath eat of a</LINE>
|
|
<LINE>king, and cat of the fish that hath fed of that worm.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>What dost you mean by this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nothing but to show you how a king may go a</LINE>
|
|
<LINE>progress through the guts of a beggar.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Where is Polonius?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>In heaven; send hither to see: if your messenger</LINE>
|
|
<LINE>find him not there, seek him i' the other place</LINE>
|
|
<LINE>yourself. But indeed, if you find him not within</LINE>
|
|
<LINE>this month, you shall nose him as you go up the</LINE>
|
|
<LINE>stairs into the lobby.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Go seek him there.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>To some Attendants</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>He will stay till ye come.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt Attendants</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Hamlet, this deed, for thine especial safety,--</LINE>
|
|
<LINE>Which we do tender, as we dearly grieve</LINE>
|
|
<LINE>For that which thou hast done,--must send thee hence</LINE>
|
|
<LINE>With fiery quickness: therefore prepare thyself;</LINE>
|
|
<LINE>The bark is ready, and the wind at help,</LINE>
|
|
<LINE>The associates tend, and every thing is bent</LINE>
|
|
<LINE>For England.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>For England!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Ay, Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Good.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>So is it, if thou knew'st our purposes.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I see a cherub that sees them. But, come; for</LINE>
|
|
<LINE>England! Farewell, dear mother.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Thy loving father, Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>My mother: father and mother is man and wife; man</LINE>
|
|
<LINE>and wife is one flesh; and so, my mother. Come, for England!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Follow him at foot; tempt him with speed aboard;</LINE>
|
|
<LINE>Delay it not; I'll have him hence to-night:</LINE>
|
|
<LINE>Away! for every thing is seal'd and done</LINE>
|
|
<LINE>That else leans on the affair: pray you, make haste.</LINE>
|
|
<STAGEDIR>Exeunt ROSENCRANTZ and GUILDENSTERN</STAGEDIR>
|
|
<LINE>And, England, if my love thou hold'st at aught--</LINE>
|
|
<LINE>As my great power thereof may give thee sense,</LINE>
|
|
<LINE>Since yet thy cicatrice looks raw and red</LINE>
|
|
<LINE>After the Danish sword, and thy free awe</LINE>
|
|
<LINE>Pays homage to us--thou mayst not coldly set</LINE>
|
|
<LINE>Our sovereign process; which imports at full,</LINE>
|
|
<LINE>By letters congruing to that effect,</LINE>
|
|
<LINE>The present death of Hamlet. Do it, England;</LINE>
|
|
<LINE>For like the hectic in my blood he rages,</LINE>
|
|
<LINE>And thou must cure me: till I know 'tis done,</LINE>
|
|
<LINE>Howe'er my haps, my joys were ne'er begun.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE IV. A plain in Denmark.</TITLE>
|
|
<STAGEDIR>Enter FORTINBRAS, a Captain, and Soldiers, marching</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>Go, captain, from me greet the Danish king;</LINE>
|
|
<LINE>Tell him that, by his licence, Fortinbras</LINE>
|
|
<LINE>Craves the conveyance of a promised march</LINE>
|
|
<LINE>Over his kingdom. You know the rendezvous.</LINE>
|
|
<LINE>If that his majesty would aught with us,</LINE>
|
|
<LINE>We shall express our duty in his eye;</LINE>
|
|
<LINE>And let him know so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>I will do't, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>Go softly on.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Exeunt FORTINBRAS and Soldiers</STAGEDIR>
|
|
<STAGEDIR>Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Good sir, whose powers are these?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>They are of Norway, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How purposed, sir, I pray you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>Against some part of Poland.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Who commands them, sir?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>The nephews to old Norway, Fortinbras.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Goes it against the main of Poland, sir,</LINE>
|
|
<LINE>Or for some frontier?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>Truly to speak, and with no addition,</LINE>
|
|
<LINE>We go to gain a little patch of ground</LINE>
|
|
<LINE>That hath in it no profit but the name.</LINE>
|
|
<LINE>To pay five ducats, five, I would not farm it;</LINE>
|
|
<LINE>Nor will it yield to Norway or the Pole</LINE>
|
|
<LINE>A ranker rate, should it be sold in fee.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, then the Polack never will defend it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>Yes, it is already garrison'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Two thousand souls and twenty thousand ducats</LINE>
|
|
<LINE>Will not debate the question of this straw:</LINE>
|
|
<LINE>This is the imposthume of much wealth and peace,</LINE>
|
|
<LINE>That inward breaks, and shows no cause without</LINE>
|
|
<LINE>Why the man dies. I humbly thank you, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Captain</SPEAKER>
|
|
<LINE>God be wi' you, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>ROSENCRANTZ</SPEAKER>
|
|
<LINE>Wilt please you go, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I'll be with you straight go a little before.</LINE>
|
|
<STAGEDIR>Exeunt all except HAMLET</STAGEDIR>
|
|
<LINE>How all occasions do inform against me,</LINE>
|
|
<LINE>And spur my dull revenge! What is a man,</LINE>
|
|
<LINE>If his chief good and market of his time</LINE>
|
|
<LINE>Be but to sleep and feed? a beast, no more.</LINE>
|
|
<LINE>Sure, he that made us with such large discourse,</LINE>
|
|
<LINE>Looking before and after, gave us not</LINE>
|
|
<LINE>That capability and god-like reason</LINE>
|
|
<LINE>To fust in us unused. Now, whether it be</LINE>
|
|
<LINE>Bestial oblivion, or some craven scruple</LINE>
|
|
<LINE>Of thinking too precisely on the event,</LINE>
|
|
<LINE>A thought which, quarter'd, hath but one part wisdom</LINE>
|
|
<LINE>And ever three parts coward, I do not know</LINE>
|
|
<LINE>Why yet I live to say 'This thing's to do;'</LINE>
|
|
<LINE>Sith I have cause and will and strength and means</LINE>
|
|
<LINE>To do't. Examples gross as earth exhort me:</LINE>
|
|
<LINE>Witness this army of such mass and charge</LINE>
|
|
<LINE>Led by a delicate and tender prince,</LINE>
|
|
<LINE>Whose spirit with divine ambition puff'd</LINE>
|
|
<LINE>Makes mouths at the invisible event,</LINE>
|
|
<LINE>Exposing what is mortal and unsure</LINE>
|
|
<LINE>To all that fortune, death and danger dare,</LINE>
|
|
<LINE>Even for an egg-shell. Rightly to be great</LINE>
|
|
<LINE>Is not to stir without great argument,</LINE>
|
|
<LINE>But greatly to find quarrel in a straw</LINE>
|
|
<LINE>When honour's at the stake. How stand I then,</LINE>
|
|
<LINE>That have a father kill'd, a mother stain'd,</LINE>
|
|
<LINE>Excitements of my reason and my blood,</LINE>
|
|
<LINE>And let all sleep? while, to my shame, I see</LINE>
|
|
<LINE>The imminent death of twenty thousand men,</LINE>
|
|
<LINE>That, for a fantasy and trick of fame,</LINE>
|
|
<LINE>Go to their graves like beds, fight for a plot</LINE>
|
|
<LINE>Whereon the numbers cannot try the cause,</LINE>
|
|
<LINE>Which is not tomb enough and continent</LINE>
|
|
<LINE>To hide the slain? O, from this time forth,</LINE>
|
|
<LINE>My thoughts be bloody, or be nothing worth!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE V. Elsinore. A room in the castle.</TITLE>
|
|
<STAGEDIR>Enter QUEEN GERTRUDE, HORATIO, and a Gentleman</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>I will not speak with her.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Gentleman</SPEAKER>
|
|
<LINE>She is importunate, indeed distract:</LINE>
|
|
<LINE>Her mood will needs be pitied.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>What would she have?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Gentleman</SPEAKER>
|
|
<LINE>She speaks much of her father; says she hears</LINE>
|
|
<LINE>There's tricks i' the world; and hems, and beats her heart;</LINE>
|
|
<LINE>Spurns enviously at straws; speaks things in doubt,</LINE>
|
|
<LINE>That carry but half sense: her speech is nothing,</LINE>
|
|
<LINE>Yet the unshaped use of it doth move</LINE>
|
|
<LINE>The hearers to collection; they aim at it,</LINE>
|
|
<LINE>And botch the words up fit to their own thoughts;</LINE>
|
|
<LINE>Which, as her winks, and nods, and gestures</LINE>
|
|
<LINE>yield them,</LINE>
|
|
<LINE>Indeed would make one think there might be thought,</LINE>
|
|
<LINE>Though nothing sure, yet much unhappily.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>'Twere good she were spoken with; for she may strew</LINE>
|
|
<LINE>Dangerous conjectures in ill-breeding minds.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Let her come in.</LINE>
|
|
<STAGEDIR>Exit HORATIO</STAGEDIR>
|
|
<LINE>To my sick soul, as sin's true nature is,</LINE>
|
|
<LINE>Each toy seems prologue to some great amiss:</LINE>
|
|
<LINE>So full of artless jealousy is guilt,</LINE>
|
|
<LINE>It spills itself in fearing to be spilt.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Re-enter HORATIO, with OPHELIA</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Where is the beauteous majesty of Denmark?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>How now, Ophelia!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>How should I your true love know</LINE>
|
|
<LINE>From another one?</LINE>
|
|
<LINE>By his cockle hat and staff,</LINE>
|
|
<LINE>And his sandal shoon.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alas, sweet lady, what imports this song?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Say you? nay, pray you, mark.</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>He is dead and gone, lady,</LINE>
|
|
<LINE>He is dead and gone;</LINE>
|
|
<LINE>At his head a grass-green turf,</LINE>
|
|
<LINE>At his heels a stone.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Nay, but, Ophelia,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Pray you, mark.</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>White his shroud as the mountain snow,--</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter KING CLAUDIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alas, look here, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>Larded with sweet flowers</LINE>
|
|
<LINE>Which bewept to the grave did go</LINE>
|
|
<LINE>With true-love showers.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>How do you, pretty lady?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Well, God 'ild you! They say the owl was a baker's</LINE>
|
|
<LINE>daughter. Lord, we know what we are, but know not</LINE>
|
|
<LINE>what we may be. God be at your table!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Conceit upon her father.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Pray you, let's have no words of this; but when they</LINE>
|
|
<LINE>ask you what it means, say you this:</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>To-morrow is Saint Valentine's day,</LINE>
|
|
<LINE>All in the morning betime,</LINE>
|
|
<LINE>And I a maid at your window,</LINE>
|
|
<LINE>To be your Valentine.</LINE>
|
|
<LINE>Then up he rose, and donn'd his clothes,</LINE>
|
|
<LINE>And dupp'd the chamber-door;</LINE>
|
|
<LINE>Let in the maid, that out a maid</LINE>
|
|
<LINE>Never departed more.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Pretty Ophelia!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>Indeed, la, without an oath, I'll make an end on't:</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>By Gis and by Saint Charity,</LINE>
|
|
<LINE>Alack, and fie for shame!</LINE>
|
|
<LINE>Young men will do't, if they come to't;</LINE>
|
|
<LINE>By cock, they are to blame.</LINE>
|
|
<LINE>Quoth she, before you tumbled me,</LINE>
|
|
<LINE>You promised me to wed.</LINE>
|
|
<LINE>So would I ha' done, by yonder sun,</LINE>
|
|
<LINE>An thou hadst not come to my bed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>How long hath she been thus?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>I hope all will be well. We must be patient: but I</LINE>
|
|
<LINE>cannot choose but weep, to think they should lay him</LINE>
|
|
<LINE>i' the cold ground. My brother shall know of it:</LINE>
|
|
<LINE>and so I thank you for your good counsel. Come, my</LINE>
|
|
<LINE>coach! Good night, ladies; good night, sweet ladies;</LINE>
|
|
<LINE>good night, good night.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Follow her close; give her good watch,</LINE>
|
|
<LINE>I pray you.</LINE>
|
|
<STAGEDIR>Exit HORATIO</STAGEDIR>
|
|
<LINE>O, this is the poison of deep grief; it springs</LINE>
|
|
<LINE>All from her father's death. O Gertrude, Gertrude,</LINE>
|
|
<LINE>When sorrows come, they come not single spies</LINE>
|
|
<LINE>But in battalions. First, her father slain:</LINE>
|
|
<LINE>Next, your son gone; and he most violent author</LINE>
|
|
<LINE>Of his own just remove: the people muddied,</LINE>
|
|
<LINE>Thick and unwholesome in their thoughts and whispers,</LINE>
|
|
<LINE>For good Polonius' death; and we have done but greenly,</LINE>
|
|
<LINE>In hugger-mugger to inter him: poor Ophelia</LINE>
|
|
<LINE>Divided from herself and her fair judgment,</LINE>
|
|
<LINE>Without the which we are pictures, or mere beasts:</LINE>
|
|
<LINE>Last, and as much containing as all these,</LINE>
|
|
<LINE>Her brother is in secret come from France;</LINE>
|
|
<LINE>Feeds on his wonder, keeps himself in clouds,</LINE>
|
|
<LINE>And wants not buzzers to infect his ear</LINE>
|
|
<LINE>With pestilent speeches of his father's death;</LINE>
|
|
<LINE>Wherein necessity, of matter beggar'd,</LINE>
|
|
<LINE>Will nothing stick our person to arraign</LINE>
|
|
<LINE>In ear and ear. O my dear Gertrude, this,</LINE>
|
|
<LINE>Like to a murdering-piece, in many places</LINE>
|
|
<LINE>Gives me superfluous death.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>A noise within</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Alack, what noise is this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Where are my Switzers? Let them guard the door.</LINE>
|
|
<STAGEDIR>Enter another Gentleman</STAGEDIR>
|
|
<LINE>What is the matter?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Gentleman</SPEAKER>
|
|
<LINE>Save yourself, my lord:</LINE>
|
|
<LINE>The ocean, overpeering of his list,</LINE>
|
|
<LINE>Eats not the flats with more impetuous haste</LINE>
|
|
<LINE>Than young Laertes, in a riotous head,</LINE>
|
|
<LINE>O'erbears your officers. The rabble call him lord;</LINE>
|
|
<LINE>And, as the world were now but to begin,</LINE>
|
|
<LINE>Antiquity forgot, custom not known,</LINE>
|
|
<LINE>The ratifiers and props of every word,</LINE>
|
|
<LINE>They cry 'Choose we: Laertes shall be king:'</LINE>
|
|
<LINE>Caps, hands, and tongues, applaud it to the clouds:</LINE>
|
|
<LINE>'Laertes shall be king, Laertes king!'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>How cheerfully on the false trail they cry!</LINE>
|
|
<LINE>O, this is counter, you false Danish dogs!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>The doors are broke.</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>Noise within</STAGEDIR>
|
|
<STAGEDIR>Enter LAERTES, armed; Danes following</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Where is this king? Sirs, stand you all without.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Danes</SPEAKER>
|
|
<LINE>No, let's come in.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I pray you, give me leave.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Danes</SPEAKER>
|
|
<LINE>We will, we will.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>They retire without the door</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I thank you: keep the door. O thou vile king,</LINE>
|
|
<LINE>Give me my father!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Calmly, good Laertes.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>That drop of blood that's calm proclaims me bastard,</LINE>
|
|
<LINE>Cries cuckold to my father, brands the harlot</LINE>
|
|
<LINE>Even here, between the chaste unsmirched brow</LINE>
|
|
<LINE>Of my true mother.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>What is the cause, Laertes,</LINE>
|
|
<LINE>That thy rebellion looks so giant-like?</LINE>
|
|
<LINE>Let him go, Gertrude; do not fear our person:</LINE>
|
|
<LINE>There's such divinity doth hedge a king,</LINE>
|
|
<LINE>That treason can but peep to what it would,</LINE>
|
|
<LINE>Acts little of his will. Tell me, Laertes,</LINE>
|
|
<LINE>Why thou art thus incensed. Let him go, Gertrude.</LINE>
|
|
<LINE>Speak, man.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Where is my father?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Dead.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>But not by him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Let him demand his fill.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>How came he dead? I'll not be juggled with:</LINE>
|
|
<LINE>To hell, allegiance! vows, to the blackest devil!</LINE>
|
|
<LINE>Conscience and grace, to the profoundest pit!</LINE>
|
|
<LINE>I dare damnation. To this point I stand,</LINE>
|
|
<LINE>That both the worlds I give to negligence,</LINE>
|
|
<LINE>Let come what comes; only I'll be revenged</LINE>
|
|
<LINE>Most thoroughly for my father.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Who shall stay you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>My will, not all the world:</LINE>
|
|
<LINE>And for my means, I'll husband them so well,</LINE>
|
|
<LINE>They shall go far with little.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Good Laertes,</LINE>
|
|
<LINE>If you desire to know the certainty</LINE>
|
|
<LINE>Of your dear father's death, is't writ in your revenge,</LINE>
|
|
<LINE>That, swoopstake, you will draw both friend and foe,</LINE>
|
|
<LINE>Winner and loser?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>None but his enemies.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Will you know them then?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>To his good friends thus wide I'll ope my arms;</LINE>
|
|
<LINE>And like the kind life-rendering pelican,</LINE>
|
|
<LINE>Repast them with my blood.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Why, now you speak</LINE>
|
|
<LINE>Like a good child and a true gentleman.</LINE>
|
|
<LINE>That I am guiltless of your father's death,</LINE>
|
|
<LINE>And am most sensible in grief for it,</LINE>
|
|
<LINE>It shall as level to your judgment pierce</LINE>
|
|
<LINE>As day does to your eye.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Danes</SPEAKER>
|
|
<LINE><STAGEDIR>Within</STAGEDIR> Let her come in.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>How now! what noise is that?</LINE>
|
|
<STAGEDIR>Re-enter OPHELIA</STAGEDIR>
|
|
<LINE>O heat, dry up my brains! tears seven times salt,</LINE>
|
|
<LINE>Burn out the sense and virtue of mine eye!</LINE>
|
|
<LINE>By heaven, thy madness shall be paid by weight,</LINE>
|
|
<LINE>Till our scale turn the beam. O rose of May!</LINE>
|
|
<LINE>Dear maid, kind sister, sweet Ophelia!</LINE>
|
|
<LINE>O heavens! is't possible, a young maid's wits</LINE>
|
|
<LINE>Should be as moral as an old man's life?</LINE>
|
|
<LINE>Nature is fine in love, and where 'tis fine,</LINE>
|
|
<LINE>It sends some precious instance of itself</LINE>
|
|
<LINE>After the thing it loves.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>They bore him barefaced on the bier;</LINE>
|
|
<LINE>Hey non nonny, nonny, hey nonny;</LINE>
|
|
<LINE>And in his grave rain'd many a tear:--</LINE>
|
|
<LINE>Fare you well, my dove!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Hadst thou thy wits, and didst persuade revenge,</LINE>
|
|
<LINE>It could not move thus.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>You must sing a-down a-down,</LINE>
|
|
<LINE>An you call him a-down-a.</LINE>
|
|
<LINE>O, how the wheel becomes it! It is the false</LINE>
|
|
<LINE>steward, that stole his master's daughter.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>This nothing's more than matter.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>There's rosemary, that's for remembrance; pray,</LINE>
|
|
<LINE>love, remember: and there is pansies. that's for thoughts.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>A document in madness, thoughts and remembrance fitted.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE>There's fennel for you, and columbines: there's rue</LINE>
|
|
<LINE>for you; and here's some for me: we may call it</LINE>
|
|
<LINE>herb-grace o' Sundays: O you must wear your rue with</LINE>
|
|
<LINE>a difference. There's a daisy: I would give you</LINE>
|
|
<LINE>some violets, but they withered all when my father</LINE>
|
|
<LINE>died: they say he made a good end,--</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>For bonny sweet Robin is all my joy.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Thought and affliction, passion, hell itself,</LINE>
|
|
<LINE>She turns to favour and to prettiness.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OPHELIA</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>And will he not come again?</LINE>
|
|
<LINE>And will he not come again?</LINE>
|
|
<LINE>No, no, he is dead:</LINE>
|
|
<LINE>Go to thy death-bed:</LINE>
|
|
<LINE>He never will come again.</LINE>
|
|
<LINE>His beard was as white as snow,</LINE>
|
|
<LINE>All flaxen was his poll:</LINE>
|
|
<LINE>He is gone, he is gone,</LINE>
|
|
<LINE>And we cast away moan:</LINE>
|
|
<LINE>God ha' mercy on his soul!</LINE>
|
|
<LINE>And of all Christian souls, I pray God. God be wi' ye.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Do you see this, O God?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Laertes, I must commune with your grief,</LINE>
|
|
<LINE>Or you deny me right. Go but apart,</LINE>
|
|
<LINE>Make choice of whom your wisest friends you will.</LINE>
|
|
<LINE>And they shall hear and judge 'twixt you and me:</LINE>
|
|
<LINE>If by direct or by collateral hand</LINE>
|
|
<LINE>They find us touch'd, we will our kingdom give,</LINE>
|
|
<LINE>Our crown, our life, and all that we can ours,</LINE>
|
|
<LINE>To you in satisfaction; but if not,</LINE>
|
|
<LINE>Be you content to lend your patience to us,</LINE>
|
|
<LINE>And we shall jointly labour with your soul</LINE>
|
|
<LINE>To give it due content.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Let this be so;</LINE>
|
|
<LINE>His means of death, his obscure funeral--</LINE>
|
|
<LINE>No trophy, sword, nor hatchment o'er his bones,</LINE>
|
|
<LINE>No noble rite nor formal ostentation--</LINE>
|
|
<LINE>Cry to be heard, as 'twere from heaven to earth,</LINE>
|
|
<LINE>That I must call't in question.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>So you shall;</LINE>
|
|
<LINE>And where the offence is let the great axe fall.</LINE>
|
|
<LINE>I pray you, go with me.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE VI. Another room in the castle.</TITLE>
|
|
<STAGEDIR>Enter HORATIO and a Servant</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What are they that would speak with me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Servant</SPEAKER>
|
|
<LINE>Sailors, sir: they say they have letters for you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Let them come in.</LINE>
|
|
<STAGEDIR>Exit Servant</STAGEDIR>
|
|
<LINE>I do not know from what part of the world</LINE>
|
|
<LINE>I should be greeted, if not from Lord Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter Sailors</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Sailor</SPEAKER>
|
|
<LINE>God bless you, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Let him bless thee too.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Sailor</SPEAKER>
|
|
<LINE>He shall, sir, an't please him. There's a letter for</LINE>
|
|
<LINE>you, sir; it comes from the ambassador that was</LINE>
|
|
<LINE>bound for England; if your name be Horatio, as I am</LINE>
|
|
<LINE>let to know it is.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE><STAGEDIR>Reads</STAGEDIR> 'Horatio, when thou shalt have overlooked</LINE>
|
|
<LINE>this, give these fellows some means to the king:</LINE>
|
|
<LINE>they have letters for him. Ere we were two days old</LINE>
|
|
<LINE>at sea, a pirate of very warlike appointment gave us</LINE>
|
|
<LINE>chase. Finding ourselves too slow of sail, we put on</LINE>
|
|
<LINE>a compelled valour, and in the grapple I boarded</LINE>
|
|
<LINE>them: on the instant they got clear of our ship; so</LINE>
|
|
<LINE>I alone became their prisoner. They have dealt with</LINE>
|
|
<LINE>me like thieves of mercy: but they knew what they</LINE>
|
|
<LINE>did; I am to do a good turn for them. Let the king</LINE>
|
|
<LINE>have the letters I have sent; and repair thou to me</LINE>
|
|
<LINE>with as much speed as thou wouldst fly death. I</LINE>
|
|
<LINE>have words to speak in thine ear will make thee</LINE>
|
|
<LINE>dumb; yet are they much too light for the bore of</LINE>
|
|
<LINE>the matter. These good fellows will bring thee</LINE>
|
|
<LINE>where I am. Rosencrantz and Guildenstern hold their</LINE>
|
|
<LINE>course for England: of them I have much to tell</LINE>
|
|
<LINE>thee. Farewell.</LINE>
|
|
<LINE>'He that thou knowest thine, HAMLET.'</LINE>
|
|
<LINE>Come, I will make you way for these your letters;</LINE>
|
|
<LINE>And do't the speedier, that you may direct me</LINE>
|
|
<LINE>To him from whom you brought them.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE VII. Another room in the castle.</TITLE>
|
|
<STAGEDIR>Enter KING CLAUDIUS and LAERTES</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Now must your conscience my acquaintance seal,</LINE>
|
|
<LINE>And you must put me in your heart for friend,</LINE>
|
|
<LINE>Sith you have heard, and with a knowing ear,</LINE>
|
|
<LINE>That he which hath your noble father slain</LINE>
|
|
<LINE>Pursued my life.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>It well appears: but tell me</LINE>
|
|
<LINE>Why you proceeded not against these feats,</LINE>
|
|
<LINE>So crimeful and so capital in nature,</LINE>
|
|
<LINE>As by your safety, wisdom, all things else,</LINE>
|
|
<LINE>You mainly were stirr'd up.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O, for two special reasons;</LINE>
|
|
<LINE>Which may to you, perhaps, seem much unsinew'd,</LINE>
|
|
<LINE>But yet to me they are strong. The queen his mother</LINE>
|
|
<LINE>Lives almost by his looks; and for myself--</LINE>
|
|
<LINE>My virtue or my plague, be it either which--</LINE>
|
|
<LINE>She's so conjunctive to my life and soul,</LINE>
|
|
<LINE>That, as the star moves not but in his sphere,</LINE>
|
|
<LINE>I could not but by her. The other motive,</LINE>
|
|
<LINE>Why to a public count I might not go,</LINE>
|
|
<LINE>Is the great love the general gender bear him;</LINE>
|
|
<LINE>Who, dipping all his faults in their affection,</LINE>
|
|
<LINE>Would, like the spring that turneth wood to stone,</LINE>
|
|
<LINE>Convert his gyves to graces; so that my arrows,</LINE>
|
|
<LINE>Too slightly timber'd for so loud a wind,</LINE>
|
|
<LINE>Would have reverted to my bow again,</LINE>
|
|
<LINE>And not where I had aim'd them.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>And so have I a noble father lost;</LINE>
|
|
<LINE>A sister driven into desperate terms,</LINE>
|
|
<LINE>Whose worth, if praises may go back again,</LINE>
|
|
<LINE>Stood challenger on mount of all the age</LINE>
|
|
<LINE>For her perfections: but my revenge will come.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Break not your sleeps for that: you must not think</LINE>
|
|
<LINE>That we are made of stuff so flat and dull</LINE>
|
|
<LINE>That we can let our beard be shook with danger</LINE>
|
|
<LINE>And think it pastime. You shortly shall hear more:</LINE>
|
|
<LINE>I loved your father, and we love ourself;</LINE>
|
|
<LINE>And that, I hope, will teach you to imagine--</LINE>
|
|
<STAGEDIR>Enter a Messenger</STAGEDIR>
|
|
<LINE>How now! what news?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Messenger</SPEAKER>
|
|
<LINE>Letters, my lord, from Hamlet:</LINE>
|
|
<LINE>This to your majesty; this to the queen.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>From Hamlet! who brought them?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Messenger</SPEAKER>
|
|
<LINE>Sailors, my lord, they say; I saw them not:</LINE>
|
|
<LINE>They were given me by Claudio; he received them</LINE>
|
|
<LINE>Of him that brought them.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Laertes, you shall hear them. Leave us.</LINE>
|
|
<STAGEDIR>Exit Messenger</STAGEDIR>
|
|
<STAGEDIR>Reads</STAGEDIR>
|
|
<LINE>'High and mighty, You shall know I am set naked on</LINE>
|
|
<LINE>your kingdom. To-morrow shall I beg leave to see</LINE>
|
|
<LINE>your kingly eyes: when I shall, first asking your</LINE>
|
|
<LINE>pardon thereunto, recount the occasion of my sudden</LINE>
|
|
<LINE>and more strange return. 'HAMLET.'</LINE>
|
|
<LINE>What should this mean? Are all the rest come back?</LINE>
|
|
<LINE>Or is it some abuse, and no such thing?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Know you the hand?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>'Tis Hamlets character. 'Naked!</LINE>
|
|
<LINE>And in a postscript here, he says 'alone.'</LINE>
|
|
<LINE>Can you advise me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I'm lost in it, my lord. But let him come;</LINE>
|
|
<LINE>It warms the very sickness in my heart,</LINE>
|
|
<LINE>That I shall live and tell him to his teeth,</LINE>
|
|
<LINE>'Thus didest thou.'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>If it be so, Laertes--</LINE>
|
|
<LINE>As how should it be so? how otherwise?--</LINE>
|
|
<LINE>Will you be ruled by me?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Ay, my lord;</LINE>
|
|
<LINE>So you will not o'errule me to a peace.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>To thine own peace. If he be now return'd,</LINE>
|
|
<LINE>As checking at his voyage, and that he means</LINE>
|
|
<LINE>No more to undertake it, I will work him</LINE>
|
|
<LINE>To an exploit, now ripe in my device,</LINE>
|
|
<LINE>Under the which he shall not choose but fall:</LINE>
|
|
<LINE>And for his death no wind of blame shall breathe,</LINE>
|
|
<LINE>But even his mother shall uncharge the practise</LINE>
|
|
<LINE>And call it accident.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>My lord, I will be ruled;</LINE>
|
|
<LINE>The rather, if you could devise it so</LINE>
|
|
<LINE>That I might be the organ.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>It falls right.</LINE>
|
|
<LINE>You have been talk'd of since your travel much,</LINE>
|
|
<LINE>And that in Hamlet's hearing, for a quality</LINE>
|
|
<LINE>Wherein, they say, you shine: your sum of parts</LINE>
|
|
<LINE>Did not together pluck such envy from him</LINE>
|
|
<LINE>As did that one, and that, in my regard,</LINE>
|
|
<LINE>Of the unworthiest siege.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>What part is that, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>A very riband in the cap of youth,</LINE>
|
|
<LINE>Yet needful too; for youth no less becomes</LINE>
|
|
<LINE>The light and careless livery that it wears</LINE>
|
|
<LINE>Than settled age his sables and his weeds,</LINE>
|
|
<LINE>Importing health and graveness. Two months since,</LINE>
|
|
<LINE>Here was a gentleman of Normandy:--</LINE>
|
|
<LINE>I've seen myself, and served against, the French,</LINE>
|
|
<LINE>And they can well on horseback: but this gallant</LINE>
|
|
<LINE>Had witchcraft in't; he grew unto his seat;</LINE>
|
|
<LINE>And to such wondrous doing brought his horse,</LINE>
|
|
<LINE>As he had been incorpsed and demi-natured</LINE>
|
|
<LINE>With the brave beast: so far he topp'd my thought,</LINE>
|
|
<LINE>That I, in forgery of shapes and tricks,</LINE>
|
|
<LINE>Come short of what he did.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>A Norman was't?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>A Norman.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Upon my life, Lamond.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>The very same.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I know him well: he is the brooch indeed</LINE>
|
|
<LINE>And gem of all the nation.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>He made confession of you,</LINE>
|
|
<LINE>And gave you such a masterly report</LINE>
|
|
<LINE>For art and exercise in your defence</LINE>
|
|
<LINE>And for your rapier most especially,</LINE>
|
|
<LINE>That he cried out, 'twould be a sight indeed,</LINE>
|
|
<LINE>If one could match you: the scrimers of their nation,</LINE>
|
|
<LINE>He swore, had had neither motion, guard, nor eye,</LINE>
|
|
<LINE>If you opposed them. Sir, this report of his</LINE>
|
|
<LINE>Did Hamlet so envenom with his envy</LINE>
|
|
<LINE>That he could nothing do but wish and beg</LINE>
|
|
<LINE>Your sudden coming o'er, to play with him.</LINE>
|
|
<LINE>Now, out of this,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>What out of this, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Laertes, was your father dear to you?</LINE>
|
|
<LINE>Or are you like the painting of a sorrow,</LINE>
|
|
<LINE>A face without a heart?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Why ask you this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Not that I think you did not love your father;</LINE>
|
|
<LINE>But that I know love is begun by time;</LINE>
|
|
<LINE>And that I see, in passages of proof,</LINE>
|
|
<LINE>Time qualifies the spark and fire of it.</LINE>
|
|
<LINE>There lives within the very flame of love</LINE>
|
|
<LINE>A kind of wick or snuff that will abate it;</LINE>
|
|
<LINE>And nothing is at a like goodness still;</LINE>
|
|
<LINE>For goodness, growing to a plurisy,</LINE>
|
|
<LINE>Dies in his own too much: that we would do</LINE>
|
|
<LINE>We should do when we would; for this 'would' changes</LINE>
|
|
<LINE>And hath abatements and delays as many</LINE>
|
|
<LINE>As there are tongues, are hands, are accidents;</LINE>
|
|
<LINE>And then this 'should' is like a spendthrift sigh,</LINE>
|
|
<LINE>That hurts by easing. But, to the quick o' the ulcer:--</LINE>
|
|
<LINE>Hamlet comes back: what would you undertake,</LINE>
|
|
<LINE>To show yourself your father's son in deed</LINE>
|
|
<LINE>More than in words?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>To cut his throat i' the church.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>No place, indeed, should murder sanctuarize;</LINE>
|
|
<LINE>Revenge should have no bounds. But, good Laertes,</LINE>
|
|
<LINE>Will you do this, keep close within your chamber.</LINE>
|
|
<LINE>Hamlet return'd shall know you are come home:</LINE>
|
|
<LINE>We'll put on those shall praise your excellence</LINE>
|
|
<LINE>And set a double varnish on the fame</LINE>
|
|
<LINE>The Frenchman gave you, bring you in fine together</LINE>
|
|
<LINE>And wager on your heads: he, being remiss,</LINE>
|
|
<LINE>Most generous and free from all contriving,</LINE>
|
|
<LINE>Will not peruse the foils; so that, with ease,</LINE>
|
|
<LINE>Or with a little shuffling, you may choose</LINE>
|
|
<LINE>A sword unbated, and in a pass of practise</LINE>
|
|
<LINE>Requite him for your father.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I will do't:</LINE>
|
|
<LINE>And, for that purpose, I'll anoint my sword.</LINE>
|
|
<LINE>I bought an unction of a mountebank,</LINE>
|
|
<LINE>So mortal that, but dip a knife in it,</LINE>
|
|
<LINE>Where it draws blood no cataplasm so rare,</LINE>
|
|
<LINE>Collected from all simples that have virtue</LINE>
|
|
<LINE>Under the moon, can save the thing from death</LINE>
|
|
<LINE>That is but scratch'd withal: I'll touch my point</LINE>
|
|
<LINE>With this contagion, that, if I gall him slightly,</LINE>
|
|
<LINE>It may be death.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Let's further think of this;</LINE>
|
|
<LINE>Weigh what convenience both of time and means</LINE>
|
|
<LINE>May fit us to our shape: if this should fail,</LINE>
|
|
<LINE>And that our drift look through our bad performance,</LINE>
|
|
<LINE>'Twere better not assay'd: therefore this project</LINE>
|
|
<LINE>Should have a back or second, that might hold,</LINE>
|
|
<LINE>If this should blast in proof. Soft! let me see:</LINE>
|
|
<LINE>We'll make a solemn wager on your cunnings: I ha't.</LINE>
|
|
<LINE>When in your motion you are hot and dry--</LINE>
|
|
<LINE>As make your bouts more violent to that end--</LINE>
|
|
<LINE>And that he calls for drink, I'll have prepared him</LINE>
|
|
<LINE>A chalice for the nonce, whereon but sipping,</LINE>
|
|
<LINE>If he by chance escape your venom'd stuck,</LINE>
|
|
<LINE>Our purpose may hold there.</LINE>
|
|
<STAGEDIR>Enter QUEEN GERTRUDE</STAGEDIR>
|
|
<LINE>How now, sweet queen!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>One woe doth tread upon another's heel,</LINE>
|
|
<LINE>So fast they follow; your sister's drown'd, Laertes.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Drown'd! O, where?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>There is a willow grows aslant a brook,</LINE>
|
|
<LINE>That shows his hoar leaves in the glassy stream;</LINE>
|
|
<LINE>There with fantastic garlands did she come</LINE>
|
|
<LINE>Of crow-flowers, nettles, daisies, and long purples</LINE>
|
|
<LINE>That liberal shepherds give a grosser name,</LINE>
|
|
<LINE>But our cold maids do dead men's fingers call them:</LINE>
|
|
<LINE>There, on the pendent boughs her coronet weeds</LINE>
|
|
<LINE>Clambering to hang, an envious sliver broke;</LINE>
|
|
<LINE>When down her weedy trophies and herself</LINE>
|
|
<LINE>Fell in the weeping brook. Her clothes spread wide;</LINE>
|
|
<LINE>And, mermaid-like, awhile they bore her up:</LINE>
|
|
<LINE>Which time she chanted snatches of old tunes;</LINE>
|
|
<LINE>As one incapable of her own distress,</LINE>
|
|
<LINE>Or like a creature native and indued</LINE>
|
|
<LINE>Unto that element: but long it could not be</LINE>
|
|
<LINE>Till that her garments, heavy with their drink,</LINE>
|
|
<LINE>Pull'd the poor wretch from her melodious lay</LINE>
|
|
<LINE>To muddy death.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Alas, then, she is drown'd?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Drown'd, drown'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Too much of water hast thou, poor Ophelia,</LINE>
|
|
<LINE>And therefore I forbid my tears: but yet</LINE>
|
|
<LINE>It is our trick; nature her custom holds,</LINE>
|
|
<LINE>Let shame say what it will: when these are gone,</LINE>
|
|
<LINE>The woman will be out. Adieu, my lord:</LINE>
|
|
<LINE>I have a speech of fire, that fain would blaze,</LINE>
|
|
<LINE>But that this folly douts it.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Let's follow, Gertrude:</LINE>
|
|
<LINE>How much I had to do to calm his rage!</LINE>
|
|
<LINE>Now fear I this will give it start again;</LINE>
|
|
<LINE>Therefore let's follow.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
</ACT>
|
|
|
|
<ACT><TITLE>ACT V</TITLE>
|
|
|
|
<SCENE><TITLE>SCENE I. A churchyard.</TITLE>
|
|
<STAGEDIR>Enter two Clowns, with spades, &c</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Is she to be buried in Christian burial that</LINE>
|
|
<LINE>wilfully seeks her own salvation?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>I tell thee she is: and therefore make her grave</LINE>
|
|
<LINE>straight: the crowner hath sat on her, and finds it</LINE>
|
|
<LINE>Christian burial.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>How can that be, unless she drowned herself in her</LINE>
|
|
<LINE>own defence?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Why, 'tis found so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>It must be 'se offendendo;' it cannot be else. For</LINE>
|
|
<LINE>here lies the point: if I drown myself wittingly,</LINE>
|
|
<LINE>it argues an act: and an act hath three branches: it</LINE>
|
|
<LINE>is, to act, to do, to perform: argal, she drowned</LINE>
|
|
<LINE>herself wittingly.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Nay, but hear you, goodman delver,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Give me leave. Here lies the water; good: here</LINE>
|
|
<LINE>stands the man; good; if the man go to this water,</LINE>
|
|
<LINE>and drown himself, it is, will he, nill he, he</LINE>
|
|
<LINE>goes,--mark you that; but if the water come to him</LINE>
|
|
<LINE>and drown him, he drowns not himself: argal, he</LINE>
|
|
<LINE>that is not guilty of his own death shortens not his own life.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>But is this law?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Ay, marry, is't; crowner's quest law.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Will you ha' the truth on't? If this had not been</LINE>
|
|
<LINE>a gentlewoman, she should have been buried out o'</LINE>
|
|
<LINE>Christian burial.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Why, there thou say'st: and the more pity that</LINE>
|
|
<LINE>great folk should have countenance in this world to</LINE>
|
|
<LINE>drown or hang themselves, more than their even</LINE>
|
|
<LINE>Christian. Come, my spade. There is no ancient</LINE>
|
|
<LINE>gentleman but gardeners, ditchers, and grave-makers:</LINE>
|
|
<LINE>they hold up Adam's profession.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Was he a gentleman?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>He was the first that ever bore arms.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Why, he had none.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>What, art a heathen? How dost thou understand the</LINE>
|
|
<LINE>Scripture? The Scripture says 'Adam digged:'</LINE>
|
|
<LINE>could he dig without arms? I'll put another</LINE>
|
|
<LINE>question to thee: if thou answerest me not to the</LINE>
|
|
<LINE>purpose, confess thyself--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Go to.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>What is he that builds stronger than either the</LINE>
|
|
<LINE>mason, the shipwright, or the carpenter?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>The gallows-maker; for that frame outlives a</LINE>
|
|
<LINE>thousand tenants.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>I like thy wit well, in good faith: the gallows</LINE>
|
|
<LINE>does well; but how does it well? it does well to</LINE>
|
|
<LINE>those that do in: now thou dost ill to say the</LINE>
|
|
<LINE>gallows is built stronger than the church: argal,</LINE>
|
|
<LINE>the gallows may do well to thee. To't again, come.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>'Who builds stronger than a mason, a shipwright, or</LINE>
|
|
<LINE>a carpenter?'</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Ay, tell me that, and unyoke.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Marry, now I can tell.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>To't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Second Clown</SPEAKER>
|
|
<LINE>Mass, I cannot tell.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter HAMLET and HORATIO, at a distance</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Cudgel thy brains no more about it, for your dull</LINE>
|
|
<LINE>ass will not mend his pace with beating; and, when</LINE>
|
|
<LINE>you are asked this question next, say 'a</LINE>
|
|
<LINE>grave-maker: 'the houses that he makes last till</LINE>
|
|
<LINE>doomsday. Go, get thee to Yaughan: fetch me a</LINE>
|
|
<LINE>stoup of liquor.</LINE>
|
|
<STAGEDIR>Exit Second Clown</STAGEDIR>
|
|
<STAGEDIR>He digs and sings</STAGEDIR>
|
|
<LINE>In youth, when I did love, did love,</LINE>
|
|
<LINE>Methought it was very sweet,</LINE>
|
|
<LINE>To contract, O, the time, for, ah, my behove,</LINE>
|
|
<LINE>O, methought, there was nothing meet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Has this fellow no feeling of his business, that he</LINE>
|
|
<LINE>sings at grave-making?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Custom hath made it in him a property of easiness.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Tis e'en so: the hand of little employment hath</LINE>
|
|
<LINE>the daintier sense.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE><STAGEDIR>Sings</STAGEDIR></LINE>
|
|
<LINE>But age, with his stealing steps,</LINE>
|
|
<LINE>Hath claw'd me in his clutch,</LINE>
|
|
<LINE>And hath shipped me intil the land,</LINE>
|
|
<LINE>As if I had never been such.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Throws up a skull</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That skull had a tongue in it, and could sing once:</LINE>
|
|
<LINE>how the knave jowls it to the ground, as if it were</LINE>
|
|
<LINE>Cain's jaw-bone, that did the first murder! It</LINE>
|
|
<LINE>might be the pate of a politician, which this ass</LINE>
|
|
<LINE>now o'er-reaches; one that would circumvent God,</LINE>
|
|
<LINE>might it not?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It might, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Or of a courtier; which could say 'Good morrow,</LINE>
|
|
<LINE>sweet lord! How dost thou, good lord?' This might</LINE>
|
|
<LINE>be my lord such-a-one, that praised my lord</LINE>
|
|
<LINE>such-a-one's horse, when he meant to beg it; might it not?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Ay, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, e'en so: and now my Lady Worm's; chapless, and</LINE>
|
|
<LINE>knocked about the mazzard with a sexton's spade:</LINE>
|
|
<LINE>here's fine revolution, an we had the trick to</LINE>
|
|
<LINE>see't. Did these bones cost no more the breeding,</LINE>
|
|
<LINE>but to play at loggats with 'em? mine ache to think on't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>A pick-axe, and a spade, a spade,</LINE>
|
|
<LINE>For and a shrouding sheet:</LINE>
|
|
<LINE>O, a pit of clay for to be made</LINE>
|
|
<LINE>For such a guest is meet.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Throws up another skull</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>There's another: why may not that be the skull of a</LINE>
|
|
<LINE>lawyer? Where be his quiddities now, his quillets,</LINE>
|
|
<LINE>his cases, his tenures, and his tricks? why does he</LINE>
|
|
<LINE>suffer this rude knave now to knock him about the</LINE>
|
|
<LINE>sconce with a dirty shovel, and will not tell him of</LINE>
|
|
<LINE>his action of battery? Hum! This fellow might be</LINE>
|
|
<LINE>in's time a great buyer of land, with his statutes,</LINE>
|
|
<LINE>his recognizances, his fines, his double vouchers,</LINE>
|
|
<LINE>his recoveries: is this the fine of his fines, and</LINE>
|
|
<LINE>the recovery of his recoveries, to have his fine</LINE>
|
|
<LINE>pate full of fine dirt? will his vouchers vouch him</LINE>
|
|
<LINE>no more of his purchases, and double ones too, than</LINE>
|
|
<LINE>the length and breadth of a pair of indentures? The</LINE>
|
|
<LINE>very conveyances of his lands will hardly lie in</LINE>
|
|
<LINE>this box; and must the inheritor himself have no more, ha?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Not a jot more, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Is not parchment made of sheepskins?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Ay, my lord, and of calf-skins too.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>They are sheep and calves which seek out assurance</LINE>
|
|
<LINE>in that. I will speak to this fellow. Whose</LINE>
|
|
<LINE>grave's this, sirrah?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Mine, sir.</LINE>
|
|
<STAGEDIR>Sings</STAGEDIR>
|
|
<LINE>O, a pit of clay for to be made</LINE>
|
|
<LINE>For such a guest is meet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I think it be thine, indeed; for thou liest in't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>You lie out on't, sir, and therefore it is not</LINE>
|
|
<LINE>yours: for my part, I do not lie in't, and yet it is mine.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Thou dost lie in't, to be in't and say it is thine:</LINE>
|
|
<LINE>'tis for the dead, not for the quick; therefore thou liest.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>'Tis a quick lie, sir; 'twill away gain, from me to</LINE>
|
|
<LINE>you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What man dost thou dig it for?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>For no man, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What woman, then?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>For none, neither.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Who is to be buried in't?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>One that was a woman, sir; but, rest her soul, she's dead.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How absolute the knave is! we must speak by the</LINE>
|
|
<LINE>card, or equivocation will undo us. By the Lord,</LINE>
|
|
<LINE>Horatio, these three years I have taken a note of</LINE>
|
|
<LINE>it; the age is grown so picked that the toe of the</LINE>
|
|
<LINE>peasant comes so near the heel of the courtier, he</LINE>
|
|
<LINE>gaffs his kibe. How long hast thou been a</LINE>
|
|
<LINE>grave-maker?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Of all the days i' the year, I came to't that day</LINE>
|
|
<LINE>that our last king Hamlet overcame Fortinbras.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How long is that since?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Cannot you tell that? every fool can tell that: it</LINE>
|
|
<LINE>was the very day that young Hamlet was born; he that</LINE>
|
|
<LINE>is mad, and sent into England.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Ay, marry, why was he sent into England?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Why, because he was mad: he shall recover his wits</LINE>
|
|
<LINE>there; or, if he do not, it's no great matter there.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>'Twill, a not be seen in him there; there the men</LINE>
|
|
<LINE>are as mad as he.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How came he mad?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Very strangely, they say.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How strangely?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Faith, e'en with losing his wits.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Upon what ground?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Why, here in Denmark: I have been sexton here, man</LINE>
|
|
<LINE>and boy, thirty years.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How long will a man lie i' the earth ere he rot?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>I' faith, if he be not rotten before he die--as we</LINE>
|
|
<LINE>have many pocky corses now-a-days, that will scarce</LINE>
|
|
<LINE>hold the laying in--he will last you some eight year</LINE>
|
|
<LINE>or nine year: a tanner will last you nine year.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why he more than another?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>Why, sir, his hide is so tanned with his trade, that</LINE>
|
|
<LINE>he will keep out water a great while; and your water</LINE>
|
|
<LINE>is a sore decayer of your whoreson dead body.</LINE>
|
|
<LINE>Here's a skull now; this skull has lain in the earth</LINE>
|
|
<LINE>three and twenty years.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Whose was it?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>A whoreson mad fellow's it was: whose do you think it was?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, I know not.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>A pestilence on him for a mad rogue! a' poured a</LINE>
|
|
<LINE>flagon of Rhenish on my head once. This same skull,</LINE>
|
|
<LINE>sir, was Yorick's skull, the king's jester.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>This?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Clown</SPEAKER>
|
|
<LINE>E'en that.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Let me see.</LINE>
|
|
<STAGEDIR>Takes the skull</STAGEDIR>
|
|
<LINE>Alas, poor Yorick! I knew him, Horatio: a fellow</LINE>
|
|
<LINE>of infinite jest, of most excellent fancy: he hath</LINE>
|
|
<LINE>borne me on his back a thousand times; and now, how</LINE>
|
|
<LINE>abhorred in my imagination it is! my gorge rims at</LINE>
|
|
<LINE>it. Here hung those lips that I have kissed I know</LINE>
|
|
<LINE>not how oft. Where be your gibes now? your</LINE>
|
|
<LINE>gambols? your songs? your flashes of merriment,</LINE>
|
|
<LINE>that were wont to set the table on a roar? Not one</LINE>
|
|
<LINE>now, to mock your own grinning? quite chap-fallen?</LINE>
|
|
<LINE>Now get you to my lady's chamber, and tell her, let</LINE>
|
|
<LINE>her paint an inch thick, to this favour she must</LINE>
|
|
<LINE>come; make her laugh at that. Prithee, Horatio, tell</LINE>
|
|
<LINE>me one thing.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What's that, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Dost thou think Alexander looked o' this fashion i'</LINE>
|
|
<LINE>the earth?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>E'en so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>And smelt so? pah!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Puts down the skull</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>E'en so, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>To what base uses we may return, Horatio! Why may</LINE>
|
|
<LINE>not imagination trace the noble dust of Alexander,</LINE>
|
|
<LINE>till he find it stopping a bung-hole?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>'Twere to consider too curiously, to consider so.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, faith, not a jot; but to follow him thither with</LINE>
|
|
<LINE>modesty enough, and likelihood to lead it: as</LINE>
|
|
<LINE>thus: Alexander died, Alexander was buried,</LINE>
|
|
<LINE>Alexander returneth into dust; the dust is earth; of</LINE>
|
|
<LINE>earth we make loam; and why of that loam, whereto he</LINE>
|
|
<LINE>was converted, might they not stop a beer-barrel?</LINE>
|
|
<LINE>Imperious Caesar, dead and turn'd to clay,</LINE>
|
|
<LINE>Might stop a hole to keep the wind away:</LINE>
|
|
<LINE>O, that that earth, which kept the world in awe,</LINE>
|
|
<LINE>Should patch a wall to expel the winter flaw!</LINE>
|
|
<LINE>But soft! but soft! aside: here comes the king.</LINE>
|
|
<STAGEDIR>Enter Priest, &c. in procession; the Corpse of
|
|
OPHELIA, LAERTES and Mourners following; KING
|
|
CLAUDIUS, QUEEN GERTRUDE, their trains, &c</STAGEDIR>
|
|
<LINE>The queen, the courtiers: who is this they follow?</LINE>
|
|
<LINE>And with such maimed rites? This doth betoken</LINE>
|
|
<LINE>The corse they follow did with desperate hand</LINE>
|
|
<LINE>Fordo its own life: 'twas of some estate.</LINE>
|
|
<LINE>Couch we awhile, and mark.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Retiring with HORATIO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>What ceremony else?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That is Laertes,</LINE>
|
|
<LINE>A very noble youth: mark.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>What ceremony else?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Priest</SPEAKER>
|
|
<LINE>Her obsequies have been as far enlarged</LINE>
|
|
<LINE>As we have warrantise: her death was doubtful;</LINE>
|
|
<LINE>And, but that great command o'ersways the order,</LINE>
|
|
<LINE>She should in ground unsanctified have lodged</LINE>
|
|
<LINE>Till the last trumpet: for charitable prayers,</LINE>
|
|
<LINE>Shards, flints and pebbles should be thrown on her;</LINE>
|
|
<LINE>Yet here she is allow'd her virgin crants,</LINE>
|
|
<LINE>Her maiden strewments and the bringing home</LINE>
|
|
<LINE>Of bell and burial.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Must there no more be done?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Priest</SPEAKER>
|
|
<LINE>No more be done:</LINE>
|
|
<LINE>We should profane the service of the dead</LINE>
|
|
<LINE>To sing a requiem and such rest to her</LINE>
|
|
<LINE>As to peace-parted souls.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Lay her i' the earth:</LINE>
|
|
<LINE>And from her fair and unpolluted flesh</LINE>
|
|
<LINE>May violets spring! I tell thee, churlish priest,</LINE>
|
|
<LINE>A ministering angel shall my sister be,</LINE>
|
|
<LINE>When thou liest howling.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What, the fair Ophelia!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Sweets to the sweet: farewell!</LINE>
|
|
<STAGEDIR>Scattering flowers</STAGEDIR>
|
|
<LINE>I hoped thou shouldst have been my Hamlet's wife;</LINE>
|
|
<LINE>I thought thy bride-bed to have deck'd, sweet maid,</LINE>
|
|
<LINE>And not have strew'd thy grave.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>O, treble woe</LINE>
|
|
<LINE>Fall ten times treble on that cursed head,</LINE>
|
|
<LINE>Whose wicked deed thy most ingenious sense</LINE>
|
|
<LINE>Deprived thee of! Hold off the earth awhile,</LINE>
|
|
<LINE>Till I have caught her once more in mine arms:</LINE>
|
|
<STAGEDIR>Leaps into the grave</STAGEDIR>
|
|
<LINE>Now pile your dust upon the quick and dead,</LINE>
|
|
<LINE>Till of this flat a mountain you have made,</LINE>
|
|
<LINE>To o'ertop old Pelion, or the skyish head</LINE>
|
|
<LINE>Of blue Olympus.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE><STAGEDIR>Advancing</STAGEDIR> What is he whose grief</LINE>
|
|
<LINE>Bears such an emphasis? whose phrase of sorrow</LINE>
|
|
<LINE>Conjures the wandering stars, and makes them stand</LINE>
|
|
<LINE>Like wonder-wounded hearers? This is I,</LINE>
|
|
<LINE>Hamlet the Dane.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Leaps into the grave</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>The devil take thy soul!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Grappling with him</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Thou pray'st not well.</LINE>
|
|
<LINE>I prithee, take thy fingers from my throat;</LINE>
|
|
<LINE>For, though I am not splenitive and rash,</LINE>
|
|
<LINE>Yet have I something in me dangerous,</LINE>
|
|
<LINE>Which let thy wiseness fear: hold off thy hand.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Pluck them asunder.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Hamlet, Hamlet!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>All</SPEAKER>
|
|
<LINE>Gentlemen,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Good my lord, be quiet.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>The Attendants part them, and they come out of the grave</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why I will fight with him upon this theme</LINE>
|
|
<LINE>Until my eyelids will no longer wag.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>O my son, what theme?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I loved Ophelia: forty thousand brothers</LINE>
|
|
<LINE>Could not, with all their quantity of love,</LINE>
|
|
<LINE>Make up my sum. What wilt thou do for her?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O, he is mad, Laertes.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>For love of God, forbear him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>'Swounds, show me what thou'lt do:</LINE>
|
|
<LINE>Woo't weep? woo't fight? woo't fast? woo't tear thyself?</LINE>
|
|
<LINE>Woo't drink up eisel? eat a crocodile?</LINE>
|
|
<LINE>I'll do't. Dost thou come here to whine?</LINE>
|
|
<LINE>To outface me with leaping in her grave?</LINE>
|
|
<LINE>Be buried quick with her, and so will I:</LINE>
|
|
<LINE>And, if thou prate of mountains, let them throw</LINE>
|
|
<LINE>Millions of acres on us, till our ground,</LINE>
|
|
<LINE>Singeing his pate against the burning zone,</LINE>
|
|
<LINE>Make Ossa like a wart! Nay, an thou'lt mouth,</LINE>
|
|
<LINE>I'll rant as well as thou.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>This is mere madness:</LINE>
|
|
<LINE>And thus awhile the fit will work on him;</LINE>
|
|
<LINE>Anon, as patient as the female dove,</LINE>
|
|
<LINE>When that her golden couplets are disclosed,</LINE>
|
|
<LINE>His silence will sit drooping.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Hear you, sir;</LINE>
|
|
<LINE>What is the reason that you use me thus?</LINE>
|
|
<LINE>I loved you ever: but it is no matter;</LINE>
|
|
<LINE>Let Hercules himself do what he may,</LINE>
|
|
<LINE>The cat will mew and dog will have his day.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I pray you, good Horatio, wait upon him.</LINE>
|
|
<STAGEDIR>Exit HORATIO</STAGEDIR>
|
|
<STAGEDIR>To LAERTES</STAGEDIR>
|
|
<LINE>Strengthen your patience in our last night's speech;</LINE>
|
|
<LINE>We'll put the matter to the present push.</LINE>
|
|
<LINE>Good Gertrude, set some watch over your son.</LINE>
|
|
<LINE>This grave shall have a living monument:</LINE>
|
|
<LINE>An hour of quiet shortly shall we see;</LINE>
|
|
<LINE>Till then, in patience our proceeding be.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exeunt</STAGEDIR>
|
|
</SCENE>
|
|
|
|
<SCENE><TITLE>SCENE II. A hall in the castle.</TITLE>
|
|
<STAGEDIR>Enter HAMLET and HORATIO</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>So much for this, sir: now shall you see the other;</LINE>
|
|
<LINE>You do remember all the circumstance?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Remember it, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, in my heart there was a kind of fighting,</LINE>
|
|
<LINE>That would not let me sleep: methought I lay</LINE>
|
|
<LINE>Worse than the mutines in the bilboes. Rashly,</LINE>
|
|
<LINE>And praised be rashness for it, let us know,</LINE>
|
|
<LINE>Our indiscretion sometimes serves us well,</LINE>
|
|
<LINE>When our deep plots do pall: and that should teach us</LINE>
|
|
<LINE>There's a divinity that shapes our ends,</LINE>
|
|
<LINE>Rough-hew them how we will,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>That is most certain.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Up from my cabin,</LINE>
|
|
<LINE>My sea-gown scarf'd about me, in the dark</LINE>
|
|
<LINE>Groped I to find out them; had my desire.</LINE>
|
|
<LINE>Finger'd their packet, and in fine withdrew</LINE>
|
|
<LINE>To mine own room again; making so bold,</LINE>
|
|
<LINE>My fears forgetting manners, to unseal</LINE>
|
|
<LINE>Their grand commission; where I found, Horatio,--</LINE>
|
|
<LINE>O royal knavery!--an exact command,</LINE>
|
|
<LINE>Larded with many several sorts of reasons</LINE>
|
|
<LINE>Importing Denmark's health and England's too,</LINE>
|
|
<LINE>With, ho! such bugs and goblins in my life,</LINE>
|
|
<LINE>That, on the supervise, no leisure bated,</LINE>
|
|
<LINE>No, not to stay the grinding of the axe,</LINE>
|
|
<LINE>My head should be struck off.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Is't possible?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Here's the commission: read it at more leisure.</LINE>
|
|
<LINE>But wilt thou hear me how I did proceed?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I beseech you.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Being thus be-netted round with villanies,--</LINE>
|
|
<LINE>Ere I could make a prologue to my brains,</LINE>
|
|
<LINE>They had begun the play--I sat me down,</LINE>
|
|
<LINE>Devised a new commission, wrote it fair:</LINE>
|
|
<LINE>I once did hold it, as our statists do,</LINE>
|
|
<LINE>A baseness to write fair and labour'd much</LINE>
|
|
<LINE>How to forget that learning, but, sir, now</LINE>
|
|
<LINE>It did me yeoman's service: wilt thou know</LINE>
|
|
<LINE>The effect of what I wrote?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Ay, good my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>An earnest conjuration from the king,</LINE>
|
|
<LINE>As England was his faithful tributary,</LINE>
|
|
<LINE>As love between them like the palm might flourish,</LINE>
|
|
<LINE>As peace should stiff her wheaten garland wear</LINE>
|
|
<LINE>And stand a comma 'tween their amities,</LINE>
|
|
<LINE>And many such-like 'As'es of great charge,</LINE>
|
|
<LINE>That, on the view and knowing of these contents,</LINE>
|
|
<LINE>Without debatement further, more or less,</LINE>
|
|
<LINE>He should the bearers put to sudden death,</LINE>
|
|
<LINE>Not shriving-time allow'd.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>How was this seal'd?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, even in that was heaven ordinant.</LINE>
|
|
<LINE>I had my father's signet in my purse,</LINE>
|
|
<LINE>Which was the model of that Danish seal;</LINE>
|
|
<LINE>Folded the writ up in form of the other,</LINE>
|
|
<LINE>Subscribed it, gave't the impression, placed it safely,</LINE>
|
|
<LINE>The changeling never known. Now, the next day</LINE>
|
|
<LINE>Was our sea-fight; and what to this was sequent</LINE>
|
|
<LINE>Thou know'st already.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>So Guildenstern and Rosencrantz go to't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Why, man, they did make love to this employment;</LINE>
|
|
<LINE>They are not near my conscience; their defeat</LINE>
|
|
<LINE>Does by their own insinuation grow:</LINE>
|
|
<LINE>'Tis dangerous when the baser nature comes</LINE>
|
|
<LINE>Between the pass and fell incensed points</LINE>
|
|
<LINE>Of mighty opposites.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Why, what a king is this!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Does it not, think'st thee, stand me now upon--</LINE>
|
|
<LINE>He that hath kill'd my king and whored my mother,</LINE>
|
|
<LINE>Popp'd in between the election and my hopes,</LINE>
|
|
<LINE>Thrown out his angle for my proper life,</LINE>
|
|
<LINE>And with such cozenage--is't not perfect conscience,</LINE>
|
|
<LINE>To quit him with this arm? and is't not to be damn'd,</LINE>
|
|
<LINE>To let this canker of our nature come</LINE>
|
|
<LINE>In further evil?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>It must be shortly known to him from England</LINE>
|
|
<LINE>What is the issue of the business there.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It will be short: the interim is mine;</LINE>
|
|
<LINE>And a man's life's no more than to say 'One.'</LINE>
|
|
<LINE>But I am very sorry, good Horatio,</LINE>
|
|
<LINE>That to Laertes I forgot myself;</LINE>
|
|
<LINE>For, by the image of my cause, I see</LINE>
|
|
<LINE>The portraiture of his: I'll court his favours.</LINE>
|
|
<LINE>But, sure, the bravery of his grief did put me</LINE>
|
|
<LINE>Into a towering passion.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Peace! who comes here?</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter OSRIC</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Your lordship is right welcome back to Denmark.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I humbly thank you, sir. Dost know this water-fly?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>No, my good lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Thy state is the more gracious; for 'tis a vice to</LINE>
|
|
<LINE>know him. He hath much land, and fertile: let a</LINE>
|
|
<LINE>beast be lord of beasts, and his crib shall stand at</LINE>
|
|
<LINE>the king's mess: 'tis a chough; but, as I say,</LINE>
|
|
<LINE>spacious in the possession of dirt.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Sweet lord, if your lordship were at leisure, I</LINE>
|
|
<LINE>should impart a thing to you from his majesty.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I will receive it, sir, with all diligence of</LINE>
|
|
<LINE>spirit. Put your bonnet to his right use; 'tis for the head.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>I thank your lordship, it is very hot.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, believe me, 'tis very cold; the wind is</LINE>
|
|
<LINE>northerly.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>It is indifferent cold, my lord, indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>But yet methinks it is very sultry and hot for my</LINE>
|
|
<LINE>complexion.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Exceedingly, my lord; it is very sultry,--as</LINE>
|
|
<LINE>'twere,--I cannot tell how. But, my lord, his</LINE>
|
|
<LINE>majesty bade me signify to you that he has laid a</LINE>
|
|
<LINE>great wager on your head: sir, this is the matter,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I beseech you, remember--</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>HAMLET moves him to put on his hat</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Nay, good my lord; for mine ease, in good faith.</LINE>
|
|
<LINE>Sir, here is newly come to court Laertes; believe</LINE>
|
|
<LINE>me, an absolute gentleman, full of most excellent</LINE>
|
|
<LINE>differences, of very soft society and great showing:</LINE>
|
|
<LINE>indeed, to speak feelingly of him, he is the card or</LINE>
|
|
<LINE>calendar of gentry, for you shall find in him the</LINE>
|
|
<LINE>continent of what part a gentleman would see.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, his definement suffers no perdition in you;</LINE>
|
|
<LINE>though, I know, to divide him inventorially would</LINE>
|
|
<LINE>dizzy the arithmetic of memory, and yet but yaw</LINE>
|
|
<LINE>neither, in respect of his quick sail. But, in the</LINE>
|
|
<LINE>verity of extolment, I take him to be a soul of</LINE>
|
|
<LINE>great article; and his infusion of such dearth and</LINE>
|
|
<LINE>rareness, as, to make true diction of him, his</LINE>
|
|
<LINE>semblable is his mirror; and who else would trace</LINE>
|
|
<LINE>him, his umbrage, nothing more.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Your lordship speaks most infallibly of him.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The concernancy, sir? why do we wrap the gentleman</LINE>
|
|
<LINE>in our more rawer breath?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Sir?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Is't not possible to understand in another tongue?</LINE>
|
|
<LINE>You will do't, sir, really.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What imports the nomination of this gentleman?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Of Laertes?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>His purse is empty already; all's golden words are spent.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Of him, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>I know you are not ignorant--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I would you did, sir; yet, in faith, if you did,</LINE>
|
|
<LINE>it would not much approve me. Well, sir?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>You are not ignorant of what excellence Laertes is--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I dare not confess that, lest I should compare with</LINE>
|
|
<LINE>him in excellence; but, to know a man well, were to</LINE>
|
|
<LINE>know himself.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>I mean, sir, for his weapon; but in the imputation</LINE>
|
|
<LINE>laid on him by them, in his meed he's unfellowed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What's his weapon?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Rapier and dagger.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>That's two of his weapons: but, well.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>The king, sir, hath wagered with him six Barbary</LINE>
|
|
<LINE>horses: against the which he has imponed, as I take</LINE>
|
|
<LINE>it, six French rapiers and poniards, with their</LINE>
|
|
<LINE>assigns, as girdle, hangers, and so: three of the</LINE>
|
|
<LINE>carriages, in faith, are very dear to fancy, very</LINE>
|
|
<LINE>responsive to the hilts, most delicate carriages,</LINE>
|
|
<LINE>and of very liberal conceit.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>What call you the carriages?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>I knew you must be edified by the margent ere you had done.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>The carriages, sir, are the hangers.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The phrase would be more german to the matter, if we</LINE>
|
|
<LINE>could carry cannon by our sides: I would it might</LINE>
|
|
<LINE>be hangers till then. But, on: six Barbary horses</LINE>
|
|
<LINE>against six French swords, their assigns, and three</LINE>
|
|
<LINE>liberal-conceited carriages; that's the French bet</LINE>
|
|
<LINE>against the Danish. Why is this 'imponed,' as you call it?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>The king, sir, hath laid, that in a dozen passes</LINE>
|
|
<LINE>between yourself and him, he shall not exceed you</LINE>
|
|
<LINE>three hits: he hath laid on twelve for nine; and it</LINE>
|
|
<LINE>would come to immediate trial, if your lordship</LINE>
|
|
<LINE>would vouchsafe the answer.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How if I answer 'no'?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>I mean, my lord, the opposition of your person in trial.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Sir, I will walk here in the hall: if it please his</LINE>
|
|
<LINE>majesty, 'tis the breathing time of day with me; let</LINE>
|
|
<LINE>the foils be brought, the gentleman willing, and the</LINE>
|
|
<LINE>king hold his purpose, I will win for him an I can;</LINE>
|
|
<LINE>if not, I will gain nothing but my shame and the odd hits.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Shall I re-deliver you e'en so?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>To this effect, sir; after what flourish your nature will.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>I commend my duty to your lordship.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Yours, yours.</LINE>
|
|
<STAGEDIR>Exit OSRIC</STAGEDIR>
|
|
<LINE>He does well to commend it himself; there are no</LINE>
|
|
<LINE>tongues else for's turn.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>This lapwing runs away with the shell on his head.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>He did comply with his dug, before he sucked it.</LINE>
|
|
<LINE>Thus has he--and many more of the same bevy that I</LINE>
|
|
<LINE>know the dressy age dotes on--only got the tune of</LINE>
|
|
<LINE>the time and outward habit of encounter; a kind of</LINE>
|
|
<LINE>yesty collection, which carries them through and</LINE>
|
|
<LINE>through the most fond and winnowed opinions; and do</LINE>
|
|
<LINE>but blow them to their trial, the bubbles are out.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter a Lord</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Lord</SPEAKER>
|
|
<LINE>My lord, his majesty commended him to you by young</LINE>
|
|
<LINE>Osric, who brings back to him that you attend him in</LINE>
|
|
<LINE>the hall: he sends to know if your pleasure hold to</LINE>
|
|
<LINE>play with Laertes, or that you will take longer time.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I am constant to my purpose; they follow the king's</LINE>
|
|
<LINE>pleasure: if his fitness speaks, mine is ready; now</LINE>
|
|
<LINE>or whensoever, provided I be so able as now.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Lord</SPEAKER>
|
|
<LINE>The king and queen and all are coming down.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>In happy time.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>Lord</SPEAKER>
|
|
<LINE>The queen desires you to use some gentle</LINE>
|
|
<LINE>entertainment to Laertes before you fall to play.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>She well instructs me.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Exit Lord</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>You will lose this wager, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I do not think so: since he went into France, I</LINE>
|
|
<LINE>have been in continual practise: I shall win at the</LINE>
|
|
<LINE>odds. But thou wouldst not think how ill all's here</LINE>
|
|
<LINE>about my heart: but it is no matter.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Nay, good my lord,--</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>It is but foolery; but it is such a kind of</LINE>
|
|
<LINE>gain-giving, as would perhaps trouble a woman.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>If your mind dislike any thing, obey it: I will</LINE>
|
|
<LINE>forestall their repair hither, and say you are not</LINE>
|
|
<LINE>fit.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Not a whit, we defy augury: there's a special</LINE>
|
|
<LINE>providence in the fall of a sparrow. If it be now,</LINE>
|
|
<LINE>'tis not to come; if it be not to come, it will be</LINE>
|
|
<LINE>now; if it be not now, yet it will come: the</LINE>
|
|
<LINE>readiness is all: since no man has aught of what he</LINE>
|
|
<LINE>leaves, what is't to leave betimes?</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES,
|
|
Lords, OSRIC, and Attendants with foils, &c</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Come, Hamlet, come, and take this hand from me.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>KING CLAUDIUS puts LAERTES' hand into HAMLET's</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Give me your pardon, sir: I've done you wrong;</LINE>
|
|
<LINE>But pardon't, as you are a gentleman.</LINE>
|
|
<LINE>This presence knows,</LINE>
|
|
<LINE>And you must needs have heard, how I am punish'd</LINE>
|
|
<LINE>With sore distraction. What I have done,</LINE>
|
|
<LINE>That might your nature, honour and exception</LINE>
|
|
<LINE>Roughly awake, I here proclaim was madness.</LINE>
|
|
<LINE>Was't Hamlet wrong'd Laertes? Never Hamlet:</LINE>
|
|
<LINE>If Hamlet from himself be ta'en away,</LINE>
|
|
<LINE>And when he's not himself does wrong Laertes,</LINE>
|
|
<LINE>Then Hamlet does it not, Hamlet denies it.</LINE>
|
|
<LINE>Who does it, then? His madness: if't be so,</LINE>
|
|
<LINE>Hamlet is of the faction that is wrong'd;</LINE>
|
|
<LINE>His madness is poor Hamlet's enemy.</LINE>
|
|
<LINE>Sir, in this audience,</LINE>
|
|
<LINE>Let my disclaiming from a purposed evil</LINE>
|
|
<LINE>Free me so far in your most generous thoughts,</LINE>
|
|
<LINE>That I have shot mine arrow o'er the house,</LINE>
|
|
<LINE>And hurt my brother.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>I am satisfied in nature,</LINE>
|
|
<LINE>Whose motive, in this case, should stir me most</LINE>
|
|
<LINE>To my revenge: but in my terms of honour</LINE>
|
|
<LINE>I stand aloof; and will no reconcilement,</LINE>
|
|
<LINE>Till by some elder masters, of known honour,</LINE>
|
|
<LINE>I have a voice and precedent of peace,</LINE>
|
|
<LINE>To keep my name ungored. But till that time,</LINE>
|
|
<LINE>I do receive your offer'd love like love,</LINE>
|
|
<LINE>And will not wrong it.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I embrace it freely;</LINE>
|
|
<LINE>And will this brother's wager frankly play.</LINE>
|
|
<LINE>Give us the foils. Come on.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Come, one for me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I'll be your foil, Laertes: in mine ignorance</LINE>
|
|
<LINE>Your skill shall, like a star i' the darkest night,</LINE>
|
|
<LINE>Stick fiery off indeed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>You mock me, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>No, by this hand.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Give them the foils, young Osric. Cousin Hamlet,</LINE>
|
|
<LINE>You know the wager?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Very well, my lord</LINE>
|
|
<LINE>Your grace hath laid the odds o' the weaker side.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I do not fear it; I have seen you both:</LINE>
|
|
<LINE>But since he is better'd, we have therefore odds.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>This is too heavy, let me see another.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>This likes me well. These foils have all a length?</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>They prepare to play</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Ay, my good lord.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Set me the stoops of wine upon that table.</LINE>
|
|
<LINE>If Hamlet give the first or second hit,</LINE>
|
|
<LINE>Or quit in answer of the third exchange,</LINE>
|
|
<LINE>Let all the battlements their ordnance fire:</LINE>
|
|
<LINE>The king shall drink to Hamlet's better breath;</LINE>
|
|
<LINE>And in the cup an union shall he throw,</LINE>
|
|
<LINE>Richer than that which four successive kings</LINE>
|
|
<LINE>In Denmark's crown have worn. Give me the cups;</LINE>
|
|
<LINE>And let the kettle to the trumpet speak,</LINE>
|
|
<LINE>The trumpet to the cannoneer without,</LINE>
|
|
<LINE>The cannons to the heavens, the heavens to earth,</LINE>
|
|
<LINE>'Now the king dunks to Hamlet.' Come, begin:</LINE>
|
|
<LINE>And you, the judges, bear a wary eye.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Come on, sir.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Come, my lord.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>They play</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>One.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>No.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Judgment.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>A hit, a very palpable hit.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Well; again.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Stay; give me drink. Hamlet, this pearl is thine;</LINE>
|
|
<LINE>Here's to thy health.</LINE>
|
|
<STAGEDIR>Trumpets sound, and cannon shot off within</STAGEDIR>
|
|
<LINE>Give him the cup.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I'll play this bout first; set it by awhile. Come.</LINE>
|
|
<STAGEDIR>They play</STAGEDIR>
|
|
<LINE>Another hit; what say you?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>A touch, a touch, I do confess.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Our son shall win.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>He's fat, and scant of breath.</LINE>
|
|
<LINE>Here, Hamlet, take my napkin, rub thy brows;</LINE>
|
|
<LINE>The queen carouses to thy fortune, Hamlet.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Good madam!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Gertrude, do not drink.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>I will, my lord; I pray you, pardon me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> It is the poison'd cup: it is too late.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>I dare not drink yet, madam; by and by.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>Come, let me wipe thy face.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>My lord, I'll hit him now.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>I do not think't.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE><STAGEDIR>Aside</STAGEDIR> And yet 'tis almost 'gainst my conscience.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Come, for the third, Laertes: you but dally;</LINE>
|
|
<LINE>I pray you, pass with your best violence;</LINE>
|
|
<LINE>I am afeard you make a wanton of me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Say you so? come on.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>They play</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Nothing, neither way.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Have at you now!</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>LAERTES wounds HAMLET; then in scuffling, they
|
|
change rapiers, and HAMLET wounds LAERTES</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>Part them; they are incensed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Nay, come, again.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>QUEEN GERTRUDE falls</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Look to the queen there, ho!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>They bleed on both sides. How is it, my lord?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>How is't, Laertes?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>Why, as a woodcock to mine own springe, Osric;</LINE>
|
|
<LINE>I am justly kill'd with mine own treachery.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>How does the queen?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>She swounds to see them bleed.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>QUEEN GERTRUDE</SPEAKER>
|
|
<LINE>No, no, the drink, the drink,--O my dear Hamlet,--</LINE>
|
|
<LINE>The drink, the drink! I am poison'd.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Dies</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O villany! Ho! let the door be lock'd:</LINE>
|
|
<LINE>Treachery! Seek it out.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>It is here, Hamlet: Hamlet, thou art slain;</LINE>
|
|
<LINE>No medicine in the world can do thee good;</LINE>
|
|
<LINE>In thee there is not half an hour of life;</LINE>
|
|
<LINE>The treacherous instrument is in thy hand,</LINE>
|
|
<LINE>Unbated and envenom'd: the foul practise</LINE>
|
|
<LINE>Hath turn'd itself on me lo, here I lie,</LINE>
|
|
<LINE>Never to rise again: thy mother's poison'd:</LINE>
|
|
<LINE>I can no more: the king, the king's to blame.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>The point!--envenom'd too!</LINE>
|
|
<LINE>Then, venom, to thy work.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Stabs KING CLAUDIUS</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>All</SPEAKER>
|
|
<LINE>Treason! treason!</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>KING CLAUDIUS</SPEAKER>
|
|
<LINE>O, yet defend me, friends; I am but hurt.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Here, thou incestuous, murderous, damned Dane,</LINE>
|
|
<LINE>Drink off this potion. Is thy union here?</LINE>
|
|
<LINE>Follow my mother.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>KING CLAUDIUS dies</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>LAERTES</SPEAKER>
|
|
<LINE>He is justly served;</LINE>
|
|
<LINE>It is a poison temper'd by himself.</LINE>
|
|
<LINE>Exchange forgiveness with me, noble Hamlet:</LINE>
|
|
<LINE>Mine and my father's death come not upon thee,</LINE>
|
|
<LINE>Nor thine on me.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Dies</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>Heaven make thee free of it! I follow thee.</LINE>
|
|
<LINE>I am dead, Horatio. Wretched queen, adieu!</LINE>
|
|
<LINE>You that look pale and tremble at this chance,</LINE>
|
|
<LINE>That are but mutes or audience to this act,</LINE>
|
|
<LINE>Had I but time--as this fell sergeant, death,</LINE>
|
|
<LINE>Is strict in his arrest--O, I could tell you--</LINE>
|
|
<LINE>But let it be. Horatio, I am dead;</LINE>
|
|
<LINE>Thou livest; report me and my cause aright</LINE>
|
|
<LINE>To the unsatisfied.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Never believe it:</LINE>
|
|
<LINE>I am more an antique Roman than a Dane:</LINE>
|
|
<LINE>Here's yet some liquor left.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>As thou'rt a man,</LINE>
|
|
<LINE>Give me the cup: let go; by heaven, I'll have't.</LINE>
|
|
<LINE>O good Horatio, what a wounded name,</LINE>
|
|
<LINE>Things standing thus unknown, shall live behind me!</LINE>
|
|
<LINE>If thou didst ever hold me in thy heart</LINE>
|
|
<LINE>Absent thee from felicity awhile,</LINE>
|
|
<LINE>And in this harsh world draw thy breath in pain,</LINE>
|
|
<LINE>To tell my story.</LINE>
|
|
<STAGEDIR>March afar off, and shot within</STAGEDIR>
|
|
<LINE>What warlike noise is this?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>OSRIC</SPEAKER>
|
|
<LINE>Young Fortinbras, with conquest come from Poland,</LINE>
|
|
<LINE>To the ambassadors of England gives</LINE>
|
|
<LINE>This warlike volley.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HAMLET</SPEAKER>
|
|
<LINE>O, I die, Horatio;</LINE>
|
|
<LINE>The potent poison quite o'er-crows my spirit:</LINE>
|
|
<LINE>I cannot live to hear the news from England;</LINE>
|
|
<LINE>But I do prophesy the election lights</LINE>
|
|
<LINE>On Fortinbras: he has my dying voice;</LINE>
|
|
<LINE>So tell him, with the occurrents, more and less,</LINE>
|
|
<LINE>Which have solicited. The rest is silence.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>Dies</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Now cracks a noble heart. Good night sweet prince:</LINE>
|
|
<LINE>And flights of angels sing thee to thy rest!</LINE>
|
|
<LINE>Why does the drum come hither?</LINE>
|
|
</SPEECH>
|
|
|
|
<STAGEDIR>March within</STAGEDIR>
|
|
<STAGEDIR>Enter FORTINBRAS, the English Ambassadors,
|
|
and others</STAGEDIR>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>Where is this sight?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>What is it ye would see?</LINE>
|
|
<LINE>If aught of woe or wonder, cease your search.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>This quarry cries on havoc. O proud death,</LINE>
|
|
<LINE>What feast is toward in thine eternal cell,</LINE>
|
|
<LINE>That thou so many princes at a shot</LINE>
|
|
<LINE>So bloodily hast struck?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>First Ambassador</SPEAKER>
|
|
<LINE>The sight is dismal;</LINE>
|
|
<LINE>And our affairs from England come too late:</LINE>
|
|
<LINE>The ears are senseless that should give us hearing,</LINE>
|
|
<LINE>To tell him his commandment is fulfill'd,</LINE>
|
|
<LINE>That Rosencrantz and Guildenstern are dead:</LINE>
|
|
<LINE>Where should we have our thanks?</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Not from his mouth,</LINE>
|
|
<LINE>Had it the ability of life to thank you:</LINE>
|
|
<LINE>He never gave commandment for their death.</LINE>
|
|
<LINE>But since, so jump upon this bloody question,</LINE>
|
|
<LINE>You from the Polack wars, and you from England,</LINE>
|
|
<LINE>Are here arrived give order that these bodies</LINE>
|
|
<LINE>High on a stage be placed to the view;</LINE>
|
|
<LINE>And let me speak to the yet unknowing world</LINE>
|
|
<LINE>How these things came about: so shall you hear</LINE>
|
|
<LINE>Of carnal, bloody, and unnatural acts,</LINE>
|
|
<LINE>Of accidental judgments, casual slaughters,</LINE>
|
|
<LINE>Of deaths put on by cunning and forced cause,</LINE>
|
|
<LINE>And, in this upshot, purposes mistook</LINE>
|
|
<LINE>Fall'n on the inventors' reads: all this can I</LINE>
|
|
<LINE>Truly deliver.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>Let us haste to hear it,</LINE>
|
|
<LINE>And call the noblest to the audience.</LINE>
|
|
<LINE>For me, with sorrow I embrace my fortune:</LINE>
|
|
<LINE>I have some rights of memory in this kingdom,</LINE>
|
|
<LINE>Which now to claim my vantage doth invite me.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>HORATIO</SPEAKER>
|
|
<LINE>Of that I shall have also cause to speak,</LINE>
|
|
<LINE>And from his mouth whose voice will draw on more;</LINE>
|
|
<LINE>But let this same be presently perform'd,</LINE>
|
|
<LINE>Even while men's minds are wild; lest more mischance</LINE>
|
|
<LINE>On plots and errors, happen.</LINE>
|
|
</SPEECH>
|
|
|
|
<SPEECH>
|
|
<SPEAKER>PRINCE FORTINBRAS</SPEAKER>
|
|
<LINE>Let four captains</LINE>
|
|
<LINE>Bear Hamlet, like a soldier, to the stage;</LINE>
|
|
<LINE>For he was likely, had he been put on,</LINE>
|
|
<LINE>To have proved most royally: and, for his passage,</LINE>
|
|
<LINE>The soldiers' music and the rites of war</LINE>
|
|
<LINE>Speak loudly for him.</LINE>
|
|
<LINE>Take up the bodies: such a sight as this</LINE>
|
|
<LINE>Becomes the field, but here shows much amiss.</LINE>
|
|
<LINE>Go, bid the soldiers shoot.</LINE>
|
|
</SPEECH>
|
|
|
|
|
|
<STAGEDIR>A dead march. Exeunt, bearing off the dead
|
|
bodies; after which a peal of ordnance is shot off</STAGEDIR>
|
|
</SCENE>
|
|
</ACT>
|
|
</PLAY>
|